<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-9132748</id><updated>2012-01-27T11:08:23.862-07:00</updated><title type='text'>The MediaMentor's Text Blog</title><subtitle type='html'>This Blog is a centralized place where I publish all the posts I send to all the e-mail lists that I post to. It will give you a good idea of my intersts. Please excuse font &amp; formatting errors that come from the many sources I harvest.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default?start-index=101&amp;max-results=100'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>514</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-9132748.post-4246273444458727314</id><published>2012-01-27T11:08:00.001-07:00</published><updated>2012-01-27T11:08:23.956-07:00</updated><title type='text'>The 2012 Great Northern Canada Writing Contest Deadline - April 30, 2012</title><content type='html'>Annelies Pool [&lt;a href="mailto:anneliespool@me.com"&gt;anneliespool@me.com&lt;/a&gt;] on behalf of Great Northern Canada Writing Contest has requested distribution of the following call for submissions:&lt;br&gt;&lt;br&gt;The 2012 Great Northern Canada Writing Contest&lt;br&gt; Deadline - April 30, 2012&lt;br&gt;&lt;br&gt;To enter, submit a piece of prose, either fiction or non-fiction, of up to 1,000 words about life in the Yukon, Northwest Territories, Nunavut or Nunavik. Previously published items are not eligible.&lt;br&gt; &lt;br&gt;Entries should be typed and double-spaced with the title, but not your name, on each numbered page. Please submit a separate cover sheet with your name, address, phone number, email address, word count and whether your piece is fiction or non-fiction.&lt;br&gt; &lt;br&gt;Entries must be mailed to:&lt;br&gt;&lt;br&gt;Great Northern Canada Writing Contest&lt;br&gt;Box 1256,&lt;br&gt;Yellowknife NT &lt;br&gt;X1A 2N9&lt;br&gt;&lt;br&gt;We do not accept emailed or faxed entries.&lt;br&gt;&lt;br&gt;Deadline is April 30, 2012. That means they must be postmarked by that date.&lt;br&gt; &lt;br&gt;First Prize is $500 and publication in above&amp;amp;beyond, Canada's Arctic Journal.&lt;br&gt;&lt;a href="http://www.arcticjournal.ca/"&gt;http://www.arcticjournal.ca/&lt;/a&gt;&lt;br&gt;&lt;br&gt;Special Emerging Writer Prize of $250 and publication in above&amp;amp;beyond, Canada's Arctic Journal, for writers who have never been published for payment. To qualify, identify yourself  "emerging writer" on the cover sheet you submit with your entry.&lt;br&gt; &lt;br&gt;Winners will be announced at the 5th Annual NorthWords Writers Festival in Yellowknife, NWT on May 31 – June 3, 2012.&lt;br&gt;&lt;br&gt;The following are not eligible: Staff and contractors of above&amp;amp;beyond magazine and their families, writers who have been published in above&amp;amp;beyond in the last five years, organizers and paid staff of the NorthWords Writers Festival and their families.&lt;br&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-4246273444458727314?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/4246273444458727314/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=4246273444458727314&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/4246273444458727314'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/4246273444458727314'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2012/01/2012-great-northern-canada-writing.html' title='The 2012 Great Northern Canada Writing Contest Deadline - April 30, 2012'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-2284418674167342276</id><published>2012-01-18T01:44:00.001-07:00</published><updated>2012-01-18T01:44:34.573-07:00</updated><title type='text'>Imagine a World Without Free Knowledge - I support #wikipediablackout! Show your support here</title><content type='html'>I support #wikipediablackout! Show your support here &lt;a href="http://tinyurl.com/7vq4o8g"&gt;http://tinyurl.com/7vq4o8g&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;div id="mw-sopaHeadline"&gt;Imagine a World Without Free Knowledge&lt;/div&gt;&lt;div id="mw-sopaText"&gt;&lt;p&gt; For  over a decade, we have spent millions of hours building the largest  encyclopedia in human history. Right now, the U.S. Congress is  considering legislation that could fatally damage the free and open  Internet. For 24 hours, to raise awareness, we are blacking out  Wikipedia. Learn more.&lt;br&gt;&lt;a href="http://en.wikipedia.org/wiki/Wikipedia:SOPA_initiative/Learn_more"&gt;http://en.wikipedia.org/wiki/Wikipedia:SOPA_initiative/Learn_more&lt;/a&gt;&lt;br&gt;&lt;/p&gt;&lt;/div&gt;&lt;br&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-2284418674167342276?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/2284418674167342276/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=2284418674167342276&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/2284418674167342276'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/2284418674167342276'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2012/01/imagine-world-without-free-knowledge-i.html' title='Imagine a World Without Free Knowledge - I support #wikipediablackout! Show your support here'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-6209684777497267590</id><published>2011-08-08T09:34:00.001-06:00</published><updated>2011-08-08T09:34:40.283-06:00</updated><title type='text'>The legal implications of tweeting</title><content type='html'>The (US) legal implications of tweeting: Can tweets be libelous? It turns out they can be &lt;br&gt;&lt;a href="http://www.poynter.org/latest-news/top-stories/141987/what-journalists-need-to-know-about-libelous-tweets/"&gt;http://www.poynter.org/latest-news/top-stories/141987/what-journalists-need-to-know-about-libelous-tweets/&lt;/a&gt;&lt;br&gt; &lt;br&gt;[excerpt, see original URL for embedded links]&lt;br&gt;&lt;br&gt;&lt;p&gt;So  how can news organizations guard against libelous tweets? It's   important, Ardia said, for staffers to have a basic understanding of the   legal implications of tweeting.&lt;/p&gt; &lt;p&gt;&lt;a href="http://www.citmedialaw.org/section-230"&gt;Under section 230 of the Communications Decency Act&lt;/a&gt;,   news organizations are protected from defamation liability for content   that's created by a third party. The law protects YouTube from libel   lawsuits, and it protects bloggers and news organizations from   defamatory comments that users may post. The law also protects retweets.   So if a journalist or news organization were to retweet a defamatory   statement, they would not be held accountable. If, however, they added a   defamatory remark as part of the retweet, they could be.&lt;/p&gt; &lt;p&gt;Generally speaking, Ardia said, a news organization would only be  responsible for an employee's defamatory tweets if the employee's use of  Twitter was part of their job or otherwise related to their line of  work. If the defamatory tweet wasn't work-related, the employee would be  the only one responsible for it.&lt;/p&gt; &lt;p&gt;Having social media guidelines that lay out the legal pitfalls can help. A few months after the AP was sued, &lt;a href="http://www.poynter.org/latest-news/top-stories/141987/latest-news/romenesko/139117/ap-updates-social-media-guidelines-a-week-after-warning-staffers-about-expressing-opinions/"&gt;the organization updated its social media guidelines&lt;/a&gt;.   (When asked whether the lawsuit Spooner filed prompted the AP to  update  its social media guidelines, AP Deputy Managing Editor for  Standards and  Production Tom Kent said, "Not that I recall.")&lt;/p&gt; &lt;p&gt;The new guidelines,  which were issued a week after the &lt;a href="http://www.poynter.org/latest-news/romenesko/138288/ap-warns-staff-about-expressing-opinions-on-social-networks/"&gt;AP warned staffers about expressing  opinions&lt;/a&gt;, didn't specifically mention the legal implications of  tweeting.&lt;/p&gt;  &lt;p&gt;Some organizations, &lt;a href="http://stevebuttry.wordpress.com/2011/05/12/asne-offers-good-advice-on-social-media-but-too-much-fear-and-not-really-best-practices/"&gt;such as ASNE&lt;/a&gt;,  have been criticized for creating "strict" social media guidelines that   limit journalists' ability to develop their voice and skills on social   networking sites. I tend to favor guidelines that encourage   experimentation rather than those that limit it. But given that tweets   can be libelous, I can see the value in setting  stricter parameters.&lt;/p&gt; &lt;p&gt;When updating its guidelines recently, the BBC instituted a rule saying &lt;a href="http://www.poynter.org/latest-news/top-stories/141987/latest-news/romenesko/139412/bbc-social-media-policy-insists-second-pair-of-eyes-review-news-updates-for-twitter-or-facebook/"&gt;"two pairs of eyes" need to look over news updates for Twitter and Facebook&lt;/a&gt;.   The extra set of eyes could prevent  the BBC from tweeting something  potentially defamatory, but that's not why the BBC made the update.  Kevin Marsh, a  longtime BBC editor who played an advisory role in  creating the guidelines, explained that the update is an extension  of  the more general rules and practices that the BBC follows.&lt;/p&gt; &lt;p&gt;"Recorded  content has to go through a lengthy and comprehensive  process of  compliance," said Marsh, who recently left the BBC after  working there  for 33 years. "Live content [anything published on social  networks] has  to go through a different process, for obvious reasons,  with the  warranty from the editor in charge of the output that there  are at least  'two pairs of eyes or ears' across the content, one more  senior to the  other, able to take action — apology, taking down,  correction — if  necessary."&lt;/p&gt; &lt;p&gt;At The Guardian, journalists who identify themselves as Guardian  employees in their Twitter bios are advised to include a disclaimer such  as, "These are my personal views  and not those of my employer."&lt;/p&gt; &lt;p&gt;This can be helpful, Ardia said, but it's not a complete shield to liability.&lt;/p&gt; &lt;br&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-6209684777497267590?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/6209684777497267590/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=6209684777497267590&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/6209684777497267590'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/6209684777497267590'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2011/08/legal-implications-of-tweeting.html' title='The legal implications of tweeting'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-8061896147467611493</id><published>2011-04-09T15:15:00.001-06:00</published><updated>2011-04-09T15:15:28.233-06:00</updated><title type='text'>Facebook moving to China?</title><content type='html'>&lt;br&gt;&lt;br&gt;&lt;div class="gmail_quote"&gt;---------- Forwarded message ----------&lt;br&gt;From: &lt;b class="gmail_sendername"&gt;Rebecca MacKinnon&lt;/b&gt; &lt;span dir="ltr"&gt;&amp;lt;&lt;a href="http://rebecca.mackinnonATgmail.com"&gt;rebecca.mackinnonATgmail.com&lt;/a&gt;&amp;gt;&lt;/span&gt;&lt;br&gt; Date: 9 April 2011 06:17&lt;br&gt;Subject: [chineseinternetresearch] Facebook moving to China?&lt;br&gt;To: chineseinternetresearch &amp;lt;&lt;a href="mailto:chineseinternetresearch@yahoogroups.com"&gt;chineseinternetresearch@yahoogroups.com&lt;/a&gt;&amp;gt;, &amp;quot;&lt;a href="mailto:oni@eon.law.harvard.edu"&gt;oni@eon.law.harvard.edu&lt;/a&gt; Initiative&amp;quot; &amp;lt;&lt;a href="mailto:oni@eon.law.harvard.edu"&gt;oni@eon.law.harvard.edu&lt;/a&gt;&amp;gt;, liberationtech &amp;lt;&lt;a href="mailto:liberationtech@lists.stanford.edu"&gt;liberationtech@lists.stanford.edu&lt;/a&gt;&amp;gt;&lt;br&gt; &lt;br&gt;&lt;br&gt;&lt;a href="http://mashable.com/2011/04/08/facebook-china-4/" target="_blank"&gt;http://mashable.com/2011/04/08/facebook-china-4/&lt;/a&gt;&lt;br&gt; Is Facebook Moving Into China?&lt;br&gt; [REPORT]&amp;lt;&lt;a href="http://mashable.com/2011/04/08/facebook-china-4/" target="_blank"&gt;http://mashable.com/2011/04/08/facebook-china-4/&lt;/a&gt;&amp;gt;&lt;br&gt; 15 hours ago by Charlie White&lt;br&gt; &amp;lt;&lt;a href="http://mashable.com/author/charlie-white/" target="_blank"&gt;http://mashable.com/author/charlie-white/&lt;/a&gt;&amp;gt;&lt;br&gt; 14&amp;lt;&lt;a href="http://mashable.com/2011/04/08/facebook-china-4/#disqus_thread" target="_blank"&gt;http://mashable.com/2011/04/08/facebook-china-4/#disqus_thread&lt;/a&gt;&amp;gt;&lt;br&gt; &lt;br&gt; According to the latest crop of rumors,&lt;br&gt; Facebook&amp;lt;&lt;a href="http://mashable.com/category/facebook" target="_blank"&gt;http://mashable.com/category/facebook&lt;/a&gt;&amp;gt;is about to make a deal&lt;br&gt; that will bring it into the vast Chinese market.&lt;br&gt; &lt;br&gt; Though such rumors have been circulating since&lt;br&gt; 2007&amp;lt;&lt;a href="http://mashable.com/2007/10/31/facebook-china/" target="_blank"&gt;http://mashable.com/2007/10/31/facebook-china/&lt;/a&gt;&amp;gt;,&lt;br&gt; the information is presently coming from numerous credible industry sources.&lt;br&gt; &lt;br&gt; But don't expect to friend anyone in China. Keeping with the country's&lt;br&gt; closed nature, any new Facebook social network in China wouldn't be linked&lt;br&gt; with the rest of the site.&lt;br&gt; &lt;br&gt; According to *TechRice&amp;lt;&lt;a href="http://techrice.com/2011/04/09/blockbuster-rumor-facebook-partners-with-baidu-to-enter-china/" target="_blank"&gt;http://techrice.com/2011/04/09/blockbuster-rumor-facebook-partners-with-baidu-to-enter-china/&lt;/a&gt;&amp;gt;&lt;br&gt;  *, Facebook will be partnering with&lt;br&gt; Baidu&amp;lt;&lt;a href="http://mashable.com/follow/topics/baidu/?page=1" target="_blank"&gt;http://mashable.com/follow/topics/baidu/?page=1&lt;/a&gt;&amp;gt;,&lt;br&gt; the largest search engine in China, valued at $50 billion. That's if Hu&lt;br&gt; Yanping, founder of the Beijing-based Data Center of the China Internet (&lt;br&gt; DCCI &amp;lt;&lt;a href="http://www.dcci.com.cn/" target="_blank"&gt;http://www.dcci.com.cn/&lt;/a&gt;&amp;gt;), tweets the truth. He says Facebook has&lt;br&gt; already signed an official contract with Baidu to create a new social&lt;br&gt; network in China.&lt;br&gt; &lt;br&gt; Marbridge Consulting&amp;lt;&lt;a href="http://www.marbridgeconsulting.com/marbridgedaily/2011-04-08/article/45061/rumor_baidu_facebook_ally_to_launch_sns_in_china" target="_blank"&gt;http://www.marbridgeconsulting.com/marbridgedaily/2011-04-08/article/45061/rumor_baidu_facebook_ally_to_launch_sns_in_china&lt;/a&gt;&amp;gt;has&lt;br&gt;  also heard from multiple industry sources, which say Facebook will be&lt;br&gt; working with Baidu on the new China site, bolstered by rumors that Baidu&lt;br&gt; visited Facebook in February.&lt;br&gt; &lt;br&gt; So we have tweets on top of rumors on top of blog posts. The preponderance&lt;br&gt; of evidence is that Facebook has something going on in China. But given that&lt;br&gt; China wants to prevent the kind of revolutionary fervor reaching a fever&lt;br&gt; pitch in the Middle East and Northern Africa lately, any version of Facebook&lt;br&gt; in China will likely be tightly regulated and censored.&lt;br&gt; &lt;br&gt; Could this end up being like that pale imitation of&lt;br&gt; Twitter&amp;lt;&lt;a href="http://mashable.com/2010/12/15/chinas-communist-twitter/" target="_blank"&gt;http://mashable.com/2010/12/15/chinas-communist-twitter/&lt;/a&gt;&amp;gt;we&lt;br&gt; saw sprouting up in China late last year? And will China's penchant&lt;br&gt; for&lt;br&gt; censorship mean a Chinese version of Facebook is doomed to die? Let us know&lt;br&gt; what you think in the comments.&lt;br&gt; &lt;br&gt; &lt;br&gt; --&lt;br&gt; Rebecca MacKinnon&lt;br&gt; Schwartz Senior Fellow, New America Foundation&lt;br&gt; Co-founder, GlobalVoicesOnline.org&lt;br&gt; Cell: +1-617-939-3493&lt;br&gt; E-mail: &lt;a href="http://rebecca.mackinnonATgmail.com"&gt;rebecca.mackinnonATgmail.com&lt;/a&gt;&lt;br&gt; Blog: &lt;a href="http://RConversation.blogs.com" target="_blank"&gt;RConversation.blogs.com&lt;/a&gt;&lt;br&gt; Twitter: @rmack &amp;lt;&lt;a href="http://twitter.com/rmack" target="_blank"&gt;http://twitter.com/rmack&lt;/a&gt;&amp;gt;&lt;br&gt; Facebook: &lt;a href="http://facebook.com/rmackinnon" target="_blank"&gt;facebook.com/rmackinnon&lt;/a&gt;&lt;br&gt; &lt;br&gt; &lt;br&gt; [Non-text portions of this message have been removed]&lt;br&gt; &lt;br&gt; &lt;br&gt; &lt;br&gt; ------------------------------------&lt;br&gt; &lt;br&gt; Via&lt;br&gt; &lt;br&gt; &amp;lt;*&amp;gt; To visit your group on the web, go to:&lt;br&gt;     &lt;a href="http://groups.yahoo.com/group/chineseinternetresearch/" target="_blank"&gt;http://groups.yahoo.com/group/chineseinternetresearch/&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;/div&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-8061896147467611493?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/8061896147467611493/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=8061896147467611493&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/8061896147467611493'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/8061896147467611493'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2011/04/facebook-moving-to-china.html' title='Facebook moving to China?'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-3202732932033175570</id><published>2011-04-03T09:58:00.001-06:00</published><updated>2011-04-03T09:58:53.202-06:00</updated><title type='text'>Which URL Shortener Should You Use?</title><content type='html'>Which URL Shortener Should You Use? - #SocialMedia http://ow.ly/4s7tx full report http://ow.ly/4s7uR &lt;br /&gt;&lt;br /&gt;All URL shorteners are far from equal. That&amp;rsquo;s what &lt;a target="_blank" href="http://blog.watchmouse.com/2011/04/what-a-difference-a-year-makes-url-shorteners-make-the-web-substantially-slower-but-facebook%E2%80%99s-fb-me-google%E2%80%99s-goo-gl-and-budurl-perform-perfectly/"&gt;new data&lt;/a&gt; from online performance &lt;a id="KonaLink0" class="kLink" style="text-decoration: underline ! important; position: static; font-family: inherit ! important; font-weight: inherit ! important; font-size: inherit ! important;" href="http://thenextweb.com/socialmedia/2011/04/02/which-url-shortener-should-you-use/#"&gt;&lt;font color="#0000ff" style="color: rgb(0, 0, 255) ! important; font-family: inherit ! important; font-weight: inherit ! important; font-size: inherit ! important; position: static;"&gt;&lt;span class="kLink" style="color: rgb(0, 0, 255) ! important; font-family: inherit ! important; font-weight: inherit ! important; font-size: inherit ! important; position: relative;"&gt;monitoring &lt;/span&gt;&lt;span class="kLink" style="color: rgb(0, 0, 255) ! important; font-family: inherit ! important; font-weight: inherit ! important; font-size: inherit ! important; position: relative;"&gt;service&lt;/span&gt;&lt;/font&gt;&lt;/a&gt; &lt;a target="_blank" href="http://www.watchmouse.com/"&gt;Watchmouse&lt;/a&gt; finds.&lt;br /&gt;&lt;br /&gt;WatchMouse monitored the availability (uptime) and performance (page  load speed) of the most popular URL Shorteners from February 24 through  March 28, 2011.&lt;br /&gt; &lt;p class="topMargin"&gt; We report on the following for each of the websites: &lt;/p&gt; &lt;ul class="square"&gt;&lt;br /&gt;     &lt;li&gt;&lt;a href="http://www.watchmouse.com/en/SPI/2011/status_url_shorteners.php#availability"&gt;Availability&lt;/a&gt;&lt;/li&gt;     &lt;br /&gt;     &lt;li&gt;&lt;a href="http://www.watchmouse.com/en/SPI/2011/status_url_shorteners.php#performance"&gt;Performance&lt;/a&gt;&lt;/li&gt;     &lt;br /&gt;     &lt;li&gt;&lt;a href="http://www.watchmouse.com/en/SPI/2011/status_url_shorteners.php#spi"&gt;Site Performance Index&lt;/a&gt;&lt;/li&gt;     &lt;br /&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-3202732932033175570?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/3202732932033175570/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=3202732932033175570&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/3202732932033175570'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/3202732932033175570'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2011/04/which-url-shortener-should-you-use.html' title='Which URL Shortener Should You Use?'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-8892150982753558851</id><published>2011-02-19T08:24:00.001-07:00</published><updated>2011-02-19T08:24:18.712-07:00</updated><title type='text'>Legal Lesson Learned: Copywriter Pays $4,000 for $10 Photo</title><content type='html'>Legal Lesson Learned: Copywriter Pays $4,000 for $10 Photo | Webcopyplus Web Copywriter Blog &lt;br&gt;&lt;br&gt;[excerpt]&lt;br&gt;&lt;br&gt;&lt;p&gt;Why would copywriters at Webcopyplus pay $4,000 for a digital photo  that retails for about $10? Well, frankly, we screwed up. It's an  expensive lesson on copyright laws that we wish to share with other  marketers, so you don't make the same mistake.&lt;/p&gt; &lt;p&gt;&lt;span id="more-4566"&gt;&lt;/span&gt;Our web copywriters were under the  impression that images on the Web without any copyright notices were  "public domain" and therefore free to use. Naive? Yes. A notion limited  to our copywriting firm? Definitely not. It likely has to do with the  fact that works no longer need a copyright notice to have copyright  protection (you can read about the &lt;a title="Berne Convention Implementation Act" href="http://en.wikipedia.org/wiki/Berne_Convention_Implementation_Act_of_1988" target="_blank"&gt;Berne Convention Implementation Act&lt;/a&gt;, which the US adopted in 1988).&lt;/p&gt;  &lt;p&gt;Designers, writers, developers, marketers, business owners, and  ironically even photographers, use photos from the Web without  permission. Sites like Google make it so convenient. Enter your  keywords, do an image search, and you've got an endless photo library  ripe for the picking. &lt;em&gt;Woman&lt;/em&gt; &lt;em&gt;laughing&lt;/em&gt; delivers 5.2 million photos. &lt;em&gt;Business man&lt;/em&gt; offers 423 million photos. And the keyword &lt;em&gt;kids&lt;/em&gt; brings up a whopping 778 million images. You can find pretty well anything, too, from ABBA to zombies.&lt;/p&gt;  &lt;h3&gt;The Copyright Crime&lt;/h3&gt; &lt;p&gt;While we maintained an active stock photo account for our blog with  access to an array of suitable photos, one of our copywriters grabbed a  photo from the Web. The image: a colour 400 x 300 pixel beach shot with  some greenery in the foreground. A nice shot, but nothing spectacular.&lt;/p&gt; &lt;p&gt;We posted it on a client's tourism blog to add zest to a promotional  article — done. Sip some caffeine, get a little Twitter action, and then  dive into the next copywriting project. Photo forgotten. That was in  May, 2010.&lt;/p&gt; &lt;h3&gt;The Lawyer's Letter&lt;/h3&gt; &lt;p&gt;Fast forward a few months, we got a call from the client a couple of  days before Christmas, and he wasn't feeling overly festive. He received  a formal letter from a lawyer with the following introduction: "Cease  and desist demand and offer to settle copyright infringement claim, and  digital millennium copyright act claim, subject to Rule 408, Federal  Rules of Evidence."&lt;/p&gt; &lt;p&gt;Apparently copyright infringement involving images that are  registered with the U.S. Copyright Office allows for statutory damages  of up to $30,000, or $150,000 if it can be demonstrated it was a willful  act.&lt;/p&gt; &lt;h3&gt;The Lawyer's Demands:&lt;/h3&gt;the rest at...&lt;br&gt;&lt;br&gt;&lt;a href="http://ow.ly/3ZBcI"&gt;http://ow.ly/3ZBcI&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-8892150982753558851?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/8892150982753558851/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=8892150982753558851&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/8892150982753558851'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/8892150982753558851'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2011/02/legal-lesson-learned-copywriter-pays.html' title='Legal Lesson Learned: Copywriter Pays $4,000 for $10 Photo'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-1874344177657892808</id><published>2011-02-17T12:13:00.001-07:00</published><updated>2011-02-17T12:13:17.441-07:00</updated><title type='text'>Canadian Museums Association attacks artists' fees</title><content type='html'>February 2011&lt;br&gt;                                                                                                         &lt;p style="margin-top: 0px; margin-bottom: 0px;"&gt; &lt;/p&gt; &lt;p style="font-size: 14pt; color: rgb(0, 82, 136); margin-top: 0px; margin-bottom: 0px; text-align: left;" align="left"&gt;&lt;span style="font-family: Corbel;"&gt;&lt;b&gt;Canadian Museums Association attacks artists&amp;#39; fees&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style="font-size: 14pt; color: rgb(0, 82, 136); margin-top: 0px; margin-bottom: 0px; text-align: right;" align="right"&gt;&lt;span style="font-family: Corbel;"&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="font-size: 14pt; color: rgb(0, 82, 136); margin-top: 0px; margin-bottom: 0px; text-align: right;" align="right"&gt;&lt;span style="font-family: Corbel;"&gt;&lt;b&gt;&lt;img style="text-align: right;" src="http://ih.constantcontact.com/fs075/1104105122790/img/10.jpg" name="ACCOUNT.IMAGE.10" alt="C-32 hearing" align="right" border="0" height="173" hspace="5" vspace="5" width="235"&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt; &lt;br&gt;&lt;p style="margin-top: 0px; margin-bottom: 0px;"&gt;&lt;span style="font-family: Corbel;"&gt;The  Canadian Museums Association told a parliamentary committee on Tuesday  they would like to see the Exhibition Right &amp;quot;abolished&amp;quot;. Jon Tupper,  President of the CMA, also asked to be exempt from paying artist fees  for things such as reproductions in catalogues, in slides for public  lectures and online.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-bottom: 0px;"&gt;&lt;span style="font-family: Corbel;"&gt; &lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-bottom: 0px;"&gt;&lt;span style="font-family: Corbel;"&gt;Canadian  museums are the main source of copyright income for visual artists. An  amendment proposed by Bill C-32 to open fair dealing to education  appears to have been perceived by the museum community as an invitation  to stop paying the fees that artists such as Jack Chambers fought so  hard for. Although they claim their budgets are too tight, for most  public galleries artists&amp;#39; fees represent a small portion of their  budget. When faced with similar arguments back in the 1970&amp;#39;s, artist  Tony Urquhart suggested to a Montreal museum director that instead of  hosting twenty contemporary exhibits in a year, he host nineteen and use  the last budget to pay the artists.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-bottom: 0px;"&gt;&lt;span style="font-family: Corbel;"&gt; &lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-bottom: 0px;"&gt;&lt;span style="font-family: Corbel;"&gt;Tupper  insisted that museums should not have to pay artists fees for artwork  which they own but recognized that more and more museums do not have the  funds to purchase artwork. In Ontario alone, 98 percent of art  collections are acquired by donation, meaning that visual artists would  not receive &lt;i&gt;any&lt;/i&gt; payment for these works if the CMA&amp;#39;s recommendations were followed.&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-bottom: 0px;"&gt;&lt;span style="font-family: Corbel;"&gt; &lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-bottom: 0px;"&gt; &lt;span style="font-family: Corbel;"&gt;&amp;quot;The  principle of compensating artists for the public presentation of their  work has been enshrined in two Canadian laws for over twenty years,&amp;quot;  said CARFAC president Gerald Beaulieu. &amp;quot;Clearly our parliamentarians  have supported this notion because it is sound and just public policy.&amp;quot;&lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-bottom: 0px;"&gt;&lt;span style="font-family: Corbel;"&gt; &lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-bottom: 0px;"&gt; &lt;span style="font-family: Corbel;"&gt;&lt;b&gt;What do you think about the Canadian Museum Association&amp;#39;s statement?&lt;/b&gt;  &lt;/span&gt;&lt;/p&gt;&lt;p style="margin-top: 0px; margin-bottom: 0px;"&gt;&lt;span style="font-family: Corbel;"&gt; &lt;/span&gt;&lt;/p&gt; &lt;span style="font-family: Corbel;"&gt;Post your comments to our &lt;a style="color: blue; text-decoration: underline;" shape="rect" href="http://r20.rs6.net/tn.jsp?llr=g4kw7ieab&amp;amp;et=1104553142570&amp;amp;s=1321&amp;amp;e=001k3mk4IkkEczJureslYvdnNEr8yPJrNZ8MQ75g-UK4uohn-aWfTUcJErdBeTsaEpoJseI0zR94w-Bw0rBoo4_R8AfoPNNIOFt5LgJXsOu55I4fTw0HgWtMN_DqOrVJ4-IJNQQIVSIZwoZpAYZXzh0mPiLfUT8w0EDwfNscascO-w-jUvpiVEW3CjS4wiNmYLU" target="_blank"&gt;Facebook group&lt;/a&gt; or send them to &lt;a style="color: blue; text-decoration: underline;" shape="rect" href="mailto:communications@carfac.ca" target="_blank"&gt;communications@carfac.ca&lt;/a&gt;&lt;/span&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-1874344177657892808?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/1874344177657892808/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=1874344177657892808&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/1874344177657892808'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/1874344177657892808'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2011/02/canadian-museums-association-attacks.html' title='Canadian Museums Association attacks artists&apos; fees'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-3075594559489951514</id><published>2011-02-11T21:46:00.001-07:00</published><updated>2011-02-11T21:46:22.607-07:00</updated><title type='text'>Schools Must Validate Artistic Expression - Creativity is a key part of the educated mind.</title><content type='html'>&lt;h1&gt;Schools Must Validate Artistic Expression&lt;/h1&gt;  &lt;div class="dek"&gt;&lt;h3&gt;Creativity is a key part of the educated mind.&lt;/h3&gt;[excerpt]&lt;br&gt;&lt;p&gt; I heard a great story recently about a six-year-old girl in a  drawing lesson. The teacher said this little girl hardly ever paid  attention in class, but during this lesson she did. The teacher was  fascinated.&lt;/p&gt;  &lt;p&gt;She asked the girl, &amp;quot;What are you drawing?&amp;quot; And the girl said, &amp;quot;I&amp;#39;m  drawing a picture of God.&amp;quot; The teacher said, &amp;quot;But nobody knows what God  looks like.&amp;quot; The girl said, &amp;quot;They will in a minute.&amp;quot;&lt;/p&gt;&lt;p&gt;[...]&lt;/p&gt;&lt;p&gt;...we are educating people out of their creative capacities. Picasso once  said that all children are born artists. The trick is to remain an  artist as we grow up. I believe this passionately: We don&amp;#39;t grow into  creativity; we grow out of it. Or, rather, we get educated out of it.  Creativity now is as important in education as literacy, and we should  treat it with the same status.&lt;/p&gt;&lt;p&gt;[...]&lt;/p&gt;&lt;p&gt;We have to rethink the fundamental principles on which we&amp;#39;re  educating our children. And the only way we&amp;#39;ll do it is by seeing our  creative capacities for the richness they are, and seeing our children  for the hope they are. Our task is to educate our whole being so they  can face this future. We may not see this future, but they will. And our  job is to help them make something of it.&lt;/p&gt;      &lt;h5&gt;By Sir Ken Robinson &lt;a href="http://sirkenrobinson.com/skr/"&gt;http://sirkenrobinson.com/skr/&lt;/a&gt; an international leader in creativity, innovation, and educational reform and author of &lt;i&gt;Out of Our Minds: Learning to Be Creative&lt;/i&gt;. This article is based on a talk he gave at the 2006 &lt;a class="external-link" href="http://www.ted.com/" target="_blank"&gt;TED conference&lt;/a&gt;.&lt;/h5&gt; &lt;p&gt;- - - - &lt;br&gt;&lt;/p&gt;&lt;p&gt;For twelve years, he was Professor of Education at the University of  Warwick in the UK and is now Professor Emeritus. He has received  honorary degrees from the Open University and the Central School of  Speech and Drama; Birmingham City University, Rhode Island School of  Design, Ringling College of Art and Design and the Liverpool Institute  for Performing Arts. He has been honored with the Athena Award of the  Rhode Island School of Design for services to the arts and education;  the Peabody Medal for contributions to the arts and culture in the  United States, and the Benjamin Franklin Medal of the Royal Society of  Arts for outstanding contributions to cultural relations between the  United Kingdom and the United States. In 2005 he was named as one of  Time/Fortune/CNN's Principal Voices. In 2003, he received a knighthood  from Queen Elizabeth II for his services to the arts. He speaks to  audiences throughout the world on the creative challenges facing  business and education in the new global economies.&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;br&gt;&lt;br&gt;&lt;/div&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-3075594559489951514?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/3075594559489951514/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=3075594559489951514&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/3075594559489951514'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/3075594559489951514'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2011/02/schools-must-validate-artistic.html' title='Schools Must Validate Artistic Expression - Creativity is a key part of the educated mind.'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-4080509403411641945</id><published>2011-02-09T12:31:00.001-07:00</published><updated>2011-02-09T12:31:09.875-07:00</updated><title type='text'>Why Paywalls Are Bad Business</title><content type='html'>&lt;h1 class="blogEntryTitle"&gt;Why Paywalls Are Bad Business&lt;/h1&gt;                       &lt;p class="blogByline"&gt;&lt;span class="blogEntryDate"&gt;09 Feb 2011 12:57 pm&lt;/span&gt;&lt;/p&gt;                                                         &lt;p&gt;&lt;span style="font-size: 8pt;"&gt;&lt;em&gt;by Zoe Pollock&lt;/em&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;Felix Salmon &lt;a href="http://blogs.reuters.com/felix-salmon/2011/02/08/why-the-nyt-will-lose-to-huffpo/" target="_new"&gt;predicts&lt;/a&gt; that the NYT will lose to sites like the Huffington Post:&lt;/p&gt;&lt;p&gt;more at:&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://andrewsullivan.theatlantic.com/the_daily_dish/2011/02/why-paywalls-are-bad-business.html"&gt;http://andrewsullivan.theatlantic.com/the_daily_dish/2011/02/why-paywalls-are-bad-business.html&lt;/a&gt;&lt;br&gt; &lt;/p&gt;&lt;p&gt;Original post:&lt;/p&gt;&lt;p&gt;                          &lt;/p&gt;&lt;div id="postcontent"&gt;&lt;p&gt;&lt;a href="http://www.capitalnewyork.com/article/culture/2011/02/1329494/aol-huffpo-acquisition-means-production-without-being-revolutionary-?page=1"&gt;Tom McGeveran&lt;/a&gt; asks an important question, in his analysis of the AOL-HuffPo deal:&lt;/p&gt;  &lt;blockquote&gt;&lt;p&gt;What is it about the environment of traditional  journalism that makes it so that readers are more likely to interact  with the Huffington Post reblog of a New York Times article than they  are with the article itself?&lt;/p&gt;&lt;/blockquote&gt; &lt;p&gt;The answer to this question, I think, is also a key part of the reason why the NYT paywall is a bad idea.&lt;/p&gt;&lt;/div&gt;&lt;p&gt;more at:&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://blogs.reuters.com/felix-salmon/2011/02/08/why-the-nyt-will-lose-to-huffpo/"&gt;http://blogs.reuters.com/felix-salmon/2011/02/08/why-the-nyt-will-lose-to-huffpo/&lt;/a&gt;&lt;br&gt; &lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-4080509403411641945?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/4080509403411641945/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=4080509403411641945&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/4080509403411641945'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/4080509403411641945'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2011/02/why-paywalls-are-bad-business.html' title='Why Paywalls Are Bad Business'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-642494551813098190</id><published>2011-02-01T09:40:00.001-07:00</published><updated>2011-02-01T09:40:23.494-07:00</updated><title type='text'>Interview: USA Today social media editor Michelle Kessler on the evolving newsroom, measuring success</title><content type='html'>&lt;b&gt;Interview: USA Today social media editor Michelle Kessler on the evolving newsroom, measuring success&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;a href="http://socialmediatoday.com/trevorjonas/264923/interview-usa-today-social-media-editor-michelle-kessler-evolving-newsroom-measur?utm_source=smt_newsletter&amp;amp;utm_medium=email&amp;amp;utm_campaign=newsletter"&gt;http://socialmediatoday.com/trevorjonas/264923/interview-usa-today-social-media-editor-michelle-kessler-evolving-newsroom-measur?utm_source=smt_newsletter&amp;amp;utm_medium=email&amp;amp;utm_campaign=newsletter&lt;/a&gt;&lt;br&gt; &lt;br&gt;&lt;i&gt;&lt;b&gt;[excerpt] &lt;/b&gt;&lt;/i&gt;&lt;br&gt;&lt;br&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-left: 0px; font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; padding: 0px;"&gt;The  impact of social media on the media and publishing industries has been  well documented. Newspapers and magazines are increasing their focus  online, which means an investment in social media channels as well as  the company website.&lt;/p&gt; &lt;p style="margin-top: 0px; margin-right: 0px; margin-left: 0px; font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; padding: 0px;"&gt;I recently asked USA Today's new social media editor, &lt;span class="aptureLink " style="font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; display: inline ! important; float: none ! important; cursor: pointer ! important; padding: 0px ! important; margin: 0px ! important;"&gt;&lt;span class="aptureLinkIcon"&gt; &lt;/span&gt;&lt;a class="aptureLink snap_noshots" style="text-decoration: underline; color: rgb(153, 0, 0); font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; cursor: pointer; display: inline ! important; float: none ! important; padding: 0px ! important; margin: 0px ! important;" href="http://twitter.com/kesslermichelle"&gt;Michelle Kessler&lt;/a&gt;&lt;/span&gt;, a few questions about the evolving state of the newsroom and how social media is impacting news gathering and reporting.&lt;/p&gt;  &lt;p style="margin-top: 0px; margin-right: 0px; margin-left: 0px; font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; padding: 0px;"&gt;&lt;strong style="font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; padding: 0px; margin: 0px;"&gt;Jonas: You  recently became social media editor at USA Today. How is the role  currently defined and what, specifically, are you responsible for?&lt;/strong&gt;&lt;/p&gt; &lt;p style="margin-top: 0px; margin-right: 0px; margin-left: 0px; font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; padding: 0px;"&gt;&lt;strong style="font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; padding: 0px; margin: 0px;"&gt;Kessler&lt;/strong&gt;:  My job is to help reporters and editors use social media to connect  with readers and sources.  That includes everything from training to  maintaining feeds to helping sign partnerships.&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-left: 0px; font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; padding: 0px;"&gt;[...]&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-left: 0px; font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; padding: 0px;"&gt; &lt;strong style="font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; padding: 0px; margin: 0px;"&gt;Jonas:  Generally speaking, how are your reporters and editors using social  media to connect with readers and sources? What's the benefit? Or put  another way, how are you tracking success?&lt;/strong&gt;&lt;/p&gt; &lt;p style="margin-top: 0px; margin-right: 0px; margin-left: 0px; font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; padding: 0px;"&gt;&lt;strong style="font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; padding: 0px; margin: 0px;"&gt;Kessler&lt;/strong&gt;: USA TODAY has a large social media presence, including multiple official Facebook pages and Twitter feeds. (Examples are &lt;a style="text-decoration: underline; color: rgb(153, 0, 0); font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; cursor: pointer; padding: 0px; margin: 0px;" href="http://www.facebook.com/usatoday"&gt;here&lt;/a&gt;, &lt;a style="text-decoration: underline; color: rgb(153, 0, 0); font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; cursor: pointer; padding: 0px; margin: 0px;" href="http://twitter.com/usatoday"&gt;here&lt;/a&gt;, and &lt;a style="text-decoration: underline; color: rgb(153, 0, 0); font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; cursor: pointer; padding: 0px; margin: 0px;" href="http://twitter.com/usatodaymoney"&gt;here&lt;/a&gt;.)  In addition, many of our reporters and editors are extremely active on Facebook, Twitter, LinkedIn and other sites.&lt;/p&gt;  &lt;p style="margin-top: 0px; margin-right: 0px; margin-left: 0px; font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; padding: 0px;"&gt;Social  networking is just a new way of talking to people, which is what  reporters have always done.  It's often easier to ping someone on  Facebook, or make a connection on LinkedIn, than it is to chase someone  down over the phone.  Twitter can be an extremely efficient way to share  news or ask a question to a large audience.&lt;/p&gt; &lt;p style="margin-top: 0px; margin-right: 0px; margin-left: 0px; font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; padding: 0px;"&gt;And these sites also make it easier for readers to talk to us.  For example, we monitor every Twitter comment that mentions &lt;span class="aptureLink " style="font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; display: inline ! important; float: none ! important; cursor: pointer ! important; padding: 0px ! important; margin: 0px ! important;"&gt;&lt;span class="aptureLinkIcon"&gt; &lt;/span&gt;&lt;a class="aptureLink snap_noshots" style="text-decoration: underline; color: rgb(153, 0, 0); font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; cursor: pointer; display: inline ! important; float: none ! important; padding: 0px ! important; margin: 0px ! important;" href="http://twitter.com/usatoday"&gt;@usatoday&lt;/a&gt;&lt;/span&gt;,  and respond when appropriate. Last night we asked for our readers' take  on the State of the Union address, and ran a few of the most  interesting comments &lt;a style="text-decoration: underline; color: rgb(153, 0, 0); font-family: myriad-pro-1,myriad-pro-2,Arial,sans-serif; cursor: pointer; padding: 0px; margin: 0px;" href="http://content.usatoday.com/communities/theoval/post/2011/01/reader-reaction-to-obamas-speech-mixed-on-twitter/1"&gt;here&lt;/a&gt;.&lt;/p&gt; Forwarded by:&lt;br&gt;&lt;br&gt;&lt;div id="WISESTAMP_SIG_593"&gt;&lt;span style="font-size: 13.3px; font-family: Verdana,Arial,Helvetica,sans-serif;"&gt;&lt;div style="border-top: 1px solid rgb(229, 229, 229); padding-top: 0.8em;"&gt;&lt;div style="margin: 0pt 0pt 8px;"&gt; &lt;p style="margin: 0pt;"&gt;&lt;span style="color: black;"&gt; &lt;div&gt; &lt;div style="text-align: left;"&gt;&lt;a style="color: rgb(0, 0, 102);" href="http://www.flickr.com/photos/george-lessard/sets/129389/" target="_blank"&gt;&lt;span style="font-size: medium;"&gt;&lt;span style="font-family: arial narrow,sans-serif; 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&lt;span style="color: gray;"&gt;Chat&lt;/span&gt; &lt;img alt="Skype/" style="padding: 0px 0px 5px; vertical-align: middle;" src="http://images.wisestamp.com/skype.png" width="16" border="0" height="16"&gt; themediamentor&lt;br&gt;&lt;/div&gt;&lt;img src="http://s.wisestamp.com/pixel.png?p=mozilla&amp;amp;v=2.0.5&amp;amp;t=1296578378261&amp;amp;u=4828254&amp;amp;e=3879" width="1" height="1"&gt;&lt;/span&gt;&lt;/div&gt; &lt;br&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-642494551813098190?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/642494551813098190/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=642494551813098190&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/642494551813098190'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/642494551813098190'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2011/02/interview-usa-today-social-media-editor.html' title='Interview: USA Today social media editor Michelle Kessler on the evolving newsroom, measuring success'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm3.static.flickr.com/2456/3948295117_9108d44a98_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-5886766672055936256</id><published>2011-01-15T23:25:00.001-07:00</published><updated>2011-01-15T23:25:48.611-07:00</updated><title type='text'>Simon Waldman on Creative Disruption - What You Need To Do To Shake Up Your Business In The Digital World</title><content type='html'>Simon Waldman on Creative Disruption - Video - What You Need To Do To Shake Up Your Business In The Digital World &lt;br&gt;&lt;a href="http://ow.ly/3EAJC"&gt;http://ow.ly/3EAJC&lt;/a&gt;&lt;br&gt;&lt;p&gt;&lt;a href="http://www.creativedisruption.net/"&gt;Simon Waldman&lt;/a&gt; - who used to run the digital business at the &lt;a href="http://www.guardian.co.uk/"&gt;Guardian newspaper&lt;/a&gt; and is now an executive at &lt;a href="http://www.lovefilm.com/"&gt;Lovefilms&lt;/a&gt; - is the author of an interesting new book entitled &lt;a href="http://www.amazon.co.uk/gp/product/0273725734?ie=UTF8&amp;amp;tag=wordsofwaldma-21&amp;amp;linkCode=as2&amp;amp;camp=1634&amp;amp;creative=19450&amp;amp;creativeASIN=0273725734"&gt;Creative Disruption: What You Need To Do To Shake Up Your Business In The Digital World&lt;/a&gt;. &lt;/p&gt;   &lt;p&gt;I caught up with Waldman earlier this month in Athens, Greece at &lt;a href="http://stream.wpp.com/home.jsf"&gt;WPP&amp;#39;s Stream conference&lt;/a&gt;,  where he gave a memorable presentation about his new book. Looking at  disruptive digital businesses like Amazon, Skype, Google and Apple,  Creative Disruption is designed as a manual for managers in companies  attempting to make the transition into the digital age. Using the  examples of successful reinvented businesses like IBM, Waldman&amp;#39;s book is  all about how to reinvent your business in the digital age without  throwing out everything you do and everything you know. &lt;/p&gt;  &lt;p&gt;Waldman&amp;#39;s message is an important one. While the digital world has  had a huge impact on the media industry, it is only now beginning to  radically transform the broader economy. Any manager in healthcare,  retail, financial services or the insurance industry needs to read  Creative Disruption. The digital world is about to disrupt your  business. Listening to Waldman might guarantee that this disruption  won&amp;#39;t result in destruction. –&lt;em&gt;Andrew Keen&lt;/em&gt;&lt;/p&gt;  &lt;p&gt;&lt;em&gt;&lt;a href="http://andrewkeen.typepad.com/"&gt;Andrew Keen&lt;/a&gt; is the author of&lt;/em&gt; &lt;a href="http://www.amazon.com/o/ASIN/0385520808/stefanhayden-20"&gt;The Cult of the Amateur&lt;/a&gt;.&lt;/p&gt;&lt;br&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-5886766672055936256?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/5886766672055936256/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=5886766672055936256&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/5886766672055936256'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/5886766672055936256'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2011/01/simon-waldman-on-creative-disruption.html' title='Simon Waldman on Creative Disruption - What You Need To Do To Shake Up Your Business In The Digital World'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-3184511342679522710</id><published>2011-01-08T22:11:00.001-07:00</published><updated>2011-01-08T22:11:53.302-07:00</updated><title type='text'>Influential journal of feminist theory &amp; innovative writing now available online open access</title><content type='html'>Influential journal of feminist theory and innovative writing now available  online open access&lt;br&gt;&lt;div class="gmail_quote"&gt;&lt;div bgcolor="#ffffff" text="#000000"&gt;&lt;div dir="ltr" lang="en-us" align="left"&gt;&lt;font size="2" face="Tahoma"&gt;&lt;br&gt;&lt;/font&gt;&lt;/div&gt; &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span&gt;Influential journal of feminist theory and  innovative writing now available online open  access&lt;/span&gt;&lt;/b&gt;&lt;br&gt;&lt;span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span&gt;The late &lt;a href="http://www.thecanadianencyclopedia.com/index.cfm?PgNm=TCE&amp;amp;Params=A1ARTA0010928" target="_blank"&gt;Professor Barbara Godard&lt;/a&gt; of &lt;/span&gt;&lt;span&gt;York&lt;/span&gt;&lt;span&gt;  &lt;/span&gt;&lt;span&gt;University&lt;/span&gt;&lt;span&gt;, elected to the Order of  &lt;/span&gt;&lt;span&gt;Canada&lt;/span&gt;&lt;span&gt; in 2010, left the feminist scholarly community  with an outstanding parting gift.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span&gt;As one of the founding editors, Professor Godard  secured the approval and the means to enable all 21 years of Tessera to be  available online without access restrictions. &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span&gt;Tessera is an influential scholarly journal which  published feminist theory and innovative writing by Canadian and Quebecois  women. Some of the nation&amp;#39;s most important feminist writers were published by  the journal, including Nicole Brossard, Louky Bersianik, Louise Cotnoir, Linda  Hutcheon, Daphne Marlatt and Marlene Nourbese Philip among  others.&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span&gt;&lt;a href="http://www.yorku.ca/tessera" target="_blank"&gt;Tessera&lt;/a&gt; is hosted by the York University Libraries using &lt;a href="http://pkp.sfu.ca/?q=ojs" target="_blank"&gt;Open Journal Systems&lt;/a&gt;  software.&lt;br&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal"&gt;&lt;span&gt;For more information see:  &lt;a href="http://www.yorku.ca/yfile/archive/index.asp?Article=16191" target="_blank"&gt;http://www.yorku.ca/yfile/archive/index.asp?Article=16191&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;br&gt;&lt;/div&gt; &lt;/div&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-3184511342679522710?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/3184511342679522710/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=3184511342679522710&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/3184511342679522710'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/3184511342679522710'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2011/01/influential-journal-of-feminist-theory.html' title='Influential journal of feminist theory &amp; innovative writing now available online open access'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-8208858179686094656</id><published>2010-12-28T01:16:00.001-07:00</published><updated>2010-12-28T01:16:44.824-07:00</updated><title type='text'>Vladimir Putin Orders Russian Government to Switch to Free Software by 2015</title><content type='html'>Vladimir Putin Orders Russian Government to Switch to Free Software by 2015&lt;br&gt;&lt;a href="http://ow.ly/3v5yG"&gt;http://ow.ly/3v5yG&lt;/a&gt;&lt;br&gt;&lt;br&gt;Russian Prime Minister Vladimir Putin has signed a government order  that lays out the groundwork for the transition of federal bodies and  agencies to use free software, including &lt;a href="http://mashable.com/tag/linux"&gt;Linux&lt;/a&gt;, by 2015.&lt;p&gt;The 25-point document (available &lt;a href="http://translate.googleusercontent.com/translate_c?hl=en&amp;amp;ie=UTF-8&amp;amp;sl=auto&amp;amp;tl=en&amp;amp;u=http://filearchive.cnews.ru/doc/2010/06/17/2299p.doc&amp;amp;prev=_t&amp;amp;rurl=translate.google.com&amp;amp;twu=1&amp;amp;usg=ALkJrhgFAq0K0zD1O7nAe3RWRId53xAIJA" target="_blank"&gt;here&lt;/a&gt;)  outlines specific steps the government must take in order to move off  proprietary software and onto free and/or open source alternatives like &lt;span class="blippr-nobr"&gt;Linux&lt;span class="blippr-nobr"&gt;&lt;a href="http://www.blippr.com/apps/392202-Linux" target="_blank" rel="http://www.blippr.com/apps/392202-Linux.whtml" class="blippr-inline-smiley blippr-inline-smiley-05"&gt;&lt;span&gt; (&lt;/span&gt;&lt;img class="wp-smiley" src="http://cdn.blippr.com/images/inline-face_05.png?1265851550" alt="Linux" width="14" height="14"&gt;&lt;span&gt;)&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;.  The government order was approved on December 17 and affects all federal agencies of the federal budget.&lt;/p&gt; &lt;p&gt;Each  point of the document names the specific action that must be taken, the  agency responsible for implementing that order, the time frame for  implementation, and the expected result.  For example, point #5  instructs Russia's Ministry of Communications to form, "the base package  of free software solutions for typical problems of the federal  executive bodies," with the expected result a free package of software  that includes operating systems, drivers and application software for  servers.&lt;/p&gt;&lt;p&gt;Order #5 calls for, "creating and maintaining a single  repository of free software used in the federal bodies of executive  power," while order #20 requires, "the development of departmental plans  to move to the use of free software, including plans for transition of  subordinate budget institutions."  The final order, to be implemented in  Q3 2015, calls for, "preparation of the draft orders of the Government  of the Russian Federation on the adoption of a phased introduction of  free software for the next planning period."&lt;/p&gt;&lt;p&gt;Russia has been moving in the direction of free software for the last few years.  In 2008, the government ordered schools &lt;a href="http://blogs.computerworlduk.com/open-enterprise/2008/10/all-russian-schools-to-use-free-software/index.htm" target="_blank"&gt;to implement free software packages&lt;/a&gt; in all of its computers.  Schools that now want to use proprietary software have to pay for it out of their own pockets.&lt;/p&gt; &lt;p&gt;[&lt;em&gt;Source: &lt;a href="http://translate.google.com/translate?js=n&amp;amp;prev=_t&amp;amp;hl=en&amp;amp;ie=UTF-8&amp;amp;layout=2&amp;amp;eotf=1&amp;amp;sl=ru&amp;amp;tl=en&amp;amp;u=http%3A%2F%2Fopen.cnews.ru%2Fnews%2Ftop%2Findex.shtml%3F2010%2F12%2F27%2F421556" target="_blank"&gt;CNews&lt;/a&gt; via &lt;a href="http://opendotdotdot.blogspot.com/2010/12/putin-orders-russian-move-to-gnulinux.html" target="_blank"&gt;Open...&lt;/a&gt;&lt;/em&gt;]&lt;/p&gt; &lt;br&gt;&lt;br&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-8208858179686094656?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/8208858179686094656/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=8208858179686094656&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/8208858179686094656'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/8208858179686094656'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2010/12/vladimir-putin-orders-russian.html' title='Vladimir Putin Orders Russian Government to Switch to Free Software by 2015'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-3845655638393352334</id><published>2010-12-13T00:52:00.001-07:00</published><updated>2010-12-13T00:52:43.606-07:00</updated><title type='text'>Flickr</title><content type='html'>This is a test post from &lt;a href="http://www.flickr.com/r/testpost"&gt;&lt;img alt="flickr" src="http://www.flickr.com/images/flickr_logo_blog.gif" width="41" height="18" border="0" align="absmiddle" /&gt;&lt;/a&gt;, a fancy photo sharing thing.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-3845655638393352334?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/3845655638393352334/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=3845655638393352334&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/3845655638393352334'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/3845655638393352334'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2010/12/flickr.html' title='Flickr'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-72480719526699894</id><published>2010-12-12T19:02:00.001-07:00</published><updated>2010-12-12T19:02:41.411-07:00</updated><title type='text'>Some more Wikileaks links...</title><content type='html'>---------- Forwarded message ----------&lt;br&gt;&lt;div class="gmail_quote"&gt;From: &lt;b class="gmail_sendername"&gt;Frederick Noronha&lt;/b&gt; &lt;span dir="ltr"&gt;&amp;lt;fredericknoronhaATgmailDOTcom&amp;gt;&lt;/span&gt;&lt;br&gt;Date: 12 December 2010 10:10&lt;br&gt;&lt;br&gt; &lt;font size="4"&gt;&lt;b&gt; Wikileaks links...&lt;/b&gt;&lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;h1&gt;&lt;span dir="ltr" title="WikiRebels: The Documentary | WikiLeaks &amp;amp; Julian Assange"&gt;WikiRebels: The Documentary | WikiLeaks &amp;amp; Julian Assange   &lt;/span&gt;&lt;/h1&gt;&lt;a href="http://www.youtube.com/watch?v=lPglX8Bl3Dc" target="_blank"&gt;http://www.youtube.com/watch?v=lPglX8Bl3Dc&lt;/a&gt;&lt;br&gt;&lt;div&gt;      &lt;a href="http://www.youtube.com/user/wozzek22" target="_blank"&gt;&lt;strong&gt;wozzek22&lt;/strong&gt;&lt;/a&gt;          &lt;span&gt;|&lt;/span&gt;         &lt;span&gt;     December 10, 2010   &lt;/span&gt;         &lt;span&gt;|&lt;/span&gt;       &lt;span&gt; &lt;span&gt;53&lt;/span&gt; likes, &lt;span&gt;0&lt;/span&gt; dislikes       &lt;/span&gt;      &lt;/div&gt;                &lt;p&gt;Swedish Television&amp;#39;s Jesper Huor and Bosse  Lindquist exclusive rough-cut of first in-depth documentary on WikiLeaks  and the people behind it!&lt;br&gt;&lt;br&gt;&amp;quot;From summer 2010 until now, SVT has  been following the secretive media organization WikiLeaks and its  enigmatic Editor-in-Chief Julian Assange.&lt;br&gt;&lt;br&gt;Reporters Jesper Huor  and Bosse Lindquist have traveled to key countries where WikiLeaks  operates, interviewing top members, such as Assange, new Spokesperson  Kristinn Hrafnsson, as well as people like Daniel Domscheit-Berg who now  is starting his own version - Openleaks.org.&amp;quot;&lt;br&gt;&lt;br&gt;The documentary  also includes interviews with Ian Overton from The Bureau of  Investigative Journalism, James Ball of TBIJ and WikiLeaks, Icelandic MP  Birgitta Jónsdóttir, former WikiLeaks collaborators Herbert Snorrason  and Smári McCarthy, and PRQ CEO Mikael Viborg.&lt;br&gt;&lt;br&gt;The documentary  looks at WikiLeaks&amp;#39; philosophy and operations, some of its famous  disclosures including the Kenya report, the Guantanamo manuals,  Kaupthing, Trafigura, the Collateral Murder video, the Afghanistan and  Iraq war logs, the US administration&amp;#39;s reactions, and the lead-up to the  Cablegate release.&lt;/p&gt;Also available at&lt;br&gt;Wikileaks documentary by SVT | &lt;a href="http://goo.gl/WzPtP" target="_blank"&gt;http://goo.gl/WzPtP&lt;/a&gt;&lt;br&gt;&lt;br&gt;Utterly surreal: Pravda justifiably criticizing US for trying to stifle a free press &lt;a href="http://bit.ly/hD2zst"&gt;bit.ly/hD2zst&lt;/a&gt; How times change.&lt;br&gt;  &lt;br&gt; FT: WikiLeaks - not so dull, after all | &lt;a href="http://is.gd/iyVql" target="_blank"&gt;http://is.gd/iyVql&lt;/a&gt;&lt;br&gt; &lt;br&gt; Symposium on Wikileaks and Internet Freedom (live) | &lt;a href="http://is.gd/iyX2w" target="_blank"&gt;http://is.gd/iyX2w&lt;/a&gt;&lt;br&gt; &lt;br&gt; Supporters call for Justice for Assange | &lt;a href="http://www.justiceforassange.com" target="_blank"&gt;www.justiceforassange.com&lt;/a&gt;&lt;br&gt; &lt;br&gt; Almost 500,000 signatures on Avaaz. KEEP US STRONG - sign here:&lt;br&gt; &lt;a href="http://is.gd/iraFX" target="_blank"&gt;http://is.gd/iraFX&lt;/a&gt; donate here: &lt;a href="http://is.gd/iwrh4" target="_blank"&gt;http://is.gd/iwrh4&lt;/a&gt;&lt;br&gt; &lt;br&gt; Sydney Protest: &amp;quot;C&amp;#39;mon Julia, which law has Assange broken?&amp;quot; |&lt;br&gt; &lt;a href="http://is.gd/iwq4z" target="_blank"&gt;http://is.gd/iwq4z&lt;/a&gt;&lt;br&gt; &lt;br&gt; Foreign Policy: If Wikileaks makes the US government justify its&lt;br&gt; demands, is that such a bad thing? | &lt;a href="http://is.gd/iwpQg" target="_blank"&gt;http://is.gd/iwpQg&lt;/a&gt;&lt;br&gt; &lt;br&gt; Cablegate: Pope wanted Muslim Turkey kept out of EU | &lt;a href="http://is.gd/iwkXm" target="_blank"&gt;http://is.gd/iwkXm&lt;/a&gt;&lt;br&gt; &lt;br&gt; Cablegate: 1,269 of 251,287 embassy cables released: 0.5% down, 99.5% to&lt;br&gt; go. &lt;a href="http://www.wikileaks.ch" target="_blank"&gt;www.wikileaks.ch&lt;/a&gt;&lt;br&gt; &lt;br&gt; Today is International Human Rights Day. Show you support free&lt;br&gt; expression for Wikileaks and Julian Assange here: &lt;a href="http://is.gd/iraFX" target="_blank"&gt;http://is.gd/iraFX&lt;/a&gt;&lt;br&gt; &lt;br&gt; State department republishes Wikileaks&amp;#39; doc. Will they now try to sue&lt;br&gt; themselves? | &lt;a href="http://fpc.state.gov/documents/organization/116764.pdf" target="_blank"&gt;http://fpc.state.gov/documents/organization/116764.pdf&lt;/a&gt;&lt;br&gt; &lt;br&gt; &amp;quot;We&amp;#39;ve done the time, we may as well do the crime&amp;quot;: Mistaken identity&lt;br&gt; victims easyDNS support Wikileaks | &lt;a href="http://is.gd/isz4k" target="_blank"&gt;http://is.gd/isz4k&lt;/a&gt;&lt;br&gt; &lt;br&gt; Cablegate: Pfizer used dirty tricks to avoid clinical trial payout |&lt;br&gt; &lt;a href="http://is.gd/iszst" target="_blank"&gt;http://is.gd/iszst&lt;/a&gt;&lt;br&gt; &lt;br&gt; EFF: prosecuting Wikileaks, or Julian Assange, &amp;quot;extremely dangerous&amp;quot; to&lt;br&gt; free speech | &lt;a href="http://is.gd/isgQx" target="_blank"&gt;http://is.gd/isgQx&lt;/a&gt;&lt;br&gt; &lt;br&gt; Wikipedia editors delete list of Wikileaks Mirrors | &lt;a href="http://is.gd/is7vG" target="_blank"&gt;http://is.gd/is7vG&lt;/a&gt;&lt;br&gt; &lt;br&gt; The #cablegate &amp;lt;/#!/search?q=%23cablegate&amp;gt; stories they tried to censor:&lt;br&gt; Oil giants &amp;quot;squeeze&amp;quot; Hugo Chavez &lt;a href="http://is.gd/irYKG" target="_blank"&gt;http://is.gd/irYKG&lt;/a&gt;&lt;br&gt; &lt;br&gt; Petition: &amp;quot;Stop the crackdown on WikiLeaks and its partners.&amp;quot; 275,000&lt;br&gt; have signed. Will you? &lt;a href="http://is.gd/iraFX" target="_blank"&gt;http://is.gd/iraFX&lt;/a&gt;&lt;br&gt; &lt;br&gt; The #cablegate &amp;lt;/#!/search?q=%23cablegate&amp;gt; stories they tried to censor:&lt;br&gt; Shell has people in every Nigerian ministry &lt;a href="http://is.gd/irYEd" target="_blank"&gt;http://is.gd/irYEd&lt;/a&gt;&lt;br&gt; &lt;br&gt; UN High Commissioner for Human Rights &amp;quot;concerned&amp;quot; by #wikileaks&lt;br&gt; &lt;a href="http://is.gd/irYbs" target="_blank"&gt;http://is.gd/irYbs&lt;/a&gt;&lt;br&gt; &lt;br&gt; Brazilian President Lula speaks out in defence of Wikileaks:&lt;br&gt; &lt;a href="http://bit.ly/foaWa5" target="_blank"&gt;http://bit.ly/foaWa5&lt;/a&gt;&lt;br&gt; &lt;br&gt; UN Representative for freedom of expression defends Wikileaks and Julian&lt;br&gt; Assange: &lt;a href="http://is.gd/irEQg" target="_blank"&gt;http://is.gd/irEQg&lt;/a&gt;&lt;br&gt; &lt;br&gt; Support Wikileaks: sign the Avaaz petition: &lt;a href="http://is.gd/iraFX" target="_blank"&gt;http://is.gd/iraFX&lt;/a&gt;&lt;br&gt; &lt;br&gt; TIME: &amp;quot;Why #WikiLeaks &amp;lt;/#!/search?q=%23WikiLeaks&amp;gt; Is Winning the War&amp;quot;&lt;br&gt; &lt;a href="http://is.gd/ipPcn" target="_blank"&gt;http://is.gd/ipPcn&lt;/a&gt; - KEEP US STRONG &lt;a href="http://wikileaks.ch/support.html" target="_blank"&gt;http://wikileaks.ch/support.html&lt;/a&gt;&lt;br&gt; &lt;br&gt; Statement from Datacell CEO on Visa and Mastercard legal action:&lt;br&gt; &lt;a href="http://is.gd/ipMH1" target="_blank"&gt;http://is.gd/ipMH1&lt;/a&gt;&lt;br&gt; &lt;br&gt; Sweden will find it &amp;#39;very difficult&amp;#39; to extradite Julian Assange, says&lt;br&gt; expert &lt;a href="http://is.gd/ipkbL" target="_blank"&gt;http://is.gd/ipkbL&lt;/a&gt;&lt;br&gt; &lt;br&gt; Wikileaks&amp;#39; payment processor Datacell to sue Visa and Mastercard over&lt;br&gt; account cut-off. &lt;a href="http://bit.ly/f0YjdW" target="_blank"&gt;http://bit.ly/f0YjdW&lt;/a&gt;&lt;br&gt; &lt;br&gt; Over 4600 comments on an open letter to Australian PM Julia Gillard&lt;br&gt; signed by 185 academics, lawyers and jjournalists. &lt;a href="http://bit.ly/gy29WZ" target="_blank"&gt;http://bit.ly/gy29WZ&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks cables: US &amp;#39;lobbied Russia on behalf of Visa and MasterCard&amp;#39;&lt;br&gt; &lt;a href="http://is.gd/iooG9" target="_blank"&gt;http://is.gd/iooG9&lt;/a&gt;&lt;br&gt; &lt;br&gt; RT @DanielEllsberg &amp;lt;&lt;a href="http://twitter.com/DanielEllsberg" target="_blank"&gt;http://twitter.com/DanielEllsberg&lt;/a&gt;&amp;gt; &amp;quot;EVERY attack now&lt;br&gt; made on Assange and Wikileaks was made against me and release of&lt;br&gt; Pentagon Papers&amp;quot; &lt;a href="http://bit.ly/eZnep8" target="_blank"&gt;http://bit.ly/eZnep8&lt;/a&gt;&lt;br&gt; &lt;br&gt; STATEMENT: &amp;quot;We will not be gagged&amp;quot; #cablegate&lt;br&gt; Following the detention of Wikileaks founder and (cont) &lt;a href="http://tl.gd/7canol" target="_blank"&gt;http://tl.gd/7canol&lt;/a&gt;&lt;br&gt; &lt;br&gt; Tonight&amp;#39;s #cablegate &amp;lt;/#!/search?q=%23cablegate&amp;gt; topics: Colonel&lt;br&gt; Gaddafi; Saudi fights with Hezbollah, and US propaganda. Guardian&lt;br&gt; coverage: &lt;a href="http://is.gd/imldT" target="_blank"&gt;http://is.gd/imldT&lt;/a&gt;&lt;br&gt; &lt;br&gt; Censorship in action - see all the attacks on wikileaks here:&lt;br&gt; &lt;a href="http://bit.ly/ePIKfV" target="_blank"&gt;http://bit.ly/ePIKfV&lt;/a&gt; KEEP US STRONG: &lt;a href="http://wikileaks.ch/support.html" target="_blank"&gt;http://wikileaks.ch/support.html&lt;/a&gt;&lt;br&gt; &lt;br&gt; KEEP US STRONG  COURAGE IS CONTAGEOUS DONATE&lt;br&gt; &lt;a href="http://wikileaks.ch/support.html" target="_blank"&gt;http://wikileaks.ch/support.html&lt;/a&gt;&lt;br&gt; &lt;br&gt; Let down by the UK justice system&amp;#39;s bizarre decision to refuse bail to&lt;br&gt; Julian Assange. But #cablegate &amp;lt;/#!/search?q=%23cablegate&amp;gt; releases&lt;br&gt; continue as planned.&lt;br&gt; &lt;br&gt; KEEP US STRONG - DONATE &lt;a href="http://wikileaks.ch/support.html" target="_blank"&gt;http://wikileaks.ch/support.html&lt;/a&gt;&lt;br&gt; &lt;br&gt; RT @doctorow &amp;lt;&lt;a href="http://twitter.com/doctorow" target="_blank"&gt;http://twitter.com/doctorow&lt;/a&gt;&amp;gt; #imwikileaks&lt;br&gt; &amp;lt;/#!/search?q=%23imwikileaks&amp;gt; #imassange &amp;lt;/#!/search?q=%23imassange&amp;gt;&lt;br&gt; Today Westminster Magistarte&amp;#39;s Court meet 13:30&lt;br&gt; &lt;a href="http://www.justiceforassange.com" target="_blank"&gt;http://www.justiceforassange.com&lt;/a&gt; #wikileaks &amp;lt;/#!/search?q=%23wikileaks&amp;gt;&lt;br&gt; #cablegate &amp;lt;/#!/search?q=%23cablegate&amp;gt;&lt;br&gt; &lt;br&gt; WikiLeaks&lt;br&gt; Today&amp;#39;s actions against our editor-in-chief Julian Assange won&amp;#39;t affect&lt;br&gt; our operations: we will release more cables tonight as normal&amp;quot;&lt;br&gt; &lt;br&gt; Correction, UK has only received warrant, but may issue it shortly.&lt;br&gt; &lt;br&gt; WikiLeaks servers in Sweden under attack &lt;a href="http://is.gd/iiofj" target="_blank"&gt;http://is.gd/iiofj&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks now hosted at 507 locations, planet wide&lt;br&gt; &lt;a href="http://wikileaks.ch/mirrors.html" target="_blank"&gt;http://wikileaks.ch/mirrors.html&lt;/a&gt;&lt;br&gt; &lt;br&gt; Julian Assange leads TIME 2010 Person of the Year &lt;a href="http://is.gd/iikeR" target="_blank"&gt;http://is.gd/iikeR&lt;/a&gt;&lt;br&gt; &lt;br&gt; Same day Swiss defense fund is frozen, UK issues arrest warrant for&lt;br&gt; Julian Assange &lt;a href="http://tl.gd/7bg5kc" target="_blank"&gt;http://tl.gd/7bg5kc&lt;/a&gt;&lt;br&gt; &lt;br&gt; PRESS RELEASE Tue 7 Dec 15.55 GMT Julian Assange Defense Fund frozen.&lt;br&gt; The Swiss Bank Post Finance today issues (cont) &lt;a href="http://tl.gd/7bg5kc" target="_blank"&gt;http://tl.gd/7bg5kc&lt;/a&gt;&lt;br&gt; &lt;br&gt; Op Ed: WikiLeaks - The Internet Ideal Triumphs &lt;a href="http://is.gd/ii3v8" target="_blank"&gt;http://is.gd/ii3v8&lt;/a&gt;&lt;br&gt; &lt;br&gt; De hemliga telegrammen 44 minuter | SVT&lt;br&gt; &lt;a href="http://svtplay.se/v/2256485/dokument_inifran/de_hemliga_telegrammen" target="_blank"&gt;http://svtplay.se/v/2256485/dokument_inifran/de_hemliga_telegrammen&lt;/a&gt;&lt;br&gt; &lt;br&gt; Iran says WikiLeaks is a US puppet in the #cablegate&lt;br&gt; &lt;br&gt; Is twitter censoring WikiLeaks trends? &lt;a href="http://is.gd/ihRmc" target="_blank"&gt;http://is.gd/ihRmc&lt;/a&gt;&lt;br&gt; &lt;br&gt; Cables highlight Saudi terror woes: US cables: &amp;quot;Donors in Saudi Arabia&lt;br&gt; constitute the most sign... &lt;a href="http://bit.ly/foVoCS" target="_blank"&gt;http://bit.ly/foVoCS&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks severs at Swedish ISP &lt;a href="http://prq.se/" target="_blank"&gt;http://prq.se/&lt;/a&gt; non-responsive. We are&lt;br&gt; investigating cause.&lt;br&gt; &lt;br&gt; UAE bans WikiLeaks. China bans WikiLeaks. US megacorps ban WikiLeaks. A&lt;br&gt; new axis of intolerance? &lt;a href="http://is.gd/ihzpe" target="_blank"&gt;http://is.gd/ihzpe&lt;/a&gt;&lt;br&gt; &lt;br&gt; Complaint filed over call to assassinate Julian Assange &lt;a href="http://is.gd/ihyZH" target="_blank"&gt;http://is.gd/ihyZH&lt;/a&gt;&lt;br&gt; &lt;br&gt; RT @sarahpalinusa &amp;lt;&lt;a href="http://twitter.com/sarahpalinusa" target="_blank"&gt;http://twitter.com/sarahpalinusa&lt;/a&gt;&amp;gt; &amp;quot;I can see Julian&lt;br&gt; Assange from my house&amp;quot; #wikileaks &amp;lt;/#!/search?q=%23wikileaks&amp;gt;&lt;br&gt; &lt;br&gt; The Shameful Attacks on Julian Assange | Atlantic &lt;a href="http://is.gd/ihkxm" target="_blank"&gt;http://is.gd/ihkxm&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks news roundup &lt;a href="http://wlcentral.org/" target="_blank"&gt;http://wlcentral.org/&lt;/a&gt;&lt;br&gt; &lt;br&gt; Cablegate: Boy, the last time there was a leak like this, Noah built&lt;br&gt; himself a boat.&lt;br&gt; &lt;br&gt; Australia: And so this is Christmass | ABC&lt;br&gt; &lt;a href="http://www.abc.net.au/unleashed/41868.html" target="_blank"&gt;http://www.abc.net.au/unleashed/41868.html&lt;/a&gt;&lt;br&gt; &lt;br&gt; Only WikiLeaks can save US policy | The Diplomat &lt;a href="http://is.gd/igUzh" target="_blank"&gt;http://is.gd/igUzh&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks now has 355 sites. Thanks to YOU &lt;a href="http://wikileaks.ch/mirrors.html" target="_blank"&gt;http://wikileaks.ch/mirrors.html&lt;/a&gt;&lt;br&gt; &lt;br&gt; Sarah Palin says Julian should be hunted down like Osama bin Laden--so&lt;br&gt; he should be safe for at least a decade.&lt;br&gt; &lt;br&gt; We will not be censored: WikiLeaks now running in over 208 locations&lt;br&gt; &lt;a href="http://wikileaks.ch/mirrors.html" target="_blank"&gt;http://wikileaks.ch/mirrors.html&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks: Obama must come clean or resign &lt;a href="http://is.gd/igdw8" target="_blank"&gt;http://is.gd/igdw8&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks official censorship resistant mirrors:&lt;br&gt; &lt;a href="http://wikileaks.ch/mirrors.html" target="_blank"&gt;http://wikileaks.ch/mirrors.html&lt;/a&gt;&lt;br&gt; &lt;br&gt; Digital McCarythism | The Hindu&lt;br&gt; &lt;a href="http://www.thehindu.com/opinion/editorial/article933915.ece" target="_blank"&gt;http://www.thehindu.com/opinion/editorial/article933915.ece&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks news update &lt;a href="http://wlcentral.org/" target="_blank"&gt;http://wlcentral.org/&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks strikes back. Cut us down and the stronger we become:&lt;br&gt; &lt;a href="http://twitter.com/search?q=imwikileaks" target="_blank"&gt;http://twitter.com/search?q=imwikileaks&lt;/a&gt;&lt;br&gt; &lt;br&gt; Robert McClelland is a US suckhole, worse than Howard on Hicks, and&lt;br&gt; needs to go. &lt;a href="http://is.gd/ibXzK" target="_blank"&gt;http://is.gd/ibXzK&lt;/a&gt;&lt;br&gt; &lt;br&gt; Reporters Without Borders condemns attacks on WikiLeaks&lt;br&gt; &lt;a href="http://en.rsf.org/wikileaks-hounded-04-12-2010,38958.html" target="_blank"&gt;http://en.rsf.org/wikileaks-hounded-04-12-2010,38958.html&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks at the Frontline Club (two rightmost journalists)&lt;br&gt; &lt;a href="http://www.viddler.com/explore/frontlineclub/videos/488/" target="_blank"&gt;http://www.viddler.com/explore/frontlineclub/videos/488/&lt;/a&gt;&lt;br&gt; &lt;br&gt; &amp;#39;Wikileaks&amp;#39; now twice as known as well known as &amp;#39;Wikipedia&amp;#39; according to&lt;br&gt; Google.&lt;br&gt; &lt;br&gt; UK Conservatives promised to run &amp;#39;pro-American regime&amp;#39;&lt;br&gt; &lt;a href="http://gu.com/p/2ygtt/tw" target="_blank"&gt;http://gu.com/p/2ygtt/tw&lt;/a&gt; #cablegate &amp;lt;/#!/search?q=%23cablegate&amp;gt;&lt;br&gt; &lt;br&gt; Ellsberg: Boycott Amazon&lt;br&gt; &lt;a href="http://www.antiwar.com/blog/2010/12/02/daniel-ellsberg-says-boycott-amazon/" target="_blank"&gt;http://www.antiwar.com/blog/2010/12/02/daniel-ellsberg-says-boycott-amazon/&lt;/a&gt;&lt;br&gt; &lt;br&gt; Great summary the attacks this week on WikiLeaks &lt;a href="http://is.gd/ibpzu" target="_blank"&gt;http://is.gd/ibpzu&lt;/a&gt;&lt;br&gt; &lt;br&gt; US may use Sweden to extradite Assange: Lawyer&lt;br&gt; &lt;a href="http://www.reuters.com/article/idUSTRE6B24FY20101203" target="_blank"&gt;http://www.reuters.com/article/idUSTRE6B24FY20101203&lt;/a&gt;&lt;br&gt; &lt;br&gt; Letter to Australian Prime Minister &lt;a href="http://wlcentral.org/node/480" target="_blank"&gt;http://wlcentral.org/node/480&lt;/a&gt;&lt;br&gt; &lt;br&gt; Sarkozy government moves to ban WikiLeaks&lt;br&gt; &lt;a href="http://english.peopledaily.com.cn/90001/90777/90853/7220892.html" target="_blank"&gt;http://english.peopledaily.com.cn/90001/90777/90853/7220892.html&lt;/a&gt;&lt;br&gt; &lt;br&gt; An extraordinary 24 hours. Press roundup &lt;a href="http://wlcentral.org/" target="_blank"&gt;http://wlcentral.org/&lt;/a&gt;&lt;br&gt; &lt;br&gt; Cut the spin. Julian Assange is NOT a traitor &lt;a href="http://wlcentral.org/node/481" target="_blank"&gt;http://wlcentral.org/node/481&lt;/a&gt;&lt;br&gt; &lt;br&gt; Digital McCarthyism: U.S. Military Tries to Intimidate Soldiers Into Not&lt;br&gt; Reading Wikileaks &lt;a href="http://is.gd/ibdAo" target="_blank"&gt;http://is.gd/ibdAo&lt;/a&gt;&lt;br&gt; &lt;br&gt; Digital McCarthyism: Columbia students advised not to comment on/link to&lt;br&gt; discussions on Wikileaks. &lt;a href="http://fb.me/AnjBDyaN" target="_blank"&gt;http://fb.me/AnjBDyaN&lt;/a&gt;&lt;br&gt; &lt;br&gt; PayPal bans WikiLeaks after US government pressure &lt;a href="http://is.gd/ibbwG" target="_blank"&gt;http://is.gd/ibbwG&lt;/a&gt;&lt;br&gt; &lt;br&gt; Facebook group hits 600,000 members &lt;a href="http://facebook.com/wikileaks" target="_blank"&gt;http://facebook.com/wikileaks&lt;/a&gt;&lt;br&gt; &lt;br&gt; TIME cover: Why WikiLeaks is good for America &lt;a href="http://is.gd/iayRm" target="_blank"&gt;http://is.gd/iayRm&lt;/a&gt;&lt;br&gt; &lt;br&gt; Ron Paul: Why we need more WikiLeaks&lt;br&gt; &lt;a href="http://www.rawstory.com/rs/2010/12/ron-paul-what-wikileaks/" target="_blank"&gt;http://www.rawstory.com/rs/2010/12/ron-paul-what-wikileaks/&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks news roundup &lt;a href="http://wlcentral.org/" target="_blank"&gt;http://wlcentral.org/&lt;/a&gt;&lt;br&gt; &lt;br&gt; US first amendment end times: Library of Congress blocks WikiLeaks |&lt;br&gt; &lt;br&gt; WikiLeaks now available at &lt;a href="http://wikileaks.de/" target="_blank"&gt;http://wikileaks.de/&lt;/a&gt; &lt;a href="http://wikileaks.fi/" target="_blank"&gt;http://wikileaks.fi/&lt;/a&gt;&lt;br&gt; &lt;a href="http://wikileaks.nl/" target="_blank"&gt;http://wikileaks.nl/&lt;/a&gt;&lt;br&gt; &lt;br&gt; Live Q&amp;amp;A with Julian Assange &lt;a href="http://j.mp/fBx8hs" target="_blank"&gt;http://j.mp/fBx8hs&lt;/a&gt; (fixed)&lt;br&gt; &lt;br&gt; Utterly surreal: Pravda justifiably criticising US for trying to stifle&lt;br&gt; a free press &lt;a href="http://bit.ly/hD2zst" target="_blank"&gt;bit.ly/hD2zst&lt;/a&gt; How times change.&lt;br&gt; &lt;br&gt; State Department transcript on WikkiLeaks&lt;br&gt; &lt;a href="http://www.state.gov/r/pa/prs/dpb/2010/12/152291.htm" target="_blank"&gt;http://www.state.gov/r/pa/prs/dpb/2010/12/152291.htm&lt;/a&gt;&lt;br&gt; &lt;br&gt; wikileaks &amp;lt;/#!/wikileaks&amp;gt; WikiLeaks&lt;br&gt; Amazon&amp;#39;s press release does not accord with the facts on public record.&lt;br&gt; It is one thing to be cowardly. Another to lie about it.&lt;br&gt; &lt;br&gt; RT @JPBarlow &amp;lt;&lt;a href="http://twitter.com/JPBarlow" target="_blank"&gt;http://twitter.com/JPBarlow&lt;/a&gt;&amp;gt;: The first serious infowar is&lt;br&gt; now engaged. The field of battle is WikiLeaks. You are the troops.&lt;br&gt; #WikiLeaks &amp;lt;/#!/search?q=%23WikiLeaks&amp;gt;&lt;br&gt; &lt;br&gt; High court of Pakistan dismisses attempt to ban WikiLeaks &lt;a href="http://is.gd/i8g4x" target="_blank"&gt;http://is.gd/i8g4x&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks moves to Switzerland &lt;a href="http://wikileaks.ch/" target="_blank"&gt;http://wikileaks.ch/&lt;/a&gt;&lt;br&gt; &lt;br&gt; WIKILEAKS: Free speech has a number: &lt;a href="http://88.80.13.160" target="_blank"&gt;http://88.80.13.160&lt;/a&gt;&lt;br&gt; &lt;br&gt; You can also easily support WikiLeaks via&lt;br&gt; &lt;a href="http://collateralmurder.com/en/support.html" target="_blank"&gt;http://collateralmurder.com/en/support.html&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks,org domain killed by US &lt;a href="http://everydns.net" target="_blank"&gt;everydns.net&lt;/a&gt; after claimed mass&lt;br&gt; attacks KEEP US STRONG &lt;a href="https://donations.datacell.com/" target="_blank"&gt;https://donations.datacell.com/&lt;/a&gt;&lt;br&gt; &lt;br&gt; Pilger: The War You Don&amp;#39;t See (interview on new film)&lt;br&gt; &lt;a href="http://www.abc.net.au/rn/breakfast/stories/2010/3083583.htm" target="_blank"&gt;http://www.abc.net.au/rn/breakfast/stories/2010/3083583.htm&lt;/a&gt;&lt;br&gt; &lt;br&gt; At one cable per hour, it will take WikiLeaks 28.6 years to release them&lt;br&gt; all. Speed us up! &lt;a href="http://is.gd/i3T7U" target="_blank"&gt;http://is.gd/i3T7U&lt;/a&gt;&lt;br&gt; &lt;br&gt; CIA behind Hillary&amp;#39;s &amp;quot;steal UN members DNA&amp;quot; order &lt;a href="http://is.gd/i6MRM" target="_blank"&gt;http://is.gd/i6MRM&lt;/a&gt;&lt;br&gt; &lt;br&gt; Kennedy on why WikiLeaks matters (Youtube)&lt;br&gt; &lt;a href="http://www.youtube.com/watch?v=xhZk8ronces" target="_blank"&gt;http://www.youtube.com/watch?v=xhZk8ronces&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks press roundup &lt;a href="http://wlcentral.org/" target="_blank"&gt;http://wlcentral.org/&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks is the first global Samizdat movement. The truth will surface&lt;br&gt; even in the face of total annihilation.&lt;br&gt; &lt;br&gt; KEEP WIKILEAKS STRONG: &lt;a href="http://is.gd/i3T7U" target="_blank"&gt;http://is.gd/i3T7U&lt;/a&gt;&lt;br&gt; &lt;br&gt; If Amazon are so uncomfortable with the first amendment, they should get&lt;br&gt; out of the business of selling books.&lt;br&gt; &lt;br&gt; WikiLeaks servers at Amazon ousted. Free speech the land of the&lt;br&gt; free--fine our $ are now spent to employ people in Europe.&lt;br&gt; &lt;br&gt; Canadian Harper advisor calls for the assassination of Julian Assange&lt;br&gt; &lt;a href="http://www.youtube.com/watch?v=bqtIafdoH_g" target="_blank"&gt;http://www.youtube.com/watch?v=bqtIafdoH_g&lt;/a&gt;&lt;br&gt; &lt;br&gt; Good essay on one of the key ideas behind WikiLeaks &lt;a href="http://is.gd/i0udB" target="_blank"&gt;http://is.gd/i0udB&lt;/a&gt;&lt;br&gt; &lt;br&gt; Daniel Ellsberg speaks to the BBC about Cablegate&lt;br&gt; &lt;a href="http://www.bbc.co.uk/news/world-11879951" target="_blank"&gt;http://www.bbc.co.uk/news/world-11879951&lt;/a&gt;&lt;br&gt; &lt;br&gt; DDOS attack now exceeding 10 Gigabits a second.&lt;br&gt; &lt;br&gt; We are currently under another DDOS attack. 30 Nov&lt;br&gt; &lt;br&gt; Chinese government issues censorship order for WikiLeaks&lt;br&gt; &lt;br&gt; Ecuador offers WikiLeaks save haven &lt;a href="http://is.gd/hY73U" target="_blank"&gt;http://is.gd/hY73U&lt;/a&gt;&lt;br&gt; &lt;br&gt; Hilarious cable on Prince Andrew mega corruption&lt;br&gt; &lt;a href="http://cablegate.wikileaks.org/cable/2008/10/08BISHKEK1095.html" target="_blank"&gt;http://cablegate.wikileaks.org/cable/2008/10/08BISHKEK1095.html&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks to bust bad banks: &lt;a href="http://is.gd/hXQaG" target="_blank"&gt;http://is.gd/hXQaG&lt;/a&gt; keep us strong:&lt;br&gt; &lt;a href="http://is.gd/hXGAf" target="_blank"&gt;http://is.gd/hXGAf&lt;/a&gt;&lt;br&gt; &lt;br&gt; WikiLeaks reveals US Nuclear Weapons in the Netherlands&lt;br&gt; &lt;a href="http://cablegate.wikileaks.org/cable/2009/11/09BERLIN1433.html" target="_blank"&gt;http://cablegate.wikileaks.org/cable/2009/11/09BERLIN1433.html&lt;/a&gt;&lt;br&gt; &lt;br&gt; Australia deploys Taskforce against WikiLeaks &lt;a href="http://is.gd/hXB2g" target="_blank"&gt;http://is.gd/hXB2g&lt;/a&gt; help us&lt;br&gt; deploy counter force: &lt;a href="http://is.gd/hXGAf" target="_blank"&gt;http://is.gd/hXGAf&lt;/a&gt;&lt;br&gt; &lt;br&gt; Hillary says US taking &amp;quot;aggressive steps&amp;quot; against us; take some&lt;br&gt; yourself: &lt;a href="http://wikileaks.org/media/support.html" target="_blank"&gt;http://wikileaks.org/media/support.html&lt;/a&gt;&lt;br&gt; &lt;br&gt; Australia starts &amp;quot;whole of government&amp;quot; investigation into Julian Assange&lt;br&gt; &lt;a href="http://is.gd/hWoPX" target="_blank"&gt;http://is.gd/hWoPX&lt;/a&gt;&lt;br&gt; &lt;br&gt; Beyond the spin: WikiLeaks v. State Dep correspondence &lt;a href="http://is.gd/hVLap" target="_blank"&gt;http://is.gd/hVLap&lt;/a&gt;&lt;br&gt; &lt;br&gt; Cablegate: What&amp;#39;s coming up as the weeks go by&lt;br&gt; &lt;a href="http://public.tableausoftware.com/views/tags/Subject" target="_blank"&gt;http://public.tableausoftware.com/views/tags/Subject&lt;/a&gt;&lt;br&gt; &lt;br&gt; Tomorrow we will provide information on how other media groups can apply&lt;br&gt; to for embargo access to #cablegate &amp;lt;/#!/search?q=%23cablegate&amp;gt; info.&lt;br&gt; &lt;br&gt; LEAK: US Embassy Cables &lt;a href="http://cablegate.wikileaks.org" target="_blank"&gt;http://cablegate.wikileaks.org&lt;/a&gt; #cablegate&lt;br&gt; &lt;br&gt; Guardian&amp;#39;s Cablegate coverage is out &lt;a href="http://www.guardian.co.uk/" target="_blank"&gt;http://www.guardian.co.uk/&lt;/a&gt;&lt;br&gt; &lt;br&gt; Los secretos de la diplomacia de Estados Unidos, al descubierto&lt;br&gt; &lt;a href="http://www.elpais.com/documentossecretos/" target="_blank"&gt;http://www.elpais.com/documentossecretos/&lt;/a&gt; #cablegate&lt;br&gt; &lt;br&gt; Tomorrow&amp;#39;s Der Spiegel&amp;#39;s cover today:&lt;br&gt; &lt;a href="http://cache.gawker.com/assets/images/gawker/2010/11/spiegelgoodbig.jpg" target="_blank"&gt;http://cache.gawker.com/assets/images/gawker/2010/11/spiegelgoodbig.jpg&lt;/a&gt;&lt;br&gt; &lt;br&gt; Please use #cablegate &amp;lt;/#!/search?q=%23cablegate&amp;gt; to discuss the pending&lt;br&gt; US Embassy cables release.&lt;br&gt; &lt;br&gt; El Pais, Le Monde, Speigel, Guardian &amp;amp; NYT will publish many US embassy&lt;br&gt; cables tonight, even if WikiLeaks goes down&lt;br&gt; &lt;br&gt; We are currently under a mass distributed denial of service attack.&lt;br&gt; 28 Nov...&lt;br&gt; &lt;br&gt; &lt;br&gt; &lt;font size="4"&gt;&lt;b&gt;Via&lt;/b&gt;&lt;/font&gt;&lt;br&gt;&lt;b class="gmail_sendername"&gt;Frederick Noronha&lt;/b&gt; &lt;span dir="ltr"&gt;&amp;lt;fredericknoronhaATgmailDOTcom&amp;gt;&lt;/span&gt;&lt;br&gt;Date: 12 December 2010 10:10&lt;br&gt; #  distributed via &amp;lt;nettime&amp;gt;: no commercial use without permission&lt;br&gt; #  &amp;lt;nettime&amp;gt;  is a moderated mailing list for net criticism,&lt;br&gt; #  collaborative text filtering and cultural politics of the nets&lt;br&gt; #  more info: &lt;a href="http://mail.kein.org/mailman/listinfo/nettime-l" target="_blank"&gt;http://mail.kein.org/mailman/listinfo/nettime-l&lt;/a&gt;&lt;br&gt; #  archive: &lt;a href="http://www.nettime.org" target="_blank"&gt;http://www.nettime.org&lt;/a&gt; contact: &lt;a href="mailto:nettime@kein.org"&gt;nettime@kein.org&lt;/a&gt;&lt;br&gt; &lt;/div&gt;&lt;br&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-72480719526699894?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/72480719526699894/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=72480719526699894&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/72480719526699894'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/72480719526699894'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2010/12/some-more-wikileaks-links.html' title='Some more Wikileaks links...'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-188911616610637698</id><published>2010-12-12T09:18:00.001-07:00</published><updated>2010-12-12T09:18:54.766-07:00</updated><title type='text'>Some YouTube suggested videos about WikiLeaks</title><content type='html'>&lt;h4 class="first"&gt;Suggestions&lt;/h4&gt;&lt;br&gt;&lt;h1 id="watch-headline-title"&gt;&lt;span id="eow-title" class="long-title" dir="ltr" title="WikiRebels: The Documentary | WikiLeaks &amp;amp; Julian Assange"&gt;WikiRebels: The Documentary | WikiLeaks &amp;amp; Julian Assange   &lt;/span&gt;&lt;/h1&gt;&lt;a href="http://www.youtube.com/watch?v=lPglX8Bl3Dc"&gt;http://www.youtube.com/watch?v=lPglX8Bl3Dc&lt;/a&gt;&lt;br&gt;&lt;div class="watch-info-description-head"&gt;      &lt;a class="watch-description-username" href="http://www.youtube.com/user/wozzek22"&gt;&lt;strong&gt;wozzek22&lt;/strong&gt;&lt;/a&gt;          &lt;span class="watch-description-separator"&gt;|&lt;/span&gt;         &lt;span id="eow-date" class="watch-video-date"&gt;     December 10, 2010   &lt;/span&gt;         &lt;span class="watch-description-separator"&gt;|&lt;/span&gt;       &lt;span class="watch-likes-dislikes"&gt; &lt;span class="likes"&gt;53&lt;/span&gt; likes, &lt;span class="dislikes"&gt;0&lt;/span&gt; dislikes       &lt;/span&gt;      &lt;/div&gt;                &lt;p id="eow-description"&gt;Swedish Television&amp;#39;s Jesper Huor and Bosse  Lindquist exclusive rough-cut of first in-depth documentary on WikiLeaks  and the people behind it!&lt;br&gt;&lt;br&gt;&amp;quot;From summer 2010 until now, SVT has  been following the secretive media organization WikiLeaks and its  enigmatic Editor-in-Chief Julian Assange.&lt;br&gt;&lt;br&gt;Reporters Jesper Huor  and Bosse Lindquist have traveled to key countries where WikiLeaks  operates, interviewing top members, such as Assange, new Spokesperson  Kristinn Hrafnsson, as well as people like Daniel Domscheit-Berg who now  is starting his own version - Openleaks.org.&amp;quot;&lt;br&gt;&lt;br&gt;The documentary  also includes interviews with Ian Overton from The Bureau of  Investigative Journalism, James Ball of TBIJ and WikiLeaks, Icelandic MP  Birgitta Jónsdóttir, former WikiLeaks collaborators Herbert Snorrason  and Smári McCarthy, and PRQ CEO Mikael Viborg.&lt;br&gt;&lt;br&gt;The documentary  looks at WikiLeaks&amp;#39; philosophy and operations, some of its famous  disclosures including the Kenya report, the Guantanamo manuals,  Kaupthing, Trafigura, the Collateral Murder video, the Afghanistan and  Iraq war logs, the US administration&amp;#39;s reactions, and the lead-up to the  Cablegate release.&lt;/p&gt;                &lt;h4&gt;Category:&lt;/h4&gt;       &lt;p id="eow-category"&gt;&lt;a href="http://www.youtube.com/news"&gt;News &amp;amp; Politics&lt;/a&gt;&lt;/p&gt;          &lt;h4&gt;Tags:&lt;/h4&gt;         &lt;ul id="eow-tags" class="watch-info-tag-list"&gt;&lt;li&gt;&lt;a href="http://www.youtube.com/results?search_query=wikileaks&amp;amp;search=tag"&gt;wikileaks&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.youtube.com/results?search_query=wiki%20leaks&amp;amp;search=tag"&gt;wiki leaks&lt;/a&gt;&lt;/li&gt; &lt;li&gt;&lt;a href="http://www.youtube.com/results?search_query=julian%20assange&amp;amp;search=tag"&gt;julian assange&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.youtube.com/results?search_query=wikirebels%20documentary&amp;amp;search=tag"&gt;wikirebels documentary&lt;/a&gt;&lt;/li&gt; &lt;li&gt;&lt;a href="http://www.youtube.com/results?search_query=stop%20the%20fasctists%20movement&amp;amp;search=tag"&gt;stop the fasctists movement&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br&gt;&lt;br&gt;       &lt;ul id="watch-related" class="video-list"&gt;&lt;div id="ppv-container" class=""&gt;                   &lt;li class="video-list-item last watch-ppv-vid"&gt;&lt;a href="http://www.youtube.com/watch?v=bVGqE726OAo&amp;amp;feature=fvwk" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange: Why the world needs WikiLeaks" src="http://i3.ytimg.com/vi/bVGqE726OAo/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;19:34&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange: Why the world needs WikiLeaks"&gt;Julian Assange: Why the world needs WikiLeaks&lt;/span&gt;&lt;span class="stat"&gt;by AlJazeeraEnglish&lt;/span&gt;&lt;span class="stat alt"&gt;Featured Video&lt;/span&gt;&lt;span class="stat view-count"&gt;173,721 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;    &lt;/div&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=FdfZ-D2oZiU&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="WikiLeaks founder Julian Assange" src="http://i3.ytimg.com/vi/FdfZ-D2oZiU/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;2:09&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="WikiLeaks founder Julian Assange"&gt;WikiLeaks founder Julian Assange&lt;/span&gt;&lt;span class="stat"&gt;by itnnews&lt;/span&gt;&lt;span class="stat view-count"&gt;52,424 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=HNOnvp5t7Do&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange: Why the world needs WikiLeaks" src="http://i1.ytimg.com/vi/HNOnvp5t7Do/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;19:34&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange: Why the world needs WikiLeaks"&gt;Julian Assange: Why the world needs WikiLeaks&lt;/span&gt;&lt;span class="stat"&gt;by TEDtalksDirector&lt;/span&gt;&lt;span class="stat view-count"&gt;90,999 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=wBENlJfZ-f8&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange: Is WikiLeaks Biased?" src="http://i4.ytimg.com/vi/wBENlJfZ-f8/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;4:50&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange: Is WikiLeaks Biased?"&gt;Julian Assange: Is WikiLeaks Biased?&lt;/span&gt;&lt;span class="stat"&gt;by ForaTv&lt;/span&gt;&lt;span class="stat view-count"&gt;34,304 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=bD5dxkPwibU&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="WikiLeaks chief Julian Assange talks to RT" src="http://i3.ytimg.com/vi/bD5dxkPwibU/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;12:28&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="WikiLeaks chief Julian Assange talks to RT"&gt;WikiLeaks chief Julian Assange talks to RT&lt;/span&gt;&lt;span class="stat"&gt;by RussiaToday&lt;/span&gt;&lt;span class="stat view-count"&gt;46,552 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=qDvfQ5gZ-Jw&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange of WikiLeaks - Oslo Freedom Forum 2010" src="http://i2.ytimg.com/vi/qDvfQ5gZ-Jw/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;17:52&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange of WikiLeaks - Oslo Freedom Forum 2010"&gt;Julian Assange of WikiLeaks - Oslo Freedom Foru...&lt;/span&gt;&lt;span class="stat"&gt;by OsloFreedomForum&lt;/span&gt;&lt;span class="stat view-count"&gt;21,670 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=_Y37QLAoYgw&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian ASSANGE, WikiLeaks founder" src="http://i4.ytimg.com/vi/_Y37QLAoYgw/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;5:26&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian ASSANGE, WikiLeaks founder"&gt;Julian ASSANGE, WikiLeaks founder&lt;/span&gt;&lt;span class="stat"&gt;by france24english&lt;/span&gt;&lt;span class="stat view-count"&gt;2,983 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=bBsMK1eQ7A8&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange to RT: WikiLeaks gives &amp;#39;most accurate picture of war&amp;#39;" src="http://i3.ytimg.com/vi/bBsMK1eQ7A8/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;8:17&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange to RT: WikiLeaks gives &amp;#39;most accurate picture of war&amp;#39;"&gt;Julian Assange to RT: WikiLeaks gives &amp;#39;most acc...&lt;/span&gt;&lt;span class="stat"&gt;by RussiaToday&lt;/span&gt;&lt;span class="stat view-count"&gt;41,295 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=FPwFetgSKFA&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange on WikiLeaks &amp;#39; Future" src="http://i3.ytimg.com/vi/FPwFetgSKFA/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;7:31&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange on WikiLeaks &amp;#39; Future"&gt;Julian Assange on WikiLeaks &amp;#39; Future&lt;/span&gt;&lt;span class="stat"&gt;by FoxBusinessNetwork&lt;/span&gt;&lt;span class="stat view-count"&gt;2,150 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=E_HPLHIBTtA&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Tea with Julian Assange, editor of Wikileaks economist.com/video" src="http://i2.ytimg.com/vi/E_HPLHIBTtA/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;10:39&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Tea with Julian Assange, editor of Wikileaks economist.com/video"&gt;Tea with Julian Assange, editor of Wikileaks ec...&lt;/span&gt;&lt;span class="stat"&gt;by EconomistMagazine&lt;/span&gt;&lt;span class="stat view-count"&gt;16,047 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=NeTtBAOeDl4&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="WikiLeaks: &amp;quot;Shooting the messenger, Julian Assange&amp;quot;" src="http://i3.ytimg.com/vi/NeTtBAOeDl4/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;8:20&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="WikiLeaks: &amp;quot;Shooting the messenger, Julian Assange&amp;quot;"&gt;WikiLeaks: &amp;quot;Shooting the messenger, Julian Assa...&lt;/span&gt;&lt;span class="stat"&gt;by RTAmerica&lt;/span&gt;&lt;span class="stat view-count"&gt;9,706 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=Vmngb883a0I&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="WikiLeaks founder Julian Assange in custody" src="http://i3.ytimg.com/vi/Vmngb883a0I/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;2:33&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="WikiLeaks founder Julian Assange in custody"&gt;WikiLeaks founder Julian Assange in custody&lt;/span&gt;&lt;span class="stat"&gt;by itnnews&lt;/span&gt;&lt;span class="stat view-count"&gt;11,545 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=KcQpV3pWmy4&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Part 1 (of 4): Julian Assange Wikileaks founder Press Conference, Geneva, Switzerland 11/04/2010" src="http://i4.ytimg.com/vi/KcQpV3pWmy4/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;9:41&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Part 1 (of 4): Julian Assange Wikileaks founder Press Conference, Geneva, Switzerland 11/04/2010"&gt;Part 1 (of 4): Julian Assange Wikileaks founder...&lt;/span&gt;&lt;span class="stat"&gt;by nnnnnnnn2010&lt;/span&gt;&lt;span class="stat view-count"&gt;11,436 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=UeJy001sweM&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Face to Face -Julian Assange -04-11-2010 Wikileaks(part 1)" src="http://i2.ytimg.com/vi/UeJy001sweM/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;9:19&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Face to Face -Julian Assange -04-11-2010 Wikileaks(part 1)"&gt;Face to Face -Julian Assange -04-11-2010 Wikile...&lt;/span&gt;&lt;span class="stat"&gt;by TheVildbasse&lt;/span&gt;&lt;span class="stat view-count"&gt;52,494 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=onFUapLAJNI&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="The Listening Post - The Midterms media players" src="http://i4.ytimg.com/vi/onFUapLAJNI/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;22:59&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="The Listening Post - The Midterms media players"&gt;The Listening Post - The Midterms media players&lt;/span&gt;&lt;span class="stat"&gt;by AlJazeeraEnglish&lt;/span&gt;&lt;span class="stat view-count"&gt;3,594 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=7sYXppiOteM&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Wikileaks co-founder speaks to Alyona" src="http://i4.ytimg.com/vi/7sYXppiOteM/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;9:43&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Wikileaks co-founder speaks to Alyona"&gt;Wikileaks co-founder speaks to Alyona&lt;/span&gt;&lt;span class="stat"&gt;by TheAlyonaShow&lt;/span&gt;&lt;span class="stat view-count"&gt;102,350 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=N18aLQXDXGA&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange  of Wikileaks - Afghanistan war logs" src="http://i3.ytimg.com/vi/N18aLQXDXGA/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;4:39&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange  of Wikileaks - Afghanistan war logs"&gt;Julian Assange  of Wikileaks - Afghanistan war ...&lt;/span&gt;&lt;span class="stat"&gt;by TheVildbasse&lt;/span&gt;&lt;span class="stat view-count"&gt;20,391 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=c75kbMJBtqc&amp;amp;feature=related" class="video-list-item-link "&gt;                            &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Wikileaks Founder Julian Assange Explains 250,000 Cable Dump" src="http://i4.ytimg.com/vi/c75kbMJBtqc/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;1:10&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Wikileaks Founder Julian Assange Explains 250,000 Cable Dump"&gt;Wikileaks Founder Julian Assange Explains 250,0...&lt;/span&gt;&lt;span class="stat"&gt;by MidweekPolitics&lt;/span&gt;&lt;span class="stat view-count"&gt;16,210 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=9M4OaU0uV7Q&amp;amp;feature=related" class="video-list-item-link "&gt; 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                           &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="What Makes Julian Assange of Wikileaks Tick?" src="http://i2.ytimg.com/vi/Az1iMRx6qhc/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;5:18&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="What Makes Julian Assange of Wikileaks Tick?"&gt;What Makes Julian Assange of Wikileaks Tick?&lt;/span&gt;&lt;span class="stat"&gt;by PBSNewsHour&lt;/span&gt;&lt;span class="stat view-count"&gt;2,138 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; 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&lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange&amp;#39;s Life on the Run"&gt;Julian Assange&amp;#39;s Life on the Run&lt;/span&gt;&lt;span class="stat"&gt;by CBSNewsOnline&lt;/span&gt;&lt;span class="stat view-count"&gt;11,519 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=Lisa9XTRLb4&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="WikiLeaks founder Julian Assange walks out of CNN interview - In-depth Africa.com" src="http://i1.ytimg.com/vi/Lisa9XTRLb4/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;4:16&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; 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&lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange: NDTV India interview - concerns about neighbor Pakistan: Wikileaks Afghan war diary"&gt;Julian Assange: NDTV India interview - concerns...&lt;/span&gt;&lt;span class="stat"&gt;by ddchalmers&lt;/span&gt;&lt;span class="stat view-count"&gt;5,348 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=NXbCwq4ewBU&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Rap News 5: Wikileaks &amp;amp; the war on journalism (ft. 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Julian Assange)"&gt;Rap News 5: Wikileaks &amp;amp; the war on journalism (...&lt;/span&gt;&lt;span class="stat"&gt;by thejuicemedia&lt;/span&gt;&lt;span class="stat view-count"&gt;278,288 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=3orLOTcnZds&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Journalists Support For Wikileaks And Julian Assange" src="http://i4.ytimg.com/vi/3orLOTcnZds/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;22:17&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Journalists Support For Wikileaks And Julian Assange"&gt;Journalists Support For Wikileaks And Julian As...&lt;/span&gt;&lt;span class="stat"&gt;by andreasklamm&lt;/span&gt;&lt;span class="stat view-count"&gt;731 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=CGacAhPbx5M&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Rumored Manhunt for Wikileaks Founder Julian Assange 1 of 4" src="http://i4.ytimg.com/vi/CGacAhPbx5M/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;9:55&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Rumored Manhunt for Wikileaks Founder Julian Assange 1 of 4"&gt;Rumored Manhunt for Wikileaks Founder Julian As...&lt;/span&gt;&lt;span class="stat"&gt;by mediagrrl9&lt;/span&gt;&lt;span class="stat view-count"&gt;10,725 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=M0-aVxkaPTc&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange Explains WikiLeaks Disclosure Of Afghan War Info To Larry King pt.2" src="http://i2.ytimg.com/vi/M0-aVxkaPTc/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;5:33&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange Explains WikiLeaks Disclosure Of Afghan War Info To Larry King pt.2"&gt;Julian Assange Explains WikiLeaks Disclosure Of...&lt;/span&gt;&lt;span class="stat"&gt;by MOXNEWSd0tCOM&lt;/span&gt;&lt;span class="stat view-count"&gt;51,541 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=KyiF3t-2Zek&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="WikiLeaks Founder Julian Assange on Iraq War Logs (Part 1 of 4)" src="http://i4.ytimg.com/vi/KyiF3t-2Zek/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;8:38&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="WikiLeaks Founder Julian Assange on Iraq War Logs (Part 1 of 4)"&gt;WikiLeaks Founder Julian Assange on Iraq War Lo...&lt;/span&gt;&lt;span class="stat"&gt;by mediagrrl9&lt;/span&gt;&lt;span class="stat view-count"&gt;5,400 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=fXw8HomfiHo&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Wikileaks cofounder, Julian Assange &amp;amp; the Pentagon Manhunt - June 13, 2010" src="http://i3.ytimg.com/vi/fXw8HomfiHo/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;3:12&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Wikileaks cofounder, Julian Assange &amp;amp; the Pentagon Manhunt - June 13, 2010"&gt;Wikileaks cofounder, Julian Assange &amp;amp; the Penta...&lt;/span&gt;&lt;span class="stat"&gt;by TPFThePeoplesForum&lt;/span&gt;&lt;span class="stat view-count"&gt;3,326 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=ZYspXgSQTy4&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange - Oslo Freedom Forum 2010 (Part 1 of 2)" src="http://i3.ytimg.com/vi/ZYspXgSQTy4/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;9:05&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange - Oslo Freedom Forum 2010 (Part 1 of 2)"&gt;Julian Assange - Oslo Freedom Forum 2010 (Part ...&lt;/span&gt;&lt;span class="stat"&gt;by OsloFreedomForum&lt;/span&gt;&lt;span class="stat view-count"&gt;28,278 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=QgtOtrFVGPg&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Wikileaks in Stockholm Part 1/5 - VAKEN.SE" src="http://i2.ytimg.com/vi/QgtOtrFVGPg/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;14:55&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Wikileaks in Stockholm Part 1/5 - VAKEN.SE"&gt;Wikileaks in Stockholm Part 1/5 - VAKEN.SE&lt;/span&gt;&lt;span class="stat"&gt;by vakenpunktse&lt;/span&gt;&lt;span class="stat view-count"&gt;8,561 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=7QEdAykXxoM&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="WikiLeaks editor on Apache combat video: No excuse for US killing civilians" src="http://i4.ytimg.com/vi/7QEdAykXxoM/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;7:22&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="WikiLeaks editor on Apache combat video: No excuse for US killing civilians"&gt;WikiLeaks editor on Apache combat video: No exc...&lt;/span&gt;&lt;span class="stat"&gt;by RussiaToday&lt;/span&gt;&lt;span class="stat view-count"&gt;144,817 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=yGshmyKhcX4&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange Vs. Alastair Mullis -Free Speech Debate" src="http://i2.ytimg.com/vi/yGshmyKhcX4/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;7:46&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange Vs. Alastair Mullis -Free Speech Debate"&gt;Julian Assange Vs. Alastair Mullis -Free Speech...&lt;/span&gt;&lt;span class="stat"&gt;by TheSmokingNug&lt;/span&gt;&lt;span class="stat view-count"&gt;13,724 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=vFAxIH_H4PI&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Wikileaks Founder Julian Assange SNL parody in 1080p HD" src="http://i3.ytimg.com/vi/vFAxIH_H4PI/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;3:38&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Wikileaks Founder Julian Assange SNL parody in 1080p HD"&gt;Wikileaks Founder Julian Assange SNL parody in ...&lt;/span&gt;&lt;span class="stat"&gt;by bellini347&lt;/span&gt;&lt;span class="stat view-count"&gt;25,632 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=bY_WrMsqIl8&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange, 2/2: France24 Debate - was WikiLeaks right to release Afghan war documents?" src="http://i3.ytimg.com/vi/bY_WrMsqIl8/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;9:43&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange, 2/2: France24 Debate - was WikiLeaks right to release Afghan war documents?"&gt;Julian Assange, 2/2: France24 Debate - was Wiki...&lt;/span&gt;&lt;span class="stat"&gt;by ddchalmers&lt;/span&gt;&lt;span class="stat view-count"&gt;1,325 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=D1aqgvbK_dU&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Foreign Correspondent on Wikileaks June 22. 2010  1 of 3" src="http://i1.ytimg.com/vi/D1aqgvbK_dU/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;9:25&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Foreign Correspondent on Wikileaks June 22. 2010  1 of 3"&gt;Foreign Correspondent on Wikileaks June 22. 201...&lt;/span&gt;&lt;span class="stat"&gt;by TheVildbasse&lt;/span&gt;&lt;span class="stat view-count"&gt;6,212 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=hZt9Bmmwlec&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Part 3 (of 4): Julian Assange Wikileaks founder Press Conference, Geneva, Switzerland 11/04/2010" src="http://i1.ytimg.com/vi/hZt9Bmmwlec/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;9:48&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Part 3 (of 4): Julian Assange Wikileaks founder Press Conference, Geneva, Switzerland 11/04/2010"&gt;Part 3 (of 4): Julian Assange Wikileaks founder...&lt;/span&gt;&lt;span class="stat"&gt;by nnnnnnnn2010&lt;/span&gt;&lt;span class="stat view-count"&gt;2,386 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=kxnyNgVWYZ0&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange at press conference ALDE Seminar (Self) Censorship 21-06-2010 part 3" src="http://i4.ytimg.com/vi/kxnyNgVWYZ0/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;2:28&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange at press conference ALDE Seminar (Self) Censorship 21-06-2010 part 3"&gt;Julian Assange at press conference ALDE Seminar...&lt;/span&gt;&lt;span class="stat"&gt;by Persd66Europa&lt;/span&gt;&lt;span class="stat view-count"&gt;5,908 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=0QbN3mjdLyA&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Part 4 (of 4): Julian Assange Wikileaks founder Press Conference, Geneva, Switzerland 11/04/2010" src="http://i1.ytimg.com/vi/0QbN3mjdLyA/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;10:19&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Part 4 (of 4): Julian Assange Wikileaks founder Press Conference, Geneva, Switzerland 11/04/2010"&gt;Part 4 (of 4): Julian Assange Wikileaks founder...&lt;/span&gt;&lt;span class="stat"&gt;by nnnnnnnn2010&lt;/span&gt;&lt;span class="stat view-count"&gt;2,312 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=3xg1E5cEdO8&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Is WikiLeaks&amp;#39; Julian Assange A Hero? Glenn Greenwald vs Steven Aftergood of Secrecy News 2 of 3" src="http://i4.ytimg.com/vi/3xg1E5cEdO8/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;12:12&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Is WikiLeaks&amp;#39; Julian Assange A Hero? Glenn Greenwald vs Steven Aftergood of Secrecy News 2 of 3"&gt;Is WikiLeaks&amp;#39; Julian Assange A Hero? Glenn Gree...&lt;/span&gt;&lt;span class="stat"&gt;by mediagrrl9&lt;/span&gt;&lt;span class="stat view-count"&gt;1,534 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=kCmjmDXp7TI&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Wikileaks - USA" src="http://i4.ytimg.com/vi/kCmjmDXp7TI/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;24:23&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Wikileaks - USA"&gt;Wikileaks - USA&lt;/span&gt;&lt;span class="stat"&gt;by journeymanpictures&lt;/span&gt;&lt;span class="stat view-count"&gt;74,788 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=gmZZHx_3_aA&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange of Wikileaks on SBS&amp;#39;s Dateline by Mark Davis part 1 of 2" src="http://i4.ytimg.com/vi/gmZZHx_3_aA/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;10:31&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange of Wikileaks on SBS&amp;#39;s Dateline by Mark Davis part 1 of 2"&gt;Julian Assange of Wikileaks on SBS&amp;#39;s Dateline b...&lt;/span&gt;&lt;span class="stat"&gt;by TheVildbasse&lt;/span&gt;&lt;span class="stat view-count"&gt;3,311 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=OjljOdhwnSg&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Part 2 (of 4): Julian Assange Wikileaks founder Press Conference, Geneva, Switzerland 11/04/2010" src="http://i4.ytimg.com/vi/OjljOdhwnSg/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;9:40&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Part 2 (of 4): Julian Assange Wikileaks founder Press Conference, Geneva, Switzerland 11/04/2010"&gt;Part 2 (of 4): Julian Assange Wikileaks founder...&lt;/span&gt;&lt;span class="stat"&gt;by nnnnnnnn2010&lt;/span&gt;&lt;span class="stat view-count"&gt;3,482 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=WRpDKmlPzk0&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="WikiLeaks founder - Julian Assange exclusive interview" src="http://i4.ytimg.com/vi/WRpDKmlPzk0/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;3:06&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="WikiLeaks founder - Julian Assange exclusive interview"&gt;WikiLeaks founder - Julian Assange exclusive in...&lt;/span&gt;&lt;span class="stat"&gt;by israelnews&lt;/span&gt;&lt;span class="stat view-count"&gt;1,581 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=ScCj0Osp2hU&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange at press conference ALDE Seminar (Self) Censorship 21-06-2010 part 2" src="http://i4.ytimg.com/vi/ScCj0Osp2hU/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;1:32&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange at press conference ALDE Seminar (Self) Censorship 21-06-2010 part 2"&gt;Julian Assange at press conference ALDE Seminar...&lt;/span&gt;&lt;span class="stat"&gt;by Persd66Europa&lt;/span&gt;&lt;span class="stat view-count"&gt;4,569 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=X0y1sg1dtBQ&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange CIA Mossad Mi6 Asset WikiLeaks Release UFO NWO DisInfo Gangster Bankers" src="http://i1.ytimg.com/vi/X0y1sg1dtBQ/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;4:30&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange CIA Mossad Mi6 Asset WikiLeaks Release UFO NWO DisInfo Gangster Bankers"&gt;Julian Assange CIA Mossad Mi6 Asset WikiLeaks R...&lt;/span&gt;&lt;span class="stat"&gt;by TheyDidThis&lt;/span&gt;&lt;span class="stat view-count"&gt;4,958 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=b417KUYuIxw&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange of Wikileaks on SBS&amp;#39;s Dateline by Mark Davis part 2 of 2" src="http://i3.ytimg.com/vi/b417KUYuIxw/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;10:40&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange of Wikileaks on SBS&amp;#39;s Dateline by Mark Davis part 2 of 2"&gt;Julian Assange of Wikileaks on SBS&amp;#39;s Dateline b...&lt;/span&gt;&lt;span class="stat"&gt;by TheVildbasse&lt;/span&gt;&lt;span class="stat view-count"&gt;4,367 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=eChi3S_He1w&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange - WikiLeaks.MP4" src="http://i2.ytimg.com/vi/eChi3S_He1w/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;3:32&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange - WikiLeaks.MP4"&gt;Julian Assange - WikiLeaks.MP4&lt;/span&gt;&lt;span class="stat"&gt;by icelandweatherreport&lt;/span&gt;&lt;span class="stat view-count"&gt;7,945 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=OCPQW8sS7bg&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Celente on WikiLeaks &amp;#39;Cablegate&amp;#39;: They want transparent govt - Let&amp;#39;s have It!" src="http://i4.ytimg.com/vi/OCPQW8sS7bg/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;4:51&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Celente on WikiLeaks &amp;#39;Cablegate&amp;#39;: They want transparent govt - Let&amp;#39;s have It!"&gt;Celente on WikiLeaks &amp;#39;Cablegate&amp;#39;: They want tra...&lt;/span&gt;&lt;span class="stat"&gt;by RussiaToday&lt;/span&gt;&lt;span class="stat view-count"&gt;21,485 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=A7AVNenmj6s&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange Targeted by US" src="http://i2.ytimg.com/vi/A7AVNenmj6s/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;13:04&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange Targeted by US"&gt;Julian Assange Targeted by US&lt;/span&gt;&lt;span class="stat"&gt;by TheAlyonaShow&lt;/span&gt;&lt;span class="stat view-count"&gt;8,147 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=2-JpUsHK974&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Rumored Manhunt for Wikileaks Founder Julian Assange 3 of 4" src="http://i3.ytimg.com/vi/2-JpUsHK974/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;10:21&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Rumored Manhunt for Wikileaks Founder Julian Assange 3 of 4"&gt;Rumored Manhunt for Wikileaks Founder Julian As...&lt;/span&gt;&lt;span class="stat"&gt;by mediagrrl9&lt;/span&gt;&lt;span class="stat view-count"&gt;1,972 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=dtzSI7b_mHo&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Rumored Manhunt for Wikileaks Founder Julian Assange 2 of 4" src="http://i1.ytimg.com/vi/dtzSI7b_mHo/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;10:36&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Rumored Manhunt for Wikileaks Founder Julian Assange 2 of 4"&gt;Rumored Manhunt for Wikileaks Founder Julian As...&lt;/span&gt;&lt;span class="stat"&gt;by mediagrrl9&lt;/span&gt;&lt;span class="stat view-count"&gt;1,854 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=-E5nrTRHSck&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange on the Afghanistan war logs: &amp;#39;They show the true nature of this war&amp;#39;" src="http://i2.ytimg.com/vi/-E5nrTRHSck/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;4:39&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange on the Afghanistan war logs: &amp;#39;They show the true nature of this war&amp;#39;"&gt;Julian Assange on the Afghanistan war logs: &amp;#39;Th...&lt;/span&gt;&lt;span class="stat"&gt;by TheGuardian&lt;/span&gt;&lt;span class="stat view-count"&gt;46,735 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=jQ2-PRlbvdo&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Daniel Ellsberg fears a US hit on Wikileaks founder Julian Assange" src="http://i3.ytimg.com/vi/jQ2-PRlbvdo/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;10:58&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Daniel Ellsberg fears a US hit on Wikileaks founder Julian Assange"&gt;Daniel Ellsberg fears a US hit on Wikileaks fou...&lt;/span&gt;&lt;span class="stat"&gt;by ntyranny1&lt;/span&gt;&lt;span class="stat view-count"&gt;40,104 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=x0Bc6p1ZjGk&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Rage against Julian Assange and Wikileaks (Tom Flanagan, Bill O&amp;#39;Reilly, Megyn Kelly)" src="http://i1.ytimg.com/vi/x0Bc6p1ZjGk/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;6:51&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Rage against Julian Assange and Wikileaks (Tom Flanagan, Bill O&amp;#39;Reilly, Megyn Kelly)"&gt;Rage against Julian Assange and Wikileaks (Tom ...&lt;/span&gt;&lt;span class="stat"&gt;by omadeon&lt;/span&gt;&lt;span class="stat view-count"&gt;5,535 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=IWzNzqTXt-8&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Wikileaks - Julian Assange - Secrets teaser" src="http://i2.ytimg.com/vi/IWzNzqTXt-8/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;8:15&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Wikileaks - Julian Assange - Secrets teaser"&gt;Wikileaks - Julian Assange - Secrets teaser&lt;/span&gt;&lt;span class="stat"&gt;by TheVildbasse&lt;/span&gt;&lt;span class="stat view-count"&gt;5,596 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=BEJ3k4SrWT8&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Charges Have No Basis! Julian Assange WikiLeaks Founder" src="http://i3.ytimg.com/vi/BEJ3k4SrWT8/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;11:59&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Charges Have No Basis! Julian Assange WikiLeaks Founder"&gt;Charges Have No Basis! Julian Assange WikiLeaks...&lt;/span&gt;&lt;span class="stat"&gt;by MOXNEWSd0tCOM&lt;/span&gt;&lt;span class="stat view-count"&gt;1,204 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="video-list-item "&gt;&lt;a href="http://www.youtube.com/watch?v=pEeUC5P9tgQ&amp;amp;feature=more_related" class="video-list-item-link "&gt;                       &lt;span class="video-thumb-with-addto video-thumb ux-thumb-96"&gt;&lt;span class="img"&gt;&lt;img title="Julian Assange from WikiLeaks 2-4 - Democracy NOW!" src="http://i1.ytimg.com/vi/pEeUC5P9tgQ/default.jpg"&gt;&lt;/span&gt;&lt;span class="video-time"&gt;10:52&lt;/span&gt;        &lt;span dir="ltr" class="yt-uix-button-group addto-container short video-actions"&gt;&lt;button type="button" class="master-sprite start yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt;&lt;img class="yt-uix-button-icon-addto" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt; &lt;span class="yt-uix-button-content"&gt;&lt;span class="addto-label"&gt;Add to&lt;/span&gt;&lt;/span&gt;&lt;/button&gt;&lt;button type="button" class="end yt-uix-button yt-uix-button-short yt-uix-tooltip" title=""&gt; &lt;img class="yt-uix-button-arrow" src="http://s.ytimg.com/yt/img/pixel-vfl3z5WfW.gif" alt=""&gt;&lt;/button&gt;&lt;/span&gt; &lt;span class="video-in-quicklist"&gt;Added to queue&lt;/span&gt;&lt;/span&gt;&lt;span dir="ltr" class="title" title="Julian Assange from WikiLeaks 2-4 - Democracy NOW!"&gt;Julian Assange from WikiLeaks 2-4 - Democracy NOW!&lt;/span&gt;&lt;span class="stat"&gt;by ThisBoyTV&lt;/span&gt;&lt;span class="stat view-count"&gt;463 views &lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-188911616610637698?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/188911616610637698/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=188911616610637698&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/188911616610637698'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/188911616610637698'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2010/12/some-youtube-suggested-videos-about.html' title='Some YouTube suggested videos about WikiLeaks'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-5917889484994627397</id><published>2010-12-12T08:24:00.000-07:00</published><updated>2010-12-12T08:24:37.913-07:00</updated><title type='text'>WikiRebels: The Documentary | WikiLeaks &amp; Julian Assange</title><content type='html'>&lt;iframe src="http://www.youtube.com/embed/lPglX8Bl3Dc?fs=1" frameborder="0" height="295" width="480"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;Swedish Television's Jesper Huor and Bosse Lindquist exclusive rough-cut  of first in-depth documentary on WikiLeaks and the people behind it!&lt;br /&gt;&lt;br /&gt;"From  summer 2010 until now, SVT has been following the secretive media  organization WikiLeaks and its enigmatic Editor-in-Chief Julian Assange.&lt;br /&gt;&lt;br /&gt;Reporters  Jesper Huor and Bosse Lindquist have traveled to key countries where  WikiLeaks operates, interviewing top members, such as Assange, new  Spokesperson Kristinn Hrafnsson, as well as people like Daniel  Domscheit-Berg who now is starting his own version - Openleaks.org."&lt;br /&gt;&lt;br /&gt;The  documentary also includes interviews with Ian Overton from The Bureau  of Investigative Journalism, James Ball of TBIJ and WikiLeaks, Icelandic  MP Birgitta Jónsdóttir, former WikiLeaks collaborators Herbert  Snorrason and Smári McCarthy, and PRQ CEO Mikael Viborg.&lt;br /&gt;&lt;br /&gt;The  documentary looks at WikiLeaks' philosophy and operations, some of its  famous disclosures including the Kenya report, the Guantanamo manuals,  Kaupthing, Trafigura, the Collateral Murder video, the Afghanistan and  Iraq war logs, the US administration's reactions, and the lead-up to the  Cablegate release.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-5917889484994627397?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/5917889484994627397/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=5917889484994627397&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/5917889484994627397'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/5917889484994627397'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2010/12/wikirebels-documentary-wikileaks-julian.html' title='WikiRebels: The Documentary | WikiLeaks &amp; Julian Assange'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/lPglX8Bl3Dc/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-8955876735206191574</id><published>2010-11-25T19:57:00.001-07:00</published><updated>2010-11-25T19:57:43.919-07:00</updated><title type='text'>Ghana Newspapers/Blogs</title><content type='html'>&lt;b class="call2a"&gt;Ghana Newspapers/Blogs&lt;/b&gt;&lt;ol&gt;&lt;li&gt;&lt;b&gt;&lt;a href="http://modrnghanaweb.com/newspaper/ghana-business-news-1027.htm" rel="canonical" class="newspaper" title="News, Photos, and Video from Ghana Business News"&gt;&lt;cite&gt;Ghana Business News&lt;/cite&gt;&lt;/a&gt;&lt;/b&gt; 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(blog)&lt;/li&gt; &lt;li&gt;&lt;b&gt;&lt;a href="http://modrnghanaweb.com/newspaper/thenewghanaian-4340.htm" rel="canonical" class="newspaper" title="News, Photos, and Video from TheNewGhanaian"&gt;&lt;cite&gt;TheNewGhanaian&lt;/cite&gt;&lt;/a&gt;&lt;/b&gt; (news)&lt;/li&gt;&lt;/ol&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-8955876735206191574?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/8955876735206191574/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=8955876735206191574&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/8955876735206191574'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/8955876735206191574'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2010/11/ghana-newspapersblogs.html' title='Ghana Newspapers/Blogs'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-8925625158861113706</id><published>2010-11-25T13:51:00.001-07:00</published><updated>2010-11-25T13:51:50.347-07:00</updated><title type='text'>International Day for the Elimination of Violence Against Women #IPS</title><content type='html'>---------- Forwarded message ----------&lt;br&gt;&lt;div class="gmail_quote"&gt;From: &lt;b class="gmail_sendername"&gt;IPS Gender Wire&lt;/b&gt; &lt;span dir="ltr"&gt;&amp;lt;&lt;a href="mailto:newsletter@ipsnews.net"&gt;newsletter@ipsnews.net&lt;/a&gt;&amp;gt;&lt;/span&gt;&lt;br&gt; Date: 25 November 2010 10:57&lt;br&gt;Subject: Special issue - International Day for the Elimination of Violence Against Women&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;   &lt;div marginheight="0" marginwidth="0" bgcolor="#e7e7e7"&gt;&lt;table width="595" align="center" bgcolor="#ffffff" border="0" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td width="583" bgcolor="#336699" height="22"&gt; &lt;div align="left"&gt;&lt;b&gt;&lt;font size="2" color="#ffffff" face="Arial, Helvetica, sans-serif"&gt;   2010/11/25 &lt;/font&gt;&lt;/b&gt;&lt;/div&gt;&lt;/td&gt; &lt;td width="15" bgcolor="#336699"&gt; &lt;div align="left"&gt;&lt;a href="http://www.ipsnews.net/rss/women.xml" target="_blank"&gt;&lt;img alt="News in RSS" src="http://www.ipsnews.net/new_images/_rss.gif" width="14" border="0" height="14" hspace="3"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr valign="top"&gt; &lt;td colspan="2"&gt; &lt;div align="center"&gt;&lt;a href="http://ipsnews.net" target="_blank"&gt;&lt;img src="http://www.ipsnews.net/_newsletter/gender-newsletter.jpg" width="600" border="0" height="75"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr valign="top"&gt; &lt;td colspan="2" height="0"&gt; &lt;table width="100%" border="0" cellpadding="0" cellspacing="10" height="0"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td valign="top" height="0"&gt; &lt;p&gt; &lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr valign="top"&gt; &lt;td colspan="2" height="1"&gt;&lt;br&gt; &lt;table width="100%" border="0" cellpadding="0" cellspacing="5"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td&gt; &lt;div align="center"&gt;  &lt;a href="http://www.takebackthetech.net/node/4778" target="_blank"&gt;&lt;img src="http://www.ips.org/mdg3/462x771.gif" vspace="6" width="462" border="0" height="77"&gt;&lt;/a&gt; &lt;/div&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt; &lt;div align="center"&gt;                                &lt;font size="3" color="#6c0000"&gt; IPS partners with Take Back The Tech! for the 16 Days of Activism against Violence &lt;br&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;   &lt;/font&gt; &lt;/div&gt; &lt;table border="0" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td&gt; &lt;p&gt; &lt;/p&gt;&lt;table align="left" border="0" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td align="middle"&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53670" target="_blank"&gt;&lt;img name="imagesite" src="http://www.ipsnews.net/fotos/53670-20101125.jpg" border="0" height="100" hspace="0"&gt;&lt;/a&gt;&lt;br&gt; &lt;/td&gt; &lt;td&gt;&lt;img src="http://ipsnews.net/imagenes/transparente.gif" width="15" height="1"&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td colspan="2"&gt;&lt;img src="http://ipsnews.net/imagenes/transparente.gif" width="1" height="2"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53670" target="_blank"&gt;&lt;font size="2" color="#003366" face="Arial, Helvetica, sans-serif"&gt;&lt;b&gt;ICT Boom for Economy, A Bust for Some Women &lt;/b&gt;&lt;/font&gt;&lt;/a&gt; &lt;br&gt; &lt;font size="1" face="Arial, Helvetica, sans-serif"&gt;By Rosebell Kagumire &lt;/font&gt;&lt;br&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53670" target="_blank"&gt;&lt;font size="2" color="#000000" face="Arial, Helvetica, sans-serif"&gt;KAMPALA, Nov 25, 2010 (IPS) - The rapid growth of the ICT market in Uganda has been greeted with optimism over its potential to boost the country's development. But less attention is being paid to the increase in gender based violence due to the use of information and communications technology. &lt;/font&gt;&lt;/a&gt; &lt;br&gt; &lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53670" target="_blank"&gt;&lt;i&gt;&lt;font size="1" color="#003366" face="Arial, Helvetica, sans-serif"&gt;MORE &amp;gt;&amp;gt;&lt;/font&gt;&lt;/i&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td height="8"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt; &lt;table border="0" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td&gt; &lt;p&gt; &lt;/p&gt;&lt;table align="left" border="0" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td align="middle"&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53669" target="_blank"&gt;&lt;img name="imagesite" src="http://www.ipsnews.net/fotos/53669-20101125.jpg" border="0" height="100" hspace="0"&gt;&lt;/a&gt;&lt;br&gt; &lt;/td&gt; &lt;td&gt;&lt;img src="http://ipsnews.net/imagenes/transparente.gif" width="15" height="1"&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td colspan="2"&gt;&lt;img src="http://ipsnews.net/imagenes/transparente.gif" width="1" height="2"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53669" target="_blank"&gt;&lt;font size="2" color="#003366" face="Arial, Helvetica, sans-serif"&gt;&lt;b&gt;For Women, Cyber Crimes Are All Too Real &lt;/b&gt;&lt;/font&gt;&lt;/a&gt; &lt;br&gt; &lt;font size="1" face="Arial, Helvetica, sans-serif"&gt;By Zofeen Ebrahim &lt;/font&gt;&lt;br&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53669" target="_blank"&gt;&lt;font size="2" color="#000000" face="Arial, Helvetica, sans-serif"&gt;KARACHI, Pakistan, Nov 25 , 2010 (IPS) - The Grade 10 student was first drugged, and then four men raped her. The group then apparently tried to extort money from her family. When the family filed a complaint with the police instead, the extortionists in October then posted a cellphone video of her whole ordeal on the Internet.  &lt;/font&gt;&lt;/a&gt; &lt;br&gt; &lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53669" target="_blank"&gt;&lt;i&gt;&lt;font size="1" color="#003366" face="Arial, Helvetica, sans-serif"&gt;MORE &amp;gt;&amp;gt;&lt;/font&gt;&lt;/i&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td height="8"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt; &lt;table border="0" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td&gt; &lt;p&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53664" target="_blank"&gt;&lt;font size="2" color="#003366" face="Arial, Helvetica, sans-serif"&gt;&lt;b&gt;Violence Against Women Linked to HIV Risk &lt;/b&gt;&lt;/font&gt;&lt;/a&gt; &lt;br&gt; &lt;font size="1" face="Arial, Helvetica, sans-serif"&gt;By Marcela Valente &lt;/font&gt;&lt;br&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53664" target="_blank"&gt;&lt;font size="2" color="#000000" face="Arial, Helvetica, sans-serif"&gt;BUENOS AIRES, Nov 24, 2010 (IPS) - &amp;quot;My mother used to beat me. She would lock me away, and then she started chaining me to the table,&amp;quot; says Elizabeth. Teresa recounts how she was seven months pregnant when her husband grabbed her by the hair, threw her to the ground and kicked her. &lt;/font&gt;&lt;/a&gt; &lt;br&gt; &lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53664" target="_blank"&gt;&lt;i&gt;&lt;font size="1" color="#003366" face="Arial, Helvetica, sans-serif"&gt;MORE &amp;gt;&amp;gt;&lt;/font&gt;&lt;/i&gt;&lt;/a&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td height="8"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt; &lt;table border="0" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td&gt; &lt;p&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53662" target="_blank"&gt;&lt;font size="2" color="#003366" face="Arial, Helvetica, sans-serif"&gt;&lt;b&gt;Teaching Virtual Resistance to Violence  &lt;/b&gt;&lt;/font&gt;&lt;/a&gt; &lt;br&gt; &lt;font size="1" face="Arial, Helvetica, sans-serif"&gt;By Kanya D&amp;#39;Almeida  &lt;/font&gt;&lt;br&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53662" target="_blank"&gt;&lt;font size="2" color="#000000" face="Arial, Helvetica, sans-serif"&gt;NEW YORK, Nov 24, 2010 (IPS) - What if young boys were imbued with a sense of empathy and fair play to counteract a culture that victimises women? Could they grow up to become part of a generation that renounces gender violence once and for all?  &lt;/font&gt;&lt;/a&gt; &lt;br&gt; &lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53662" target="_blank"&gt;&lt;i&gt;&lt;font size="1" color="#003366" face="Arial, Helvetica, sans-serif"&gt;MORE &amp;gt;&amp;gt;&lt;/font&gt;&lt;/i&gt;&lt;/a&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td height="8"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;   &lt;table border="0" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td&gt; &lt;p&gt; &lt;/p&gt;&lt;table align="left" border="0" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td align="middle"&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53660" target="_blank"&gt;&lt;img name="imagesite" src="http://www.ipsnews.net/fotos/53660-20101124.jpg" border="0" height="100" hspace="0"&gt;&lt;/a&gt;&lt;br&gt; &lt;/td&gt; &lt;td&gt;&lt;img src="http://ipsnews.net/imagenes/transparente.gif" width="15" height="1"&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td colspan="2"&gt;&lt;img src="http://ipsnews.net/imagenes/transparente.gif" width="1" height="2"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53660" target="_blank"&gt;&lt;font size="2" color="#003366" face="Arial, Helvetica, sans-serif"&gt;&lt;b&gt;Sexist Violence Invisible in War on Drugs   &lt;/b&gt;&lt;/font&gt;&lt;/a&gt; &lt;br&gt; &lt;font size="1" face="Arial, Helvetica, sans-serif"&gt;By Daniela Pastrana  &lt;/font&gt;&lt;br&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53660" target="_blank"&gt;&lt;font size="2" color="#000000" face="Arial, Helvetica, sans-serif"&gt;MEXICO CITY, Nov 24, 2010 (IPS) - They were not looking for war, but it found them anyway: Yosmireli and Griselda, two and four years old, died by bullets to their heads from soldiers&amp;#39; guns. Their mother, aunt and seven-year-old brother Joniel were also killed, on a rural road in northwest Mexico.   &lt;/font&gt;&lt;/a&gt; &lt;br&gt; &lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53660" target="_blank"&gt;&lt;i&gt;&lt;font size="1" color="#003366" face="Arial, Helvetica, sans-serif"&gt;MORE &amp;gt;&amp;gt;&lt;/font&gt;&lt;/i&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td height="8"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;  &lt;table border="0" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td&gt; &lt;p&gt; &lt;/p&gt;&lt;table align="left" border="0" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td align="middle"&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53652" target="_blank"&gt;&lt;img name="imagesite" src="http://www.ipsnews.net/fotos/53652-20101123.jpg" border="0" height="100" hspace="0"&gt;&lt;/a&gt;&lt;br&gt; &lt;/td&gt; &lt;td&gt;&lt;img src="http://ipsnews.net/imagenes/transparente.gif" width="15" height="1"&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td colspan="2"&gt;&lt;img src="http://ipsnews.net/imagenes/transparente.gif" width="1" height="2"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53652" target="_blank"&gt;&lt;font size="2" color="#003366" face="Arial, Helvetica, sans-serif"&gt;&lt;b&gt;Click Here to Escape Gender Violence    &lt;/b&gt;&lt;/font&gt;&lt;/a&gt; &lt;br&gt; &lt;font size="1" face="Arial, Helvetica, sans-serif"&gt;By Marcela Valente   &lt;/font&gt;&lt;br&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53652" target="_blank"&gt;&lt;font size="2" color="#000000" face="Arial, Helvetica, sans-serif"&gt;CIUDAD EVITA, Argentina, Nov 23, 2010 (IPS) - &amp;quot;Men are drunks and batterers,&amp;quot; Lorena Maurin tells IPS before heading in to her computer class, an oasis for women in the 22 de Enero neighbourhood on the outskirts of Buenos Aires.    &lt;/font&gt;&lt;/a&gt; &lt;br&gt; &lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53652" target="_blank"&gt;&lt;i&gt;&lt;font size="1" color="#003366" face="Arial, Helvetica, sans-serif"&gt;MORE &amp;gt;&amp;gt;&lt;/font&gt;&lt;/i&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td height="8"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;  &lt;table border="0" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td&gt; &lt;p&gt; &lt;/p&gt;&lt;table align="left" border="0" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td align="middle"&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53645" target="_blank"&gt;&lt;img name="imagesite" src="http://www.ipsnews.net/fotos/53645-20101123.jpg" border="0" height="100" hspace="0"&gt;&lt;/a&gt;&lt;br&gt; &lt;/td&gt; &lt;td&gt;&lt;img src="http://ipsnews.net/imagenes/transparente.gif" width="15" height="1"&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td colspan="2"&gt;&lt;img src="http://ipsnews.net/imagenes/transparente.gif" width="1" height="2"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53645" target="_blank"&gt;&lt;font size="2" color="#003366" face="Arial, Helvetica, sans-serif"&gt;&lt;b&gt;Getting Harassment on the Map     &lt;/b&gt;&lt;/font&gt;&lt;/a&gt; &lt;br&gt; &lt;font size="1" face="Arial, Helvetica, sans-serif"&gt;By IPS Correspondents*    &lt;/font&gt;&lt;br&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53645" target="_blank"&gt;&lt;font size="2" color="#000000" face="Arial, Helvetica, sans-serif"&gt;LONDON, Nov 23, 2010 (IPS) - Less common but perhaps more useful than the tourist map is the &amp;#39;harassment map&amp;#39; that many Cairo women are beginning to refer to.     &lt;/font&gt;&lt;/a&gt; &lt;br&gt; &lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53645" target="_blank"&gt;&lt;i&gt;&lt;font size="1" color="#003366" face="Arial, Helvetica, sans-serif"&gt;MORE &amp;gt;&amp;gt;&lt;/font&gt;&lt;/i&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td height="8"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt; &lt;table border="0" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td&gt; &lt;p&gt; &lt;/p&gt;&lt;table align="left" border="0" cellpadding="0" cellspacing="0"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td align="middle"&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53631" target="_blank"&gt;&lt;img name="imagesite" src="http://www.ipsnews.net/fotos/53631-20101122.jpg" border="0" height="100" hspace="0"&gt;&lt;/a&gt;&lt;br&gt; &lt;/td&gt; &lt;td&gt;&lt;img src="http://ipsnews.net/imagenes/transparente.gif" width="15" height="1"&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td colspan="2"&gt;&lt;img src="http://ipsnews.net/imagenes/transparente.gif" width="1" height="2"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53631" target="_blank"&gt;&lt;font size="2" color="#003366" face="Arial, Helvetica, sans-serif"&gt;&lt;b&gt;Imagining Urban Life Without Catcalls or Rape      &lt;/b&gt;&lt;/font&gt;&lt;/a&gt; &lt;br&gt; &lt;font size="1" face="Arial, Helvetica, sans-serif"&gt;Kanya D&amp;#39;Almeida interviews INES ALBERDI, Executive Director of UNIFEM     &lt;/font&gt;&lt;br&gt;&lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53631" target="_blank"&gt;&lt;font size="2" color="#000000" face="Arial, Helvetica, sans-serif"&gt;UNITED NATIONS, Nov 22, 2010 (IPS) - The U.N. Development Fund for Women (UNIFEM) launched an ambitious new initiative to improve the safety and wellbeing of women in five major cities Monday - New Delhi, India; Cairo, Egypt; Quito, Ecuador; Kigali, Rwanda; and Port Moresby in Papua New Guinea.      &lt;/font&gt;&lt;/a&gt; &lt;br&gt; &lt;a style="text-decoration: none;" href="http://www.ipsnews.net/news.asp?idnews=53631" target="_blank"&gt;&lt;i&gt;&lt;font size="1" color="#003366" face="Arial, Helvetica, sans-serif"&gt;MORE &amp;gt;&amp;gt;&lt;/font&gt;&lt;/i&gt;&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td height="8"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;      &lt;p&gt;&lt;/p&gt; &lt;div align="center"&gt;&lt;/div&gt;&lt;/td&gt; &lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr valign="top"&gt; &lt;td colspan="2" height="1"&gt; &lt;table width="100%" border="0" cellpadding="0" cellspacing="5"&gt;  &lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;br&gt;  &lt;div align="center"&gt;&lt;/div&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt; &lt;table&gt;&lt;tbody&gt;&lt;tr valign="top"&gt; &lt;td colspan="2" height="1"&gt;   &lt;br&gt;   &lt;table width="100%" border="0" cellpadding="0" cellspacing="5"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td valign="top" height="0"&gt; &lt;div align="center"&gt; &lt;table width="100%" bgcolor="#e8ecf1" border="0" cellpadding="0" cellspacing="5"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td&gt;&lt;font size="2" color="#003366" face="Arial, Helvetica, sans-serif"&gt; &lt;div align="center"&gt; &lt;table cellpadding="0" cellspacing="10"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td&gt;&lt;a href="http://www.ips.org/mdg3/" target="_blank"&gt;&lt;img alt="IPS Communicating MDG3 - Giving voice to gender equiality" src="http://www.ipsnews.net/genderwire/mdg3.gif" width="200" border="0" height="113"&gt;&lt;/a&gt;&lt;/td&gt; &lt;td valign="center"&gt; &lt;div align="center"&gt;&lt;a href="http://www.ips.org/blog/mdg3/" target="_blank"&gt;&lt;img alt="Gender Masala" src="http://www.ipsnews.net/_adv/gender-masala.jpg" width="200" border="0" height="70"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;  &lt;/div&gt; &lt;hr size="1" width="65%" align="center" color="#a0afba"&gt; &lt;div align="center"&gt;&lt;a href="http://www.ipsnews.net/genderwire/" target="_blank"&gt;&lt;font color="#003366"&gt;&lt;b&gt;MORE IPS IN-DEPTH COVERAGE OF WOMEN IN THE NEWS.&lt;/b&gt;&lt;/font&gt;&lt;/a&gt;&lt;/div&gt;  &lt;br&gt; This newsletter includes independent IPS news coverage financed through the &lt;a href="http://www.mdg3.nl/" target="_blank"&gt;&lt;font color="#003366"&gt;Dutch Government&amp;#39;s MDG3 Fund: Investing in Equality &lt;/font&gt;&lt;/a&gt;&lt;/font&gt;&lt;/td&gt; &lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;font size="1"&gt;&lt;b&gt;&lt;font color="#a0afba" face="Arial, Helvetica, sans-serif"&gt;&lt;/font&gt;&lt;/b&gt;&lt;/font&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt; &lt;table width="100%" border="0" cellpadding="0" cellspacing="10"&gt;  &lt;tbody&gt;&lt;tr&gt; &lt;td valign="top" height="-5"&gt; &lt;hr size="1" width="80%" align="center" color="#a0afba"&gt;  &lt;div align="center"&gt;&lt;font size="1"&gt;&lt;b&gt;&lt;font color="#a0afba" face="Arial, Helvetica, sans-serif"&gt;&lt;span&gt;Copyright © 2010 IPS - Inter Press Service -- All rights reserved.&lt;/span&gt;&lt;/font&gt;&lt;/b&gt;&lt;/font&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt; &lt;/td&gt;&lt;/tr&gt; &lt;tr&gt; &lt;td colspan="2"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;  &lt;img src="http://ipsgenderwire.c.topica.com/naaooNRab1v4DaSy6Uuc/" width="1" height="1"&gt;     &lt;br clear="ALL"&gt; &lt;center&gt;&lt;br&gt;&lt;/center&gt; &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt; &lt;/div&gt;    &lt;/div&gt;&lt;br&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/9132748-8925625158861113706?l=garpl.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://garpl.blogspot.com/feeds/8925625158861113706/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=9132748&amp;postID=8925625158861113706&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/8925625158861113706'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/9132748/posts/default/8925625158861113706'/><link rel='alternate' type='text/html' href='http://garpl.blogspot.com/2010/11/international-day-for-elimination-of.html' title='International Day for the Elimination of Violence Against Women #IPS'/><author><name>George Lessard, The MediaMentor</name><uri>http://www.blogger.com/profile/05905064459609677700</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://4.bp.blogspot.com/_yJFrj8p8aug/SbQHS9DmgmI/AAAAAAAAAKI/dkgvU4D0LeY/S220/PhotoFunia_3a9561.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-9132748.post-2370052286629206199</id><published>2010-11-21T21:57:00.001-07:00</published><updated>2010-11-21T21:57:11.308-07:00</updated><title type='text'>Waves of Change - Google Map - Community Media Around the World: radio, television, theater, murals, comics, etc as resistance to corporate culture, celebrating community expression</title><content type='html'>&lt;div class="msMapTitle"&gt;&lt;div dir="ltr" class="title" align="left"&gt;&lt;font size="6"&gt;Waves of Change&lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div dir="ltr" class="description" align="left"&gt;&lt;font size="2"&gt;&lt;b&gt;Community  Media Around the World: radio, television, theater, murals, comics, etc  as resistance to corporate culture, celebrating community expression.  The project also posts the problems: the need for funding and  infrastructure, the sometimes difficult interactions with political  power, the stressful and potentially dangerous lives of media activists.  The icons denote the type of post. &lt;br&gt;Red pushpin = threatened. &lt;br&gt;House icon = media education. &lt;br&gt;Masks = performance. &lt;br&gt;Pine tree = ecology media. &lt;br&gt;Hiking symbol= long march to media justice. &lt;br&gt;Blue droplet = radio. &lt;br&gt; Male/female icons= gender issues.&lt;br&gt;contact: &lt;a href="mailto:deepdishtelevision@gmail.com"&gt;deepdishtelevision@gmail.com&lt;/a&gt;&lt;br&gt;&lt;a href="http://www.deepdishwavesofchange.blogspot.com"&gt;http://www.deepdishwavesofchange.blogspot.com&lt;/a&gt;&lt;/b&gt;&lt;/font&gt;&lt;/div&gt; &lt;div class="msmetadata"&gt;&lt;div&gt;&lt;font size="2"&gt;&lt;b&gt;&lt;span&gt;42,109 views&lt;/span&gt;&lt;span&gt; - &lt;/span&gt;&lt;span&gt;Public&lt;/span&gt;&lt;/b&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font size="2"&gt;&lt;b&gt;&lt;span&gt;Created on Jun 4&lt;/span&gt;&lt;span&gt; - &lt;/span&gt;&lt;span&gt;Updated yesterday&lt;/span&gt;&lt;/b&gt;&lt;/font&gt;&lt;/div&gt; &lt;div&gt;&lt;font size="2"&gt;&lt;b&gt;&lt;span class="mscreatedby"&gt;By &lt;a href="http://maps.google.com/maps/user?uid=212022302769935232943&amp;amp;hl=en"&gt;DDTV&lt;/a&gt;&lt;/span&gt;&lt;span&gt; - &lt;/span&gt;&lt;/b&gt;&lt;/font&gt;&lt;span id="mscsnum"&gt;&lt;font size="2"&gt;&lt;b&gt;12 Collaborators&lt;/b&gt;&lt;/font&gt;&lt;br&gt; &lt;font size="6"&gt;&lt;b&gt;From&lt;/b&gt;&lt;/font&gt;&lt;br&gt;&lt;a href="http://maps.google.com/maps/ms?ie=UTF&amp;amp;msa=0&amp;amp;msid=109520517858965396132.00048838d78b7d003adb8"&gt;http://maps.google.com/maps/ms?ie=UTF&amp;amp;msa=0&amp;amp;msid=109520517858965396132.00048838d78b7d003adb8&lt;/a&gt;&lt;br&gt; &lt;br&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="noprint"&gt;&lt;span&gt;&lt;img src="http://maps.gstatic.com/intl/en_ALL/mapfiles/sy_stars_10.gif" alt="Rated 5 out of 5"&gt; &lt;a id="msrl" href="http://maps.google.com/maps/ms?ie=UTF8&amp;amp;msa=19&amp;amp;msid=109520517858965396132.00048838d78b7d003adb8"&gt;4 ratings&lt;/a&gt;&lt;/span&gt;&lt;span style=""&gt; - &lt;/span&gt;&lt;span&gt;&lt;a id="mscl" href="http://maps.google.com/maps/ms?ie=UTF8&amp;amp;msa=19&amp;amp;msid=109520517858965396132.00048838d78b7d003adb8"&gt;1 comments&lt;/a&gt;&lt;/span&gt;&lt;/div&gt; &lt;/div&gt;&lt;/div&gt;&lt;table class="msres"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Interviews with the Women of Deccan &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; The Community Media Trust makes video programs about farming, women&amp;#39;s rights and child care.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;The Community Media Trust makes video programs about farming, women&amp;#39;s rights and child care.&lt;/div&gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Schoolnet Namibia&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;School  Net provides equipment and broadband access to public schools in  Namibia. One of the problems in Southern Africa has been that teachers,  in their desire to acquire digital proficiency, are ofte...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;School  Net provides equipment and broadband access to public schools in  Namibia. One of the problems in Southern Africa has been that teachers,  in their desire to acquire digital proficiency, are often prey to greedy  sales people who sell them inferior equipment and out-of-date  technology.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Alfonso Gumucio&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Alfonso  Gumucio Dagron, Bolivian communication pioneer, discusses communication  and development, addressing the difference between journalism and  communication. Gumucio lives in Guatemala.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Alfonso  Gumucio Dagron, Bolivian communication pioneer, discusses communication  and development, addressing the difference between journalism and  communication.  Gumucio lives in Guatemala.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/arts.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Bread and Puppet Theater&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; The  Vermont based collective has been an important force in alternative  theater for almost fifty years. Based in Glover, Vermont, Bread and  Puppet Theater launched the Cheap Art movement in 1982, in d...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;The Vermont based collective has been an important force in alternative theater for almost fifty years.  Based  in Glover, Vermont, Bread and Puppet Theater launched the Cheap Art  movement in 1982, in direct response to the business of art and its  growing appropriation by the corporate sector.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Naya Scrolls&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Painting  and singing stories told in scrolls (patas in Bengali) goes back to  ancient times in India. For generations hereditary painter-singers  (Patuas or Chitrakars) have been practicing their craft ...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/Se9taeeM5HI/AAAAAAAACUU/hOvNsqpwa9w/s1600-h/911_scroll.jpg"&gt;&lt;img alt="" style="float: left; margin: 0pt 10px 10px 0pt; width: 74px;" src="http://3.bp.blogspot.com/_WCLTR16x47k/Se9taeeM5HI/AAAAAAAACUU/hOvNsqpwa9w/s400/911_scroll.jpg" border="0"&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;  Painting and singing stories told in scrolls (patas in Bengali) goes  back to ancient times in India. For generations hereditary  painter-singers (Patuas or Chitrakars) have been practicing their craft  in the Midnapur district of West Bengal. This website introduces the  viewer to the village of Naya, 3 hours from Calcutta, where many  Chitrakar women have recently taken up the Patua craft. CLICK ON THE PAINTINGS TO SEE DETAIL Patuas are Muslims, and they tell the stories of Muslim saints (pirs and  fakirs) as well as Hindu Gods and Goddesses, and offer devotion to  saints at Muslim shrines. In the past they used to wander from village  to village, receiving rice, vegetables and coins for their recital.   They would unroll a scroll, a frame at a time, and sing their own  compositions. But competition from other media eroded this way of life  and nowadays the Patuas are trying to adapt to changing conditions.  Recently the Chitrakar women of Naya village formed a scroll painters'  cooperative. Anthropologists/filmmakers Lina Fruzzetti, Akos Ostor and  Aditi Nath Sarkar have directed a film Singing Pictures about the women  artists lives and work. The exhibition web site:  &lt;a href="http://learningobjects.wesleyan.edu/naya/intro.html"&gt; http://learningobjects.wesleyan.edu/naya/intro.html&lt;/a&gt;   &lt;a href="http://2.bp.blogspot.com/_WCLTR16x47k/Se9u2qCeXxI/AAAAAAAACUc/QYcuA6ShYtA/s1600-h/14_hiv.jpg"&gt;&lt;img alt="" style="float: left; margin: 0pt 10px 10px 0pt; width: 86px;" src="http://2.bp.blogspot.com/_WCLTR16x47k/Se9u2qCeXxI/AAAAAAAACUc/QYcuA6ShYtA/s400/14_hiv.jpg" border="0"&gt;&lt;/a&gt; COMMENTARIES HIV / AIDS  Dimensions (cm): 284 x 56 Artist/Singer: Swarna Chitrakar  Listen, everyone, pay attention. I would like to talk about HIV AIDS HIV came from the west &amp;amp; has infected hundreds in India.  It is not an infectious disease. It spreads from 4 things: Using the same syringe for addiction, using the same syringe for  injection; from pregnant HIV carrier women. Or having unprotected sex  with 'infected' women  In case these 4 things are taken care of, HIV will not occur. That is  why I request the Doctors; the syringes for injection should be changed.  In case of blood transfusion, the blood has to be checked first.  If a pregnant mother carries a baby, it can be born infected.  I appeal to all Indians to use Nirodh condoms.  If anybody has AIDS, don't keep it secret. Get admitted to the district  hospital. You can test your blood in confidence paying Rs 10 in VCTC  centers.   &lt;a href="http://1.bp.blogspot.com/_WCLTR16x47k/Se9xHTaaeeI/AAAAAAAACUk/Npz_isAvEBY/s1600-h/Picture+5.png"&gt;&lt;img alt="" style="float: left; margin: 0pt 10px 10px 0pt; width: 192px;" src="http://1.bp.blogspot.com/_WCLTR16x47k/Se9xHTaaeeI/AAAAAAAACUk/Npz_isAvEBY/s400/Picture+5.png" border="0"&gt;&lt;/a&gt;Scroll  Painting: Bin Laden – 11 September, Santal life (The beginning image is of the two planes and the WTC) Artist: Lutfa Chitrakar  My name is Lufta, and I was born in Banpura—although my parental home is  in Paskura. My grandmother took me and my sister away from my parents  at a very young age. My parents had divorced each other and were in no  position to care for us. And although my grandmother was poor, she  managed to struggle to provide milk, barley, sago and rice to nurture  us. Later, my mother remarried and took my sister away from me and my  grandmother. I suppose that in that way I had a fractured childhood  without a traditional family.  After I grew a little older, I told her I wanted to live with my father.  By then, he had married a woman and settled in a community called Tata.  After I left my grandmother, I met a distant cousin of mine who also  lived in Tata, and he took me to my father. I stayed in my father's home  for about six months and learned about him and the life that he had  built for himself. He had a large plot of farming land, and he  cultivated it year-round by farming rice, potatoes and wheat during  their respective seasons. Sadly, while I lived with him, my step-mother  used to abuse me to the point of torture. She would make me work all day  without time to rest or eat—as if I were an animal. She would command  me to sow seeds when it was time for rice crops; she'd make me haul  bales of hay everywhere. During the potato season, she'd send me to  gather potatoes from the field. Then she would ask me to work in the  fields to harvest nuts, and I would have to turn over all of my harvest  to her. Beyond working on my father's land, I would sow potato seeds and  till the fields that belonged to other members of the community. So  much work! And yet I could never satisfy her despite my hard work. The  abuse and enslavement was so horrible that I considered returning to my  grandmother's home. I told my cousin who had brought me there one day  that I was sick of staying there, and he helped me to escape and return  to my grandmother. Before I left Tata, my grandmother heard of my  troubles and came to my father to take me home. She was so old at that  point but loved me so much and it seemed as if she would do anything to  ensure my welfare.  She told me one day that she wasn't able to feed me anymore, and I would  have to work as well. She put me to work as a maid in a neighbor's  home. I had to wash dishes, clothes, sweep, and clean the cowshed there.  I was able to get a couple of meals everyday, torn clothes to wear, and  a little bit of money. One day, my grandmother suddenly showed up at  the home where I was working. I asked her if something had happened, and  she told me that she had arranged my marriage. I explained to her that I  couldn't marry just yet—I was so young! And when I refused, she  explained to me that she was so old, and that she didn't want to die  without making sure I was married. She told me no one else would care  enough about me to make sure that I got married. So, with that, I  couldn't refuse. After all, she was the wom an that had dedicated  herself to raising me. So I married when I was about fifteen years old.  Soon after, I had two sons and a daughter.  As far as scroll painting and singing went, my husband taught me a great  deal. In the beginning he didn't want to, though. He had a tremendous  objection to my going out to paint or sing. One time, the opportunity  arose for me to participate in a program in Calcutta. The fair there  dealt with various diseases like malaria, HIV, typhoid, and others, and  their prevention. I was asked to sing, but my husband didn't allow me to  go. At the time, he rationalized his restriction by saying that we  hardly knew anything about scroll painting and singing. He told me that I  shouldn't exert myself and make such an effort by traveling such a  distance. So I stayed at home, and looking back on it, I regret passing  up the opportunity.&lt;a href="http://1.bp.blogspot.com/_WCLTR16x47k/Se9ysTXiXMI/AAAAAAAACUs/zUd8zXKXzDI/s1600-h/lutfa_sidebar.jpg"&gt;&lt;img alt="" style="float: left; margin: 0pt 10px 10px 0pt; width: 243px;" src="http://1.bp.blogspot.com/_WCLTR16x47k/Se9ysTXiXMI/AAAAAAAACUs/zUd8zXKXzDI/s400/lutfa_sidebar.jpg" border="0"&gt;&lt;/a&gt;But  I joined the training center and learned to paint and sing in the  women's committee. The members of the women's committee would go  everywhere to participate in fairs, paint scrolls, show them, sing  songs, and their husbands always cooperated with them—they would never  stop their wives. But I've never had the opportunity to learn the songs  that the committee women sing or to paint the scrolls that they make  because my husband won't allow me to go anywhere. He and I started off  very poor, but now we are managing. Both of us sing and paint scrolls—he  has softened a lot and allowed me to participate from time to time. He  goes to other villages to make money by showing our scrolls and singing.  I don't go out too much, but we share what he makes. I do wish that I  had the freedoms that other women in the committee have, but I suppose I  understand my husband's reasoning for limiting my participation.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Free Radio Berkeley&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Stephen Dunifer, founder of Free Radio Berkeley speaks about the legalization of microradio.&lt;/div&gt; &lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Stephen Dunifer, founder of Free Radio Berkeley speaks about the legalization of microradio.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;La Minga&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;From  &lt;a href="http://www.nasaacin.org"&gt;http://www.nasaacin.org&lt;/a&gt; Tejiendo la palabra desde los pueblos para  pueblos [ 04/27/2010] [ ] [ Autor: Tejido de Comunicación - ACIN] Desde  el pasado viernes 23 de abril de 2010, arribaron a la se...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;  From &lt;a href="http://www.nasaacin.org/"&gt;http://www.nasaacin.org&lt;/a&gt; Tejiendo la palabra desde los pueblos para pueblos [ 04/27/2010] [ ] [ Autor: Tejido de Comunicación - ACIN]  Desde el pasado viernes 23 de abril de 2010, arribaron a la sede del  Tejido de Comunicación en  Santander de Quilichao, representantes de  diferentes regiones del país para participar del primer encuentro de la  Escuela de Comunicación desde norte del Cauca. Espacio de formación y  capacitación que se realiza en la vereda el Guavito, Resguardo de López  Adentro Caloto.  Cabe resaltar la integralidad étnica representada en esta escuela, con  amplia participación de afros, campesinos, mestizos, urbanos y  diferentes pueblos indígenas provenientes de Casanare, Antioquia, Valle  del Cauca, Nariño, Huila, Cundinamarca y Cauca.  Además participan medios de comunicación como: Red Juvenil y Colectivo  de Investigadores Independientes Ayahuasca, de Medellín; Colectivo de  Investigación Minga de Pensamiento y Colectivo de Comunicación Popular  el Andarín, de Cali; Red de Comunicación Alternativa de Manizales: y  Colectivo Contracultura Bella Ciao de Bogotá.  Bajo el slogan, "Escuela de Comunicación para la conciencia crítica y la  defensa integral de la vida y del territorio", empezó el trabajo  colectivo desde la comunicación. Con la presentación de todos los  participantes, el intercambio de la experiencia del Tejido de  Comunicación y la conformación de grupos de trabajo, se entró en  confianza la mañana del sábado. Usando escarapelas de diferentes   colores, se organizaron los cerca de 150 participantes, en 10 grupos de  trabajo. Esta fue una manera práctica de integrar todo el personal de  manera fácil y participativa.  Estos grupos realizaron su primer trabajo con un ejercicio de análisis y  de reflexión, con el propósito de discutir las diferentes problemáticas  sociales que viven en cada territorio.  Entre ellos se identificaron  muchas falencias  sociales que vienen desarraigando a los pueblos en  Colombia. Pero también, problemáticas como la ley de aguas, la  explotación petrolera, el desplazamiento forzado, el narcotráfico, las  masacres, y las contradicciones internas y entre organizaciones. Además,  una de las más graves, como es la contaminación del planeta por medio  de los megaproyectos que vienen implementando las transnacionales y los  gobiernos de las grandes potencias del mundo. &lt;div dir="ltr"&gt;Indigenous communities of Colombia mobilized to demand  support from the government for their &amp;quot;Plan de Vida&amp;quot; and an end to the  discriminatory policies that have endangered the lives of many.  Strategically using media to broadcast their message through their  &amp;quot;Tejido de Comunicacion&amp;quot; (&amp;quot;communication tapestry&amp;quot;), thousands marched  from Cauca to the capital of Bogota, drawing international attention to  their cause.&lt;/div&gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Radio Rasa, Soweto&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Rasa  FM was started in a Soweto garage. It transmitted for many months  before being squelched by the South African government. This is an  interview with Molefi Ndlovu, a member of the collective, spea...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Rasa FM was started in a Soweto garage.   It transmitted for many months before being squelched by the South  African government. This is an interview with Molefi Ndlovu, a member of  the collective, speaking about the Soweto community radio.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Sexto Sentido: Nicaraguan Telenovela&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; &amp;quot;For  most Nicaraguans, television is their main window to the world,&amp;quot; Bank  explained. &amp;quot;This is especially true for poor, young people with limited  mobility and access to other types of information. Se...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&amp;quot;For  most Nicaraguans, television is their main window to the world,&amp;quot; Bank  explained. &amp;quot;This is especially true for poor, young people with limited  mobility and access to other types of information. Sexto Sentido is the  only Nicaraguan-produced series of this type on the air, not only making  it, for many adolescents, the sole source of information about these  themes from a Nicaraguan point of view, but also promoting a sense of  identification with the characters and their situations.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Community Radio in Isthmus Region of Mexico&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Berta Rodriguez Santos discusses why it is important to have popular community radio in the Isthmus region of Mexico.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Berta Rodriguez Santos discusses why it is important to have popular community radio in the Isthmus region of Mexico.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/pink-pushpin.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;MediAct Under Threat&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;&lt;a href="http://www.mediact.org"&gt;http://www.mediact.org&lt;/a&gt; Korea&amp;#39;s impressive media activism community is continuing to struggle against funding cuts.&lt;/div&gt; &lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;a href="http://www.mediact.org/"&gt;http://www.mediact.org&lt;/a&gt;  Korea&amp;#39;s impressive media activism community is continuing to struggle against funding cuts. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt; &lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Not Riverdance&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Teens from Coolock, a suburb of Dublin, host a weekly radio program streamed on NearFM.ie&lt;/div&gt; &lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;Teens from Coolock, a suburb of Dublin, host a weekly radio program streamed on NearFM.ie   &lt;br&gt;&lt;br&gt; &lt;/div&gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;La Voz de Guaicaipuro&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Community Radio Station in Venezuela, filmed by Daniel Del Solar. 102.9 FM.&lt;/div&gt; &lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Community Radio Station in Venezuela, filmed by Daniel Del Solar.  102.9 FM. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Multimedios y Medio&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Luis  Lievano, Coordinator of Multimedios y Medio, in Bogota, Colombia,  discusses a Colombian law that makes TV channels accountable to the  viewers.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Luis  Lievano, Coordinator of Multimedios y Medio, in Bogota, Colombia,  discusses a Colombian law that makes TV channels accountable to the  viewers.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;We Seize!&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;An autonomous hybrid workspace was created in Geneva, Switzerland in December 2003, mapping the programs for uplinking.&lt;/div&gt; &lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;An autonomous hybrid workspace was created in Geneva, Switzerland in December 2003, mapping the programs for uplinking. &lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt; &lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/camera.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt;&lt;div class="lk name"&gt; &lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Media Seized&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;&amp;quot;They  confiscated everything, mobile phones, laptops, cameras and personal  effects.&amp;quot;Michalis Grigoropoulos, who was at the wheel of the Free  Mediterranean, said: &amp;quot;They didn&amp;#39;t let us go to the toilet, ...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div style="clear: both; text-align: center;"&gt; &lt;a href="http://1.bp.blogspot.com/_WCLTR16x47k/TAvbJzm8QrI/AAAAAAAADOE/SXMHwuFRc-Y/s1600/4671369105_f3ddef7698.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://1.bp.blogspot.com/_WCLTR16x47k/TAvbJzm8QrI/AAAAAAAADOE/SXMHwuFRc-Y/s320/4671369105_f3ddef7698.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt;  &lt;div style="clear: both; text-align: center;"&gt;  &lt;/div&gt; &lt;div style="clear: both; text-align: center;"&gt;  &lt;a href="http://4.bp.blogspot.com/_WCLTR16x47k/TAvbaTc9ZNI/AAAAAAAADOM/Pqu9Rr7Nl8E/s1600/4671995902_18decf64cc.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://4.bp.blogspot.com/_WCLTR16x47k/TAvbaTc9ZNI/AAAAAAAADOM/Pqu9Rr7Nl8E/s320/4671995902_18decf64cc.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt;  &lt;span style="font-family: Arial,Helvetica,sans-serif; line-height: 19px;"&gt;&lt;p&gt;&lt;img&gt; &lt;img&gt;&amp;quot;They  confiscated everything, mobile phones, laptops, cameras and personal  effects.&amp;quot;Michalis Grigoropoulos, who was at the wheel of the Free  Mediterranean, said: &amp;quot;They didn&amp;#39;t let us go to the toilet, eat or drink  water and throughout they videoed us.  They only allowed us to keep our  papers.&amp;quot;&lt;/p&gt;&lt;/span&gt;&lt;img&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Street Art in Lima&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Carlos Pareja and Jen Whitburn posted some murals they saw in Lima.&lt;/div&gt; &lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Carlos Pareja and Jen Whitburn posted some murals they saw in Lima. &lt;div style="clear: both; text-align: center;"&gt; &lt;/div&gt; &lt;div style="clear: both; text-align: center;"&gt; &lt;a href="http://4.bp.blogspot.com/_WCLTR16x47k/S4is1dA8ClI/AAAAAAAAC_E/oJILC6l6GHw/s1600-h/27096_1358774255792_1424580775_30982666_6353428_n.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img src="http://4.bp.blogspot.com/_WCLTR16x47k/S4is1dA8ClI/AAAAAAAAC_E/oJILC6l6GHw/s320/27096_1358774255792_1424580775_30982666_6353428_n.jpg" border="0"&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/S4isiRRTEXI/AAAAAAAAC-0/7jZq9H0Nd_w/s1600/27096_1358774215791_1424580775_30982665_7157028_n.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img src="http://3.bp.blogspot.com/_WCLTR16x47k/S4isiRRTEXI/AAAAAAAAC-0/7jZq9H0Nd_w/s320/27096_1358774215791_1424580775_30982665_7157028_n.jpg" border="0"&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/_WCLTR16x47k/S4itQKV2EdI/AAAAAAAAC_M/0ecfon_K32w/s1600-h/27096_1358774375795_1424580775_30982669_280019_n.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://1.bp.blogspot.com/_WCLTR16x47k/S4itQKV2EdI/AAAAAAAAC_M/0ecfon_K32w/s320/27096_1358774375795_1424580775_30982669_280019_n.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Grassroots Comics, published in Finland&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Grassroots  Comics - A development communication tool By Leif Packalen and Sharad  Sharma Grassroots Comics is published by the Ministry for Foreign  Affairs of Finland in May 2007. The material for the ...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;span&gt;&lt;/span&gt; &lt;div style="font-family: Arial,Helvetica,sans-serif; font-size: 12px;" align="justify"&gt; &lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: 13px; font-weight: bold;"&gt;Grassroots Comics - A development communication tool&lt;/span&gt; &lt;strong&gt;By Leif Packalen and Sharad Sharma&lt;span style="font-family: arial; font-size: 13px; font-weight: normal;"&gt;&lt;img&gt;&lt;span style="font-family: arial;"&gt;&lt;img&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt; &lt;table border="0" cellpadding="0" cellspacing="0"&gt;&lt;tbody&gt; &lt;tr&gt;&lt;td valign="top" width="100%" height="20"&gt;&lt;div align="center"&gt; &lt;table border="0" cellpadding="0" cellspacing="4"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign="top" width="25%"&gt;&lt;br&gt;&lt;/td&gt;&lt;td valign="top" width="75%"&gt;&lt;div align="justify"&gt;&lt;div style="font-family: Arial,Helvetica,sans-serif; font-size: 12px;"&gt; Grassroots  Comics is published by the Ministry for Foreign Affairs of Finland in  May 2007. The material for the book is complied from the experiences of  World Comics Finland and World Comics India with the co-operation of  many different organizations, movements and activists. The book  comprises of examples of grassroots comics, practical manuals and  photographs from Asia, Africa and other countries. The book has a lot of  practical advice on how to go about making grassroots comics, how to  organise comics workshops, etc. It has 160 pages.&lt;/div&gt; &lt;/div&gt; &lt;/td&gt;&lt;/tr&gt; &lt;tr&gt;&lt;td colspan="2" valign="top"&gt;&lt;div style="font-family: Arial,Helvetica,sans-serif; font-size: 12px;" align="justify"&gt; The complete book is available online as a pdf-file. The file can be downloaded from this website &lt;a href="http://worldcomicsindia.com/"&gt;http://worldcomicsindia.com&lt;/a&gt;  or from the Ministry&amp;#39;s website. The file is 15 MB so it can take  several minutes to download, depending on the speed of your connection.&lt;/div&gt; &lt;/td&gt;&lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt; &lt;/div&gt; &lt;/td&gt;&lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt; &lt;div style="clear: both; text-align: center;"&gt; &lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/S_7XPcx9oWI/AAAAAAAADMc/8TX7Q4o44Cw/s1600/14.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://3.bp.blogspot.com/_WCLTR16x47k/S_7XPcx9oWI/AAAAAAAADMc/8TX7Q4o44Cw/s320/14.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt;  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/tree.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Precious Places, Philadelphia&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; One  of the most comprehensive community media projects in the US is the  &amp;lt;a href=&amp;quot;&lt;a href="http://www.scribe.org/about/preciousplaces"&gt;http://www.scribe.org/about/preciousplaces&lt;/a&gt;&amp;quot;&amp;gt;Precious  Places&amp;lt;/a&amp;gt; project. This was organized by Scribe Video and  directe...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;  One of the most comprehensive community media projects in the US is the  &amp;lt;a href=&amp;quot;&lt;a href="http://www.scribe.org/about/preciousplaces"&gt;http://www.scribe.org/about/preciousplaces&lt;/a&gt;&amp;quot;&amp;gt;Precious  Places&amp;lt;/a&amp;gt; project.  This was organized by Scribe Video and  directed by Louis Massiah.  An &amp;lt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;3000 Canadians Endorse Community Media&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; å  Campbell River Community TV, Vancouver Island Ottawa (April 23/2010)  New analysis done by the Community Media Education Society (CMES) of the  thousands of submissions filed in the CRTC's review of i...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;span style="font-family: Helvetica;"&gt;&lt;/span&gt;å &lt;div style="clear: both; text-align: center;"&gt; &lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/S9JEp26D5VI/AAAAAAAADJE/93wcD_vHSjY/s1600/Front+of+CRTV+copy.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img src="http://3.bp.blogspot.com/_WCLTR16x47k/S9JEp26D5VI/AAAAAAAADJE/93wcD_vHSjY/s320/Front+of+CRTV+copy.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt;  &lt;div style="margin: 0in 0in 12pt; text-indent: 0in;"&gt;  &lt;/div&gt; &lt;div style="margin: 0in 0in 12pt; text-indent: 0in;"&gt;  &lt;/div&gt; &lt;div style="margin: 0in 0in 12pt; text-indent: 0in;"&gt;  &lt;/div&gt; &lt;div style="margin: 0in 0in 12pt; text-indent: 0in;"&gt;  &lt;/div&gt; &lt;div style="margin: 0in 0in 12pt; text-indent: 0in;"&gt;  &lt;/div&gt; &lt;div style="margin: 0in 0in 12pt; text-indent: 0in;"&gt;  &lt;/div&gt; &lt;div style="margin: 0in 0in 12pt; text-indent: 0in;"&gt;  &lt;/div&gt; &lt;div style="margin: 0in 0in 12pt; text-indent: 0in;"&gt;  &lt;/div&gt; &lt;div style="margin: 0in 0in 12pt; text-indent: 0in;"&gt; &lt;span style="font-style: italic;"&gt;Campbell River Community TV, Vancouver Island&lt;/span&gt;&lt;/div&gt; &lt;div style="margin: 0in 0in 12pt; text-indent: 0in;"&gt; &lt;span lang="EN-CA"&gt;Ottawa&lt;/span&gt;&lt;span lang="EN-CA"&gt; (April 23/2010) New  analysis done by the Community Media Education Society (CMES) of the  thousands of submissions filed in the CRTC's review of its community TV  policy shows that more than three thousand Canadians support community  ownership and control of community TV, said the Canadian Association of  Community Television Users and Stations (CACTUS). The submissions are a  key part of the evidence before the CRTC as it assesses its policy in  this area, along with the testimony at a hearing beginning Monday&lt;/span&gt;&lt;/div&gt; &lt;div style="margin: 0in 0in 12pt; text-indent: 0in;"&gt; &lt;span lang="EN-CA"&gt;&lt;/span&gt;&lt;span lang="EN-CA"&gt;"Canadians are passionate  about their right to access their own broadcasting system," said CACTUS  spokesperson, Cathy Edwards, "Even letters that support the old status  quo of cable company control strongly support the existence of a  community channel and the importance of local content."  The CMES  analysis found that the majority of letters appearing to support  continued cable authority over communities' TV channels may not have  understood that cable companies have virtually eliminated Canadians'  ability to create and produce their own programs on community  channels.  "Cable companies have so thoroughly eroded the access concept  by replacing community-produced programs with their own productions,  that many of those who wrote the CRTC were  grateful simply to have been  guests on programs made by cable companies."&lt;/span&gt;&lt;/div&gt; &lt;div style="margin: 0in 0in 12pt; text-indent: 0in;"&gt; &lt;span lang="EN-CA"&gt;&amp;quot;Transferring control of the community TV channel to  communities themselves means that access will no longer be a whimsy of a  few large companies," said Edwards. &amp;quot;At the CRTC's first community TV  hearing in 1971, intervenor after intervenor asked that community TV be  run by communities themselves. We need to listen to  Canadians."  Community control is standard in Canada's community radio  sector, and in every other country with community TV. &lt;/span&gt;&lt;/div&gt; &lt;div style="margin: 0in 0in 12pt; text-indent: 0in;"&gt; &lt;span lang="EN-CA"&gt;CACTUS will answer questions about the details of the  Community Media Access Fund plan for community ownership and control of  community TV on Day One of the CRTC hearing beginning April 26&lt;sup&gt;th&lt;/sup&gt;.  The CMES analysis of the submissions to the CRTC is available on the CACTUS website at &lt;a href="http://cactus.independentmedia.ca/"&gt;cactus.independentmedia.ca&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;  &lt;div style="margin: 0in 0in 12pt; text-indent: 0in;"&gt; &lt;span lang="EN-CA"&gt;CACTUS Contact: Catherine Edwards, (819) 772-2862 CMES Contact:  Richard Ward (403) 613-0869&lt;/span&gt;&lt;/div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;An Alternative to Literacy&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; An  Alternative to Literacy Last Updated by DDTV &amp;lt; 1 minute ago Is it  possible for community video and radio to play this role? a small  experiment by the Deccan Development Society, Hyderabad, India Li...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt; An Alternative to Literacy Last Updated by DDTV &amp;lt; 1 minute ago &lt;div style="clear: both; text-align: center;"&gt; &lt;a href="http://1.bp.blogspot.com/_WCLTR16x47k/S924iZWY4AI/AAAAAAAADJU/qTHuN8GDFB0/s1600/SMALLPOSTER.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://1.bp.blogspot.com/_WCLTR16x47k/S924iZWY4AI/AAAAAAAADJU/qTHuN8GDFB0/s320/SMALLPOSTER.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt;  Is it possible for community video and radio to play this role? a small experiment by the Deccan Development Society, Hyderabad, India  Literacy has become a Holy Grail in the world of development.  Development groups working in rural areas suffer from a feeling of  inadequacy if they are not pursuing literacy programmes. They maybe  doing excellent work through harnessing people&amp;#39;s knowledge in the fields  of forestry, fisheries, natural farming, land development, natural  resource management whatever. But literacy programmes haunt them. The  irony is that in most of these activities literacy has very little to  offer. People&amp;#39;s knowledge and peoples science in all these areas are so  strong that they need very little external help in the form of  technology. But still the feeling of inadequacy prevails very strong  among non-literacy groups.  Time has come to question this exaggerated importance given to literacy  in development. I would not like to be misunderstood as an anti-literacy  person. I value literacy very much. What I am pointing to is in valuing  literacy we should not devalue other capabilities and skills present in  non-literate people. By doing so, we might kill all the self-confidence  in these people. I am itching to tell a story which I had heard in my  childhood. I still cherish it for the message it gives:  Three scholars decided to cross a river. They asked a boatman to help  them cross the river. The boatman was glad to oblige them. As the boat  sailed out, one scholar asked the boatman: Have you read Vedas. The  boatman humbly replied &amp;quot;No Sir&amp;quot;. He felt very ashamed. The scholar  rubbed it in. &amp;quot;A quarter of your life is wasted&amp;quot;. After they sailed a  little further, the second scholar asked: &amp;quot;Have you read Upanishads?&amp;quot;  The boatman felt further small. &amp;quot;No Sir&amp;quot;. The scholar said  contemptuously: &amp;quot;Half your life is wasted&amp;quot;. They sailed halfway into the  river. The third scholar asked, &amp;quot;At least have you read Puranas?&amp;quot; The  boatman felt totally humiliated. &amp;quot;No sir, not even that&amp;quot;. &amp;quot;Then three  quarter of your life is a waste&amp;quot;. By then they hit a whirlpool. The boat  started sinking. The boatman, for the first time, asked the scholars:  &amp;quot;Sir, do you people know how to swim?&amp;quot; All the scholars said &amp;quot;No&amp;quot; in  total panic. &amp;quot;All your lives are a waste now sir&amp;quot;, said the boatman and  leapt out of the boat. What I am trying to say is that in our part of the world there is a  generation of women and men, people who are in their thirties and above  who are not literate. But they have deep reserves of knowledge in  farming, forestry, ecology, natural resource management -- areas where  survival knowledge, which is paramount for the human race, eludes us the  literates. Why should we discount this rich knowledge and skills with  which they survive in the harshest of environments and push literacy  towards them as THE SKILL ? This has been one of the key questions that  bothers my mind in my work with disadvantaged rural women in Medak  District of Andhra Pradesh.  &lt;b&gt;Historical background of DDS&lt;/b&gt; DDS started in this environment as the commitment of a group of  professionals to the people in the Zaheerabad region to continue a rural  development project abandoned by an industrial house due to its own  compulsions. The earliest objectives of DDS was to combine ecological  and employment parameters to regenerate the livelihoods of the people in  the area through a string of activities:  Ensure 100 days of employment per year per person Use these employment days to work on their lands to enhance the  productivity of their soils through bunding, trenching, top soil  addition etc. Galvanise communities of women to lease in lands from large farmers and  work on it collectively. Green the area through planting in the village commons. An associated objective was to transfer people-oriented technology. This  included housing technologies, use of solar energy, permaculture way of  organic farming etc. Gradually all these efforts have moved in a  reverse direction. Today we recognise that people have more knowledge  than us, more appropriate technologies than we can think of. Therefore  our programmes have evolved into three principles:  gender justice environmental-soundness and people&amp;#39;s knowledge Education at all levels was a very strong component in this string of  efforts. Education, for DDS, encompasses a range of activities starting  with balwadies to provide a creative learning environment for young  children to Pachasaale, a unique school for working children which takes  formal learning and life skills under one umbrella and redefines  education into an area of relevance for rural children. Within this  range are fitted intensive workshops for adult women, village night  schools for out of school children etc.  Central to these attempts is the relocation of people&amp;#39;s knowledge in the  areas of health (through revitalising the traditional healthcare  systems), agriculture (understanding, documenting and promoting people&amp;#39;s  knowledge of farming systems and practices) etc. &lt;div style="clear: both; text-align: center;"&gt; &lt;a href="http://1.bp.blogspot.com/_WCLTR16x47k/S925vG2FnGI/AAAAAAAADJc/KwQPh7zWaTU/s1600/own+media.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://1.bp.blogspot.com/_WCLTR16x47k/S925vG2FnGI/AAAAAAAADJc/KwQPh7zWaTU/s320/own+media.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt;   &lt;b&gt;New forms of expression&lt;/b&gt; When the commitment of an organisation is to value peoples knowledge and  build its work on their confidence, the need to explore various tools  of expression with which people can communicate with the outside world.  Because the outside world is a reality and their necessity to  communicate with it is also a reality.  In this effort, literacy was not the only choice. We felt literacy can  actually become a constraint for non-literate people whose aural and  visual narratives are so powerful. So what else can one think of ? For  me the possibility of providing video and audio technologies as a means  of expression for the disadvantaged rural women was an exciting idea. So  I have made efforts to equip a group of ten women with the skills to  handle this media. &lt;b&gt;Communicating through video&lt;/b&gt; I began a series of video workshops from January this year. Each  workshop was for a duration of four days. Spread over eight months these  workshops have trained a total of seven women of whom four are  non-literate. Of these seven women, two are students and the four are  farm labour and one is a DDS worker. All of them are dalits in an age  group of 16-35 years. The workshops started with a total of eleven  persons, ten women and one man. But of them four dropped out during  various phases of the workshops and seven have made it to all the  workshops.  The women chose to learn video production for various reasons. Their own  reasons are as follows: We would like to let our issues known outside(Ippapally Mallamma) Our news must go outside (Zaheerabad Punyamma) We are working on the Gene Bank in our village. Several times you people  come to shoot our work. But there are seasons when it is very important  to shoot. At that time you people may not be available. Therefore when  you people do not come, we can do our own recording and give it to you.  (Humnapur Laxmi) So that we can communicate with people in other sanghams. Whenever some  events take place in our sanghams, you people come to video it. When you  don&amp;#39;t come, we have to wait for you. Instead we can do the recording  ourselves and take it out.(Pastapur Narsamma) To photograph; marriages etc.(Bopanpalli Nagamma) When big government people come to our village, we would like to record  what they tell us. That becomes a document for us. (Eedulapalle Manjula)  &lt;b&gt;Their expectations from the workshops were also varied.&lt;/b&gt; How can we tell about the work we are doing? To know whether it (the video) can record what we talk and say To understand what parts it (the video) has To know whether it records from a distance; how to make pictures big and  small; how to make sound big and small; The training objective was to familiarise the participants with the  grammar of television, with the operation of video cameras and in  editing their shoots and make their own stories. These workshops were  conducted by three of us:  P V Satheesh, a television Producer/Director (who incidentally is  Director, Deccan Development Society and is an experienced producer and  trainer and familiar with the rural ethos). Vijendra Patil, a Cameraman- producer who has a variety of experiences  in training and production. Yesu, an 18-year old rural boy, who had recently apprenticed with a  video production house and who was being simultaneously trained on video  operations and editing. The training was done with one DV Camera and two VHS video cameras and a  makeshift editing set up.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Youth Radio in Albuquerque&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; This tape was made as part of the Prometheus Radio Making Waves tour.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: 12px; white-space: pre;"&gt;This tape was made as part of the Prometheus Radio Making Waves tour.&lt;/span&gt; &lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: 12px; white-space: pre;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Aid to Haiti Needed&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;div  class=&amp;quot;separator&amp;quot; style=&amp;quot;clear: both; text-align: center;&amp;quot;&amp;gt; Some of  the gear collected for donation to the hard hit Haitian radios and taken  to Haiti by Jim Ellinger Cases to bring the gear down. ...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;div class=&amp;quot;separator&amp;quot; style=&amp;quot;clear: both; text-align: center;&amp;quot;&amp;gt; &lt;a href="http://2.bp.blogspot.com/_WCLTR16x47k/S61mU_mT8sI/AAAAAAAADE0/gRgo_tRBvbs/s1600/4427555822_04caf2aeb1.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://2.bp.blogspot.com/_WCLTR16x47k/S61mU_mT8sI/AAAAAAAADE0/gRgo_tRBvbs/s400/4427555822_04caf2aeb1.jpg" width="300" border="0" height="400"&gt;&lt;/a&gt; &lt;div style="clear: both; text-align: center;"&gt; Some of the gear collected for donation to the hard hit Haitian radios and taken to Haiti by Jim Ellinger&lt;/div&gt; &lt;div style="clear: both; text-align: center;"&gt; &lt;a href="http://2.bp.blogspot.com/_WCLTR16x47k/S61nY0H_ydI/AAAAAAAADF0/pC0pnBQRbhM/s1600/4463525104_13fb4dacf6.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://2.bp.blogspot.com/_WCLTR16x47k/S61nY0H_ydI/AAAAAAAADF0/pC0pnBQRbhM/s320/4463525104_13fb4dacf6.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt;  &lt;div style="clear: both; text-align: center;"&gt; Cases to bring the gear down.&lt;/div&gt;                                       &lt;a href="http://4.bp.blogspot.com/_WCLTR16x47k/S61nj6jZrGI/AAAAAAAADGE/roOJOX_k2Ug/s1600/4463473802_7d617ac7f1.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://4.bp.blogspot.com/_WCLTR16x47k/S61nj6jZrGI/AAAAAAAADGE/roOJOX_k2Ug/s320/4463473802_7d617ac7f1.jpg" border="0"&gt;&lt;/a&gt; &lt;div style="clear: both; text-align: center;"&gt;  &lt;/div&gt; &lt;div style="clear: both; text-align: center;"&gt; This is what the radio station looked like after the quake.&lt;/div&gt;                                        &lt;a href="http://1.bp.blogspot.com/_WCLTR16x47k/S61tcQ5QHoI/AAAAAAAADHc/jbBCih2EbWA/s1600/4463432014_83709f5fe2.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://1.bp.blogspot.com/_WCLTR16x47k/S61tcQ5QHoI/AAAAAAAADHc/jbBCih2EbWA/s320/4463432014_83709f5fe2.jpg" border="0"&gt;&lt;/a&gt; &lt;div style="clear: both; text-align: center;"&gt; Repaired antenna is set in new concrete.&lt;/div&gt; &lt;div style="clear: both; text-align: center;"&gt;    &lt;a href="http://2.bp.blogspot.com/_WCLTR16x47k/S61n9T8xF7I/AAAAAAAADGs/45KGq6NmYM0/s1600/4462685897_3a5cd19d1b.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://2.bp.blogspot.com/_WCLTR16x47k/S61n9T8xF7I/AAAAAAAADGs/45KGq6NmYM0/s320/4462685897_3a5cd19d1b.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt;  &lt;div style="clear: both; text-align: center;"&gt; Hoisting the guy wires.&lt;/div&gt; &lt;a href="http://4.bp.blogspot.com/_WCLTR16x47k/S61ugCV8ADI/AAAAAAAADIE/6AMoFwBZiio/s1600/4462664599_d8374757f9.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://4.bp.blogspot.com/_WCLTR16x47k/S61ugCV8ADI/AAAAAAAADIE/6AMoFwBZiio/s320/4462664599_d8374757f9.jpg" border="0"&gt;&lt;/a&gt; &lt;div style="clear: both; text-align: center;"&gt; It&amp;#39;s up!&lt;/div&gt; &lt;div style="clear: both; text-align: center;"&gt;  &lt;/div&gt; &lt;div style="clear: both; text-align: center;"&gt; &lt;a href="http://2.bp.blogspot.com/_WCLTR16x47k/S61n9T8xF7I/AAAAAAAADGs/45KGq6NmYM0/s1600/4462685897_3a5cd19d1b.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span style="color: black;"&gt;.&lt;/span&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_WCLTR16x47k/S61nddnvBFI/AAAAAAAADF8/T0Gwv2WQX2s/s1600/4463516306_457c0e0486.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://4.bp.blogspot.com/_WCLTR16x47k/S61nddnvBFI/AAAAAAAADF8/T0Gwv2WQX2s/s320/4463516306_457c0e0486.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt;  &lt;div style="clear: both; text-align: center;"&gt; The console.  &lt;/div&gt; &lt;div style="clear: both; text-align: center;"&gt;    &lt;a href="http://2.bp.blogspot.com/_WCLTR16x47k/S61moGTW3pI/AAAAAAAADFE/AQDIHKdXFp0/s1600/4462643495_c41300bf51.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://2.bp.blogspot.com/_WCLTR16x47k/S61moGTW3pI/AAAAAAAADFE/AQDIHKdXFp0/s320/4462643495_c41300bf51.jpg" border="0"&gt;&lt;/a&gt;    &lt;/div&gt;  &lt;div style="clear: both; text-align: center;"&gt; On the air!!!!&lt;/div&gt;                                        &lt;a href="http://2.bp.blogspot.com/_WCLTR16x47k/S61np8rr7TI/AAAAAAAADGM/uHZMrkkIWiY/s1600/4463423004_18d51a9166.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://2.bp.blogspot.com/_WCLTR16x47k/S61np8rr7TI/AAAAAAAADGM/uHZMrkkIWiY/s320/4463423004_18d51a9166.jpg" border="0"&gt;&lt;/a&gt;                                                &lt;a href="http://2.bp.blogspot.com/_WCLTR16x47k/S61t_LqCR-I/AAAAAAAADH0/l7tiNUqifCA/s1600/4463417252_1af30d2fb4.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://2.bp.blogspot.com/_WCLTR16x47k/S61t_LqCR-I/AAAAAAAADH0/l7tiNUqifCA/s320/4463417252_1af30d2fb4.jpg" border="0"&gt;&lt;/a&gt; &lt;div style="clear: both; text-align: center;"&gt;  &lt;/div&gt; &lt;div style="clear: both; text-align: center;"&gt; &lt;a href="http://1.bp.blogspot.com/_WCLTR16x47k/S61uYa14YoI/AAAAAAAADH8/9iMiXV0JtlM/s1600/4463470176_e7c65c77d7.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://1.bp.blogspot.com/_WCLTR16x47k/S61uYa14YoI/AAAAAAAADH8/9iMiXV0JtlM/s320/4463470176_e7c65c77d7.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt;  &lt;div style="clear: both; text-align: center;"&gt; Thanks AMARC!!!&lt;/div&gt; &lt;div style="clear: both; text-align: center;"&gt;  &lt;/div&gt; &lt;div style="clear: both; text-align: center;"&gt; &lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/S61myB9D9PI/AAAAAAAADFM/GTL3tMYeL3s/s1600/4462679973_4252fed645.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://3.bp.blogspot.com/_WCLTR16x47k/S61myB9D9PI/AAAAAAAADFM/GTL3tMYeL3s/s320/4462679973_4252fed645.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt;  &lt;div style="clear: both; text-align: center;"&gt;  &lt;/div&gt; &lt;div style="clear: both; text-align: center;"&gt; Thanks Jim!&lt;/div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Prison Radio Shines&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;from  Forbes.com by Parmy Olsonfrom Forbes.com by Parmy Olson LONDON--Johnny  Cash made a mint when he recorded part of his 1968 album At Folsom  Prison amidst the whoops and shouts of a roomful of inmat...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;a href="http://2.bp.blogspot.com/_WCLTR16x47k/SgrkUOpJWJI/AAAAAAAACXE/bY4UBwBwFaE/s1600-h/_505114_jail300.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center; width: 300px;" src="http://2.bp.blogspot.com/_WCLTR16x47k/SgrkUOpJWJI/AAAAAAAACXE/bY4UBwBwFaE/s400/_505114_jail300.jpg" border="0"&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt;from Forbes.com by Parmy Olson&lt;/span&gt;from  Forbes.com by Parmy Olson LONDON--Johnny Cash made a mint when he recorded part of his 1968 album  At Folsom Prison amidst the whoops and shouts of a roomful of inmates.  Today&amp;#39;s entertainment for prisoners is a more sobering affair:  interviews with politicians, hard-hitting programs about suicide and  self-harming. But it too is finding success.  A tiny prison radio station in South London is up for four prestigious  Sony awards on Monday night, putting it alongside the some of the top  talent of the BBC and other commercial radio stations in the United  Kingdom.  Electric Radio in Brixton Prison is run by the Prison Radio Association,  &lt;a href="http://www.prisonradioassociation.org"&gt;http://www.prisonradioassociation.org&lt;/a&gt;, a British charity, and  broadcasts to just 800 inmates--but it has a rich array of programming.  Weekly discussion programs about taboo subjects such as self-harming,  mental and sexual health and the prison environment are mixed in with a  daily dose of editorials and of course, music. The studio is located  under the prison chapel and manned by inmates.  Its nominations include an award for talk radio and the all-important  Interview Award. For this, one of Brixton Prison&amp;#39;s inmates interviewed  former U.K. government minister Jonathan Aitken, who was sentenced to 18  months in Belmarsh prison in 1999 for perjury and perverting the course  of justice.  The interviewer was half-way through a four-year sentence when he  conducted the interview, and the two men were &amp;quot;socially, culturally and  educationally poles apart,&amp;quot; the Prison Radio Association says. But while  Aitken comes across as well-spoken and slightly pompous, Tis&amp;#39; is not  afraid to ask probing questions, creating an intriguing interview in  which Aitken opens up about his divorce, bankruptcy and experiences in  jail.Brixton is one of 20 prisons in the U.K. that operate its own radio  station or offers training in the area. The first was established in  the Feltham Young Offenders Institution in 1994 by the Prison Radio  Association when its young inmates called for its establishment. The  organization got legal charitable status in June 2006.  There is as yet no clear evidence that prison radio contributes to  rehabilitation, but Electric Radio Brixon, launched in November 2007,  claims it is a useful source of information for prisoners with literacy  problems and does help with rehabilitation.  An clip from the station is here.  The Prison Radio Association says it is working on the development of a  National Prison Radio Service, with the potential to eventually reach  every prisoner in England and Wales.AND FROM THE GUARDIAN UK: It was a gig a lot of people would have paid a lot of money to see. Mick  Jones, formerly of the seminal punk band the Clash, playing an acoustic  and oh-so-gentle version of the band&amp;#39;s classic stomper Should I Stay or  Should I Go - and Billy Bragg, unchallenged master of conscience folk  rock giving a deliciously cutting rendition of Rotting on Remand - &amp;quot;I  said there&amp;#39;s no justice/ as they led me out the door/ and the judge said  &amp;#39;this ain&amp;#39;t a court of justice son/ this is a court of law&amp;#39;.&amp;quot;  Introduced by Radio 1 DJ Bobby Friction, the two national treasures were  performing live at the launch of Electric Radio Brixton - the first  prison radio station in the UK to broadcast via satellite, and the first  to broadcast 24 hours a day, seven days a week.  It is an ambitious project. But Phil Maguire, chief executive of the  Prison Radio Association, a charity founded 18 months ago by Roma Hooper  and Mark Robinson (who were instrumental in the setting up of the radio  station in Feltham Young Offenders Institute 13 years earlier), has  even more ambition yet to fulfil. &amp;quot;We want to see the establishment of a  national prison radio network,&amp;quot; he says, &amp;quot;serving every prison cell in  England and Wales and broadcasting material produced not just in  Brixton, but produced by prisoners serving sentences in prisons all  around the country.&amp;quot;  Maguire is a determined champion. His charity organisation is currently  working with over 40 prisons. So far at least 15 have radio studios or  radio training facilities. &amp;quot;I&amp;#39;ve loved radio for as long as I can  remember,&amp;quot; he says. &amp;quot;Ever since I was a little boy curling up at night  under my bed clothes with my transistor. I love the way you can watch it  with your eyes closed. It makes me laugh, sometimes makes me cry and  almost constantly makes me think.&amp;quot;  But why prison radio? He gives me a look of incredulity.  &amp;quot;It&amp;#39;s an all singing, all dancing bulletin board,&amp;quot; he says. &amp;quot;Radio is a  phenomenal communications tool. In here, its ability to inform and  educate takes on a whole new level. It supports the regime, creating  opportunities for positive and fruitful dialogue between prisoners and  staff. It enhances education provision and prisoner engagement  activities. It can reach everybody, the young the old, men and women,  the lonely and the disenfranchised.&amp;quot;  Whilst watching the musicians through the studio glass, listening to  their banter over the loudspeakers, we mingle by tables that have been  set with canapés and soft drinks. There is a good turn out of invited  guests, all thrilled and upbeat about the event; it is after all,  historical.  Brixton is a difficult prison and it&amp;#39;s to Governor Paul McDowell&amp;#39;s  credit that he has been able to find the energy and the commitment to  support Electric Radio Brixton. Staff shortages mean that too many  people are left locked in their cells for overly long periods. A number  of prisoners are mixing with the guests, chatting freely. &amp;quot;There are  some good things here,&amp;quot; says &amp;#39;T&amp;#39; who has spent four years in Brixton so  far, &amp;quot;but there&amp;#39;s too much bang-up - by the time they let us out  everybody wants to fight.&amp;quot;  Some prisoners are involved as producers of the radio station and I&amp;#39;m  delighted when I spot an old friend, multi-talented Peter Wayne, a  prodigious writer who, during his many stints inside, used to pen a  wonderfully decadent column for Prospect magazine on prison life and who  inspired my own efforts in the Guardian. He tells me he is back in on a  shoplifting charge, &amp;quot;I&amp;#39;ll be back out around Feb,&amp;quot; he says. I tell him  that he looks as well as I&amp;#39;ve ever seen him.  Now in early middle age, Wayne should be enjoying a comfortable life  after a successful creative and contributing career. Instead, his close  relationship with the demon heroin has kept his true colours from us,  and left him spending the better part of his life haunting prison  landings.  &amp;quot;I feel safe in here,&amp;quot; he says cheerfully. I&amp;#39;m sad, but thrilled to see  he is heavily involved with the new radio station. Alongside Bobby  Friction he is next in the studio, interviewing Billy Bragg. Their chat  is good humoured and I&amp;#39;m amazed at Wayne&amp;#39;s professionalism. Bragg is a  genial interviewee and talks zealously about the need for an emphasis on  rehabilitation in prisons. &amp;quot;That&amp;#39;s the only way to create fewer future  victims,&amp;quot; he says. He talks about the charitable foundation he has set  up called Jail Guitar Doors, named after the B-side of the 1978 Clash  single Clash City Rockers.  Bragg wants to use the transformative power of music to help change  lives in prison; to that end he visits prisons around the country,  donating musical instruments. &amp;quot;Music is a great way of communicating,&amp;quot;  he says. &amp;quot;It&amp;#39;s a way of finding out where you are, who you are, and can  help you to put something back.&amp;quot;  Mick Jones is a close friend of Bragg&amp;#39;s and gave him the first donation  towards the purchase of instruments for prisoners by Jail Guitar Doors.  &amp;quot;I was born in Brixton,&amp;quot; says Jones, &amp;quot;I grew up looking at this place  and now I&amp;#39;m pleased to be helping.&amp;quot; Both men exude a passionate ability  to empathise with the underdog which will have endeared them greatly to  the men behind their doors in Brixton prison.  Before leaving Jones conducts a final singalong of Should I Stay. He&amp;#39;s  laughing and obviously having a great time. Outside the studio the  guests are tapping feet and bobbing heads. A female prison officer is  swaying. Electric Radio Brixton is touching souls and rocking its  message through time and space.  · This article was amended on Monday December 3 2007. The PRA was not in  fact set up 13 years ago. It was Radio Feltham (Radio Feltz), the UK&amp;#39;s first prison radio station that was set up 13 years ago. The PRA was founded 18 months ago. This has been corrected.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/homegardenbusiness.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Sinpare&amp;#39;s Community Studio&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Sinpare is a music group in Nairobi which has developed a recording studio for production of CDs by local musicians.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;Sinpare is a music group in Nairobi which has developed a recording studio for production of CDs by local musicians.&lt;/div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Facilitating Dialogue&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Facilitating  Dialogue: &lt;a href="http://www.mmindia.org"&gt;http://www.mmindia.org&lt;/a&gt; media matters seeks to move away from  monologue, away from the use of communication resources for delivery of  "key messages". To us, groups and communitie...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;a href="http://2.bp.blogspot.com/_WCLTR16x47k/S1om4LrZMbI/AAAAAAAAC38/ruikqtW9vwk/s1600-h/sakhi+sajni.jpg"&gt;&lt;img alt="" style="float: right; margin: 0pt 0pt 10px 10px; width: 187px;" src="http://2.bp.blogspot.com/_WCLTR16x47k/S1om4LrZMbI/AAAAAAAAC38/ruikqtW9vwk/s400/sakhi+sajni.jpg" border="0"&gt;&lt;/a&gt; Facilitating Dialogue:     &lt;a href="http://www.mmindia.org/"&gt;http://www.mmindia.org&lt;/a&gt; &lt;span style="font-weight: bold;"&gt;media matters&lt;/span&gt; seeks to move away  from monologue, away from the use of communication resources for  delivery of "key messages". To us, groups and communities are not mere  audiences. They are not passive receivers who need to be "spoon-fed" or  "hammered" with information.  We believe groups and communities have the capacity to bring about and  manage change.  Communication resources therefore should support such a process through  reflection, exchange of knowledge, beliefs and experiences, initiating a  dialogue that could lead to action. We strive to design and develop  media and communication resources that create space for voices that are  unheard, in local language, sharing of concerns and aspirations,  critical thinking and negotiation. We seek to explore and experiment so  that groups and communities can not only review and adapt the existing  resources to their own context but also gain the skills to create their  own area-specific and need-based communication resources.  We have had the opportunity to design and develop a wide range of  communication and facilitation resources to support group and community  processes, events and campaigns on children and rights, gender and  participation, reproductive health as a right, HIV/AIDS and youth,  adolescents and life skills, solid waste management in urban areas, male  participation in reproductive health.  &lt;span style="font-style: italic;"&gt;(The above graphic is from an exhibition by media matters-- to facilitate discussions around life skills for/with adolescent girls.)&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Community Radio in Guatemala&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; The  indigenous peoples of Guatemala have kept their culture through 500  years of colonization, brutal repression, and, most recently, 36 years  of genocide that killed 200,000 Maya. But where brute for...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;a href="http://2.bp.blogspot.com/_WCLTR16x47k/Sy0rAs78WSI/AAAAAAAACwg/y8pE57oDR3Y/s1600-h/cesar+Sept+2008+067.thumbnail.jpg"&gt;&lt;img alt="" style="float: left; margin: 0pt 10px 10px 0pt; width: 150px;" src="http://2.bp.blogspot.com/_WCLTR16x47k/Sy0rAs78WSI/AAAAAAAACwg/y8pE57oDR3Y/s400/cesar+Sept+2008+067.thumbnail.jpg" border="0"&gt;&lt;/a&gt;  The indigenous peoples of Guatemala have kept their culture through 500  years of colonization, brutal repression, and, most recently, 36 years  of genocide that killed 200,000 Maya. But where brute force failed,  globalization is succeeding. Mainstream Western entertainment is now  flooding Guatemala's airwaves, hammering home the 24-hour-a-day message  that Mayans should abandon their languages, their clothing, their  spirituality, and their identities. And the only thing holding back this  tidal wave of homogeneity is a network of tiny 500-watt radio stations.    &lt;a href="http://www.culturalsurvival.org/current-projects/guatemala-radio-project"&gt;Cultural Survival&lt;/a&gt;  is partnering with Guatemalan nongovernmental organizations to  strengthen this network of 140 community radio stations across the  country, many of which broadcast in one or more of the country's 23  indigenous languages. The stations provide news, educational  programming, health information, and traditional music, all reinforcing  pride in Mayan heritage. We provide the equipment and organizational  expertise; they provide the people and the passion. And it's working:  languages on the brink of extinction have come back into common use;  marimba music that was being replaced with top-40 songs is being played  again; and people are wearing the distinctive traje that defines where  they come from and who they are. But the job has only begun. A loophole  in Guatemalan laws allows the police to shut down stations and  confiscate equipment, and they are doing this with increasing frequency.  We need your help to shore up this fragile network of protection for  Mayan communities and cultures.The project has five primary objectives: •Pressing for reform of Guatemala's telecommunications law. •Strengthening community radio stations' ability to produce quality  content for broadcast to Indigenous peoples throughout the country. •Training community radio volunteers with skills in journalism,  lobbying, content creation, radionovela script-writing, and Internet  use. •Assisting the radio stations and the five radio associations to build a  viable network to aid in the acquisition of needed news gathering,  communication, and broadcast equipment. •Building local capacity to sustain the project beyond Cultural  Survival's five-year involvement.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Curso Yomango&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Sencillas, prácticas y amenas lecciones para LLENAR TU NEVERA GRATIS. &lt;a href="http://www.yomango.org"&gt;www.yomango.org&lt;/a&gt;&lt;/div&gt; &lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Sencillas, prácticas y amenas lecciones para LLENAR TU NEVERA GRATIS. &lt;a href="http://www.yomango.org/"&gt;www.yomango.org&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Estela de Carlotto on the New Media Law &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; From  Democracy Now: Argentina has enacted a media reform bill aimed at  undoing dictatorship-era rules that left a handful of companies in  control of national broadcasting. The bill allocates two-third...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div style="clear: both; text-align: center;"&gt; &lt;a href="http://4.bp.blogspot.com/_WCLTR16x47k/TAzl_ISpb-I/AAAAAAAADOU/yWdR-rdXYF0/s1600/imagen_1269773648.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://4.bp.blogspot.com/_WCLTR16x47k/TAzl_ISpb-I/AAAAAAAADOU/yWdR-rdXYF0/s320/imagen_1269773648.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt; From  Democracy Now:  Argentina has enacted a media reform bill aimed at undoing  dictatorship-era rules that left a handful of companies in control of  national broadcasting. The bill allocates two-thirds of the broadcast  spectrum to non-commercial stations, limits the number of licenses any  one company can hold, and promotes Argentine-made content. The bill was  based on a proposal written by a coalition of Argentine community media,  human rights groups, unions and progressive academics. President  Cristina Fernandez quickly signed it into law following its approval by  the Argentine Senate. Estela de Carlotto of the Grandmothers of Plaza de  Mayo was among thousands to celebrate outside Congress. Estela de Carlotto: "Everyone will have the opportunity to have a form  of communication for the dignity of the people. Culturally, it is good;  the advancement of freedom of expression is good. Celebrating here, we  are all together. The Grandmothers are a part of these people that never  ever gave up."&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/bar.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;We Seize Dinner at WSIS 2003&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; The closing dinner of the polymedia lab has once again put the desire for free-floating sharing into practice.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;The closing dinner of the polymedia lab has once again put the desire for free-floating sharing into practice.  &lt;/div&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/pink-pushpin.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Attacks on Garifuna Radio &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Radio  Studio Burned by Paramilitaries &amp;quot;&amp;gt;Triunfo de la Cruz, like other  Tela Bay-Garífuna communities, has become a conflict zone since the  invasion of venture capitalists, politicians, and foreign inv...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Radio Studio Burned by Paramilitaries &amp;quot;&amp;gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center; width: 300px;" src="http://2.bp.blogspot.com/_WCLTR16x47k/S1DqrEpTZjI/AAAAAAAAC3U/UosqtdbiMXc/s400/cabina_faluma_quemada.jpg" border="0"&gt;Triunfo  de la Cruz, like other Tela Bay-Garífuna communities, has become a  conflict zone since the invasion of venture capitalists, politicians,  and foreign investors attempting to seize community land for the  construction of mega–tourism projects. The Garífuna community radios  provide a social service to the community and do not generate private  profit. Transmitting from Triunfo de la Cruz, Faluma Bimetu is necessary  in the fight against Honduran elite, and its attempts to displace  Garífuna communities for more corporate development and tourism. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Radio Karagwe &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Abella  Kamala, station manager at Radio Karagwe, tells about the upstart and  importance of a community radio in a remote area of Tanzania. Meet her  and the first broadcasters and reporters who will so...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Abella  Kamala, station manager at Radio Karagwe, tells about the upstart and  importance of a community radio in a remote area of Tanzania.  Meet her and the first broadcasters and reporters who will soon be  broadcasting news in the Karagwe area, near the Victoria Lake. The  feature is produced by &lt;a href="http://worldpictures.dk"&gt;worldpictures.dk&lt;/a&gt; by Birgitte Bjerregaard and Ib  Schou. Contact: &lt;a href="mailto:info@worldpictures.dk"&gt;info@worldpictures.dk&lt;/a&gt;. Radio Karagwe is supported by the  Danish NGO ULD-80. &lt;a href="http://www.karagwesvenner.dk"&gt;www.karagwesvenner.dk&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Free Speech TV delivers via satellite&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; This program looks at the privatization of prisons in the US.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;This program looks at the privatization of prisons in the US. &lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt; &lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/red-pushpin.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt; &lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Access Tucson is Under Threat&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Tucson,  Arizona has one of the most succcessful public access centers in the  US. Recently it has been threatened with budget cuts.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Tucson,  Arizona has one of the most succcessful public access centers in the  US. Recently it has been threatened with budget cuts. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;ICANN Releases Interim Statement&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Remmy  Nweke 2 June 2010 Lagos — THE Internet Corporation for Assigned Names  and Numbers (ICANN) ahead of the international meeting in Brussels,  Belgium this month, has released the draft of the commun...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;Remmy Nweke 2 June 2010&lt;br&gt;Lagos  — THE Internet Corporation for Assigned Names and Numbers (ICANN) ahead  of the international meeting in Brussels, Belgium this month, has  released the draft of the community-wide Geographic Regions Review  Working Group (WGGR).&lt;br&gt;&lt;br&gt;Policy analyst at ICANN, Mr. Robert  Hoggarth said that the draft document could be found on the Socialtext  Wiki page of the working group.&lt;br&gt;&lt;br&gt;Champion Infotech recalls that  the working group was formed by the ICANN board, to study and review the  issues related to the definition of the ICANN geographic regions, by  way of consulting with community stakeholders to develop and submit  proposals to the board so as to resolve any problematic issues relating  to the current definition of its geographic regions.&lt;br&gt;&lt;br&gt;According to  him, the first phase of the work tagged &amp;quot;Initial Report&amp;quot; in July of  2009 identified various applications and functions to which &amp;quot;ICANN  Geographic Regions&amp;quot; are currently applied by existing ICANN structures  via its geographic diversity among volunteer leaders.&lt;br&gt;&lt;br&gt;He also  said that it briefly documented other regional structures used within  ICANN but not defined in the Bylaws and documented a number of potential  &amp;quot;matters&amp;quot; that working group members from the ALAC, ASO, ccNSO, GAC and  GNSO; thought should be covered during the Working Group&amp;#39;s subsequent  investigations.&lt;br&gt;&lt;br&gt;&lt;br&gt;On the second phase, he said that WGGR effort  has been to produce an Interim Report that builds on the foundation of  the Initial Report and begins to focus on General Principles, Specific  Considerations and some of the critical issues (&amp;quot;Matters&amp;quot;) that it will  address in its Final Report document. In its present form, the draft  document addresses two particular areas: (1) a review of the underlying  objectives and general principles of geographic regions; and (2)  identification of specific matters to be addressed in the Final Report.&lt;br&gt;&lt;br&gt;He  pointed out that members of WGGR were determined that additional  community input would substantially enhance preparation the Interim  Report.&lt;br&gt;&lt;br&gt;So, draft Version 5 of the Interim Report, he said, is  still a work-in-progress and is being formally provided to the community  solely for discussion purposes and in order that WGGR members would  have the option to discuss its contents with their respective  communities - as well as the general ICANN community - during the  Brussels meeting next month. Previous drafts of the Interim Report have  been made regularly available on the Working Documents page of the WGGR  wiki site.&lt;br&gt;&lt;br&gt;&amp;quot;That wiki page is set up to accept community comments  and such comments about the Interim Report and the WGGR&amp;#39;s work in  general are welcomed and will be shared with and viewed by WGGR members.  Of course, a full Public Comment Forum will be opened for community  comments on the Interim Report document when it is published,&amp;quot; he  explained.&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Creating Spaces for Civil Society in the WSIS&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; By  Willie Currie 22 December 2005. Prior to the World Summit on the  Information Society (WSIS), UN Summits were largely closed spaces for  inter-governmental debate and negotiation on issues of global ...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt; 	By Willie Currie 22 December 2005. Prior to the World Summit on the Information Society  (WSIS), UN Summits were largely closed spaces for inter-governmental  debate and negotiation on issues of global public policy such as  sustainable development or the position of women. Civil society summits  ran in parallel to those of governments and usually at some distance. So  during the UN Summit on Sustainable Development held in Johannesburg in  2002, governments met in the elite business zone of Sandton, while  civil society met in the black township of Soweto. In WSIS, there was a certain recognition that the Information Society  involved policy issues in which governments were one stakeholder  alongside the private sector and civil society. The history of the  internet as a grand collaboration between technical communities, the  private sector, civil society organizations and governments meant that  governments needed the participation of all stakeholders in the process  of deliberation at WSIS. Hence the WSIS process began as an invited  space in which all stakeholders were involved until the point of  negotiations, which remained the prerogative of governments. The private  sector and civil society were nevertheless able to make statements to  the plenary meetings of governments, while they were negotiating the  text for the outcomes of the Geneva and Tunis Summits.  In addition to this, the atypical Summit format as a two year process  starting in Geneva in 2003 and ending in Tunis in 2005 also created a  space in which civil society could mobilize. A range of civil society  organizations and academic institutions took up the issue of internet  governance, which used as their focal point the internet governance  caucus that was affiliated to the civil society process within WSIS. And  the point of disagreement between governments on internet governance  gave civil society an opportunity to engage more actively in the  process. The key shift was in the establishment of the Working Group on  Internet Governance (WGIG) as a multi-stakeholder body. This created an  open space in which all stakeholders had representation and had a  significant effect on the outcome of the internet governance debate in  WSIS. Within WGIG, private sector and civil society participants were on  a par with government participants.  The WGIG report made four sets of recommendations – on the need for a  forum to discuss broad public policy issues related to the internet, on  oversight models for internet governance, on measures to promote  development and access to the internet (especially with regard to  international interconnection costs), and on capacity building for  developing countries to participate more effectively in internet  governance. With the exception of the issue of oversight models, civil  society participation was decisive in the other three issues. And the  issue of a forum became the key point of consensus in the Tunis summit.  So the decision in Tunis to establish an Internet Governance Forum (IGF)  was a result of civil society initiation of the idea within WGIG and a  factor of the multi-stakeholder process that enabled stakeholders to  interact.  It is worth recalling that the idea of a forum was opposed by the US  Government (USG) and the private sector during the second phase of WSIS  until it was clear that it had broad support. The USG also opposed the  EU's 'new cooperation model' regarding the governance of critical  internet resources and made it clear that it would retain oversight over  ICANN. This was to be expected as no Empire has ever surrendered its  control over the means of communications. Nevertheless, the EU  intervention opened a space to address the set of principles that should  apply to the oversight of ICANN. The combination of the IGF addressing  'broad' internet policy issues and the 'enhanced cooperation' process  addressing 'narrow' issues of names, numbers and the root zone file is a  significant outcome of WSIS.  After WSIS, the IGF will constitute a global public policy space of a  new kind that is open to all stakeholders. Civil society organizations  through the internet governance caucus played a leading role in creating  this open space for deliberation on the complexity of internet  governance. They will take the process of creating this open space  forward in the Internet Governance Forum when it meets in Athens in  2006.  In the aftermath of Tunis, Michael Gurstein delivered a critique of the  civil society participation that has emerged, which constructs the main  value of WSIS as one of networking in a closed network of the  privileged, that in a self-serving way has perpetuated its existence by  advocating for an Internet Governance Forum and has lost touch with the  grassroots and the issue of bridging the digital divide. While this  critique has some merit, it is too partial a view and dismisses the real  gains that have been made by civil society participation. Remove civil  society from WSIS and there would be no IGF, no new global policy space  for considering broad public policy issues affecting the internet,  including access to the internet and the digital divide.  Discussion of the issues of WSIS has not only taken place in Geneva or  Tunis, but also at regional and national levels. At the African PrepCom  in Accra in February 2005, the most energetic participants were a  contingent of youth, who had travelled from Nigeria to participate.  Sangonet ran a series of workshops on WSIS issues in South Africa that  provided input into WSIS. Even ICANN engaged in an extended road show  around the world to put its case to practitioners and publics in various  developing countries, including South Africa and Argentina. These  activities involved a broad range of people in the WSIS process.  One of the reasons that the issue of the digital divide did not receive  adequate attention in Tunis relates to the fate of the Task Force on  Financial Mechanisms (TFFM). The TFFM was convened as an invited space  by UNDP and could not be transformed into an open space by civil society  as was the case with the WGIG. This affected its outcomes, which were  more limited. Nevertheless, the TFFM report and the section on financing  in the Tunis Agenda provide enough hooks to be developed creatively by  civil society activists in the post-WSIS phase. These include references  to the uses of public finance, the promotion of community and local  government networks, a renewed mandate to Universal Access Funds, a  welcome for the Digital Solidarity Fund and a recognition that existing  financial mechanisms have proved inadequate with regard to regional  connectivity, broadband, and rural connectivity in the developing world.  The combination of these factors may serve to support the introduction  of open access models and community networking in the developing world –  precisely to bridge the digital divide.  Michael Gurstein's critique of civil society participation assumes too  easily that civil society activists engaging the WSIS process agreed  with Ambassador Khan that they represented everyone else. This was  simply not the case, however flattering Ambassador Khan's remarks.  Gurstein's assumption that everyone in civil society was only there to  network is similarly false and denies that civil society groups meeting  in the civil society plenary and caucuses had sufficient strategic sense  to understand the power dynamics involved in engaging with governments,  the private sector and international organizations at WSIS. The  interventions of civil society activists made a material difference to  the outcomes of WSIS in the text of the Tunis Agenda. In addition, those  civil society activists who tried hard to support independent Tunisian  NGOs against the human rights violations of the Tunisian regime and were  harassed and chased by the police at the Goethe Centre in Tunis on 15  November 2005, were not there just to network in a closed loop. For a  few days, they helped open a space of freedom in Tunis and pledged  ongoing support. A Luta Continua.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/arts.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Palestinian Avatars&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Palestinian Demonstrators at Bil&amp;#39;in take their costumes from the popular film.&lt;/div&gt; &lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Palestinian Demonstrators at Bil&amp;#39;in take their costumes from the popular film.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Radio All for Peace&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;The  idea of a joint Israeli-Palestinian radio station is unique and  innovative, and one through which we can bring the vast accumulated  experience of both the Jewish-Arab Center for Peace at Givat Hav...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;  The idea of a joint Israeli-Palestinian radio station is unique and  innovative, and one through which we can bring the vast accumulated  experience of both the Jewish-Arab Center for Peace at Givat Haviva and  the Palestinian organization Biladi – The Jerusalem Times to bear  through the electronic media and reach a new audience, previously not  exposed to the message of peace, and bring to them our message. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/rangerstation.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Escuela Audiovisual Infantil, Belen Andaquies&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Se puso muy contento por podria jugar con sus amigos.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;Se puso muy contento por podria jugar con sus amigos.&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt; &lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/red-pushpin.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt;&lt;div class="lk name"&gt; &lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Mural Controversy in Arizona&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;A  mural painted on the side of an elementary school in Prescott, Arizona,  features the faces of children who attend the school, but not everyone  is pleased with the outcome. Prescott City Councilman S...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;&lt;br&gt;A  mural painted on the side of an elementary school in Prescott, Arizona,  features the faces of children who attend the school, but not everyone  is pleased with the outcome.&lt;br&gt;&lt;br&gt;Prescott City Councilman Steve  Blair, who also has a daily radio show on Fox News-owned radio station  KYCA-1490-AM wants the mural taken down completely. He claims it depicts  an agenda, an indoctrination of public school children. Somehow I do  not think this has much to do with indoctrination nor do I think he  really cares much about public schools. Especially public schools with  brown children in them.&lt;br&gt;&lt;br&gt;Instead of removing it, the school  principal asked the artists to lighten the faces of the children in the  picture. This request follows harassment of those same artists by  drive-by wingers flinging racial epithets at them while they were  painting it. Welcome to Arizona.&lt;br&gt;&lt;br&gt;Lighten the skin tone on the  faces of the children in the picture, because we cannot have brown  children representing the children of Prescott.&lt;br&gt;&lt;br&gt;Hear that,  Arizona? That&amp;#39;s the sound of the term racist being slapped all over your  state whether it&amp;#39;s deserved or not. That&amp;#39;s the sound of Rupert Murdoch  bringing his peculiar brand of thought-cleansing to your backyards. Do  not, under any circumstances, make brown children look beautiful without  changing their skin color.&lt;br&gt;&lt;br&gt;Via Wonkette:&lt;br&gt;&lt;br&gt;And these  children, for the past several months as this happy mural encouraging  "green transportation" was being painted by local artists, have been  treated to the city of Prescott's finest citizens driving by and yelling  "Nigger" and "Spic" at this school wall painted with pictures of the  children who attend the school. And this has been encouraged by a city  councilman, Steve Blair, who uses his local radio talk show to rile up  these people and demand the mural be destroyed.&lt;br&gt;&lt;br&gt;A few more gems from City Councilman Limbaugh wannabe Blair:&lt;br&gt;&lt;br&gt;&amp;quot;I&amp;#39;m  not a racist by any stretch of the imagination, but whenever people  start talking about diversity, it&amp;#39;s a word I can&amp;#39;t stand.&amp;quot; Daily Courier&lt;br&gt;&lt;br&gt;&amp;quot;I  will tell you depicting a black guy in the middle of that mural, based  upon who&amp;#39;s President of the United States today ...&amp;quot; Daily Courier&lt;br&gt;&lt;br&gt;&amp;quot;To depict the biggest picture on the building as a Black person, I would have to ask the question: Why?&amp;quot; AZCentral.com&lt;br&gt;&lt;br&gt; Of  course, when Blair is directly accused of stirring up racial  controversy, he cries innocence in the time-honored tradition of Rush  Limbaugh and other right-wing loudmouths who immediately decry the  accusation of racism while living it straight up for all to see.&lt;br&gt;&lt;br&gt;&amp;quot;Personally,  I think it&amp;#39;s pathetic,&amp;quot; he says. &amp;quot;You have changed the ambience of that  building to excite some kind of diversity power struggle that doesn&amp;#39;t  exist in Prescott, Arizona. And I&amp;#39;m ashamed of that.&amp;quot; - AZCentral.com&lt;br&gt;&lt;br&gt;Blair  isn&amp;#39;t just a radio personality who leads off the talkfest there at  KYCA-AM. He&amp;#39;s a city councilman. He actually has a say in what can and  cannot be done in the city of Prescott. His show leads straight into  Laura Ingraham and Rush Limbaugh&amp;#39;s radio show.&lt;br&gt;&lt;br&gt;And so the mural  artists will probably lighten the skin of the actual children who are  depicted in that mural. Children who actually attend the actual school  with the wall where that mural is painted. Children who are making a  positive statement about ecology, the environment, and living &amp;#39;green&amp;#39;.  Children who are being taught a lifestyle that might actually free us  from the bondage of oil.&lt;br&gt;&lt;br&gt; &lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;CAN TV:Barbara Popovic, Chicago Access Network&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; This  unique communications resource belongs to the people of Chicago,  whether you are a viewer, a producer, or simply believe in the right of  free expression. CAN TV has become a lifeline for thousand...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt; This unique communications resource belongs to the people of Chicago,  whether you are a viewer, a producer, or simply believe in the right of  free expression. CAN TV has become a lifeline for thousands of Chicago  residents and nonprofits. Its channels are over 90% local, helping  viewers find jobs, locate HIV/AIDS and domestic violence counseling,  access art and educational resources, interact with local public  officials, and experience a diversity of viewpoints.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Media Bridges, Cincinnati, Ohio&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; A community media center is a place where people can come together.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;A community media center is a place where people can come together. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt; &lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt;&lt;div class="lk name"&gt; &lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;What is Public Access? Pittsburgh, PA&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;It allows the community to show things that others have not shown.&lt;/div&gt; &lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;It allows the community to show things that others have not shown.&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Antoine Haywood, People TV, Atlanta&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; The importance of having access to communication tools.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;The importance of having access to communication tools.&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt; &lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt;&lt;div class="lk name"&gt; &lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Erik Mollberg, Fort Wayne Public Access&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Fort Wayne Access is located in the Allen County Library.&lt;/div&gt; &lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Fort Wayne Access is located in the Allen County Library.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Mid Peninsula Public Access, Palo Alto&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Annie Folger, Director of Palo Alto Media Center&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Annie Folger, Director of Palo Alto Media Center  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Max Knobbe, Bronx Public Access&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; 60% of the Bronx watches Bronxnet Public Access.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;60% of the Bronx watches Bronxnet Public Access.  &lt;/div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;TV Serrana, Sierra Maestra, Cuba&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Very  local television. Documental realizado a partir de una visita a la  Sierra Maestra, en Cuba, que ilustra los diferentes ritmos que se usan  para trabajar. Está el desmochador, el herrero, la lavand...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Very local television.  Documental realizado a partir de una visita a la Sierra Maestra, en  Cuba, que ilustra los diferentes ritmos que se usan para trabajar. Está  el desmochador, el herrero, la lavandera, etc.Televisión Serrana is a  community video and television project that operates in the heart of  famous Sierra Maestra in Cuba. TVS is located at the small community of  San Pablo de Yao, in Buey Arriba territory comprising a population of  32,000 people, of which the 63 percent are in rural areas, mostly coffee  growers. In January 1993 several institutions got together to sponsor the  project. UNESCO provided some funding and technical support, the Cuban  government through the ICRT contributed staff and training, the actual  owner of this experience being the Asociación Nacional de Agricultores  Pequeños (ANAP), a nongovernmental organisation. Currently, UNICEF also  supports Televisión Serrana A small team of videomakers with low cost equipment runs the project,  which aims &amp;quot;to rescue the culture of peasant communities&amp;quot; in the  region,and &amp;quot;to facilitate alternative communication for communities to  reject their daily lives and participate in the search for solutions to  the problems that affect them&amp;quot;. Televisión Serrana is involved in a  process of education for communication which promotes the social and  educational use of video, and the development of a cultural environment  within the difficult to access mountainous zones, as a contribution to  strengthening the capacity of the communities to act on their reality. This is mainly done through the production of video documentaries and  reportage, though other formats are not excluded. Culture and identity,  education, public health, environment, gender issues, and children&amp;#39;s  rights are among the main topics of these productions. In an attempt to encourage self-sustaining activities, Televisión  Serrana offers a number of services to the population mainly training  workshops through the Centro de Estudios para la Comunicación  Comunitaria (CECC), created in 1996. This institution provides training  and advisory services and organises seminars for those willing to use  video in their communities as a tool for participatory development and  democratic communication. The building that houses Televisión Serrana  has a meeting room, a library, and the capacity to lodge up to ten  people.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Low Power Farm Workers Radio&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Prometheus Barn Raising described by Jay Jay&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Prometheus Barn Raising described by Jay Jay &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Dallas Government Channel&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; The G in PEG is government--Dallas City Government studios.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;The G in PEG is government--Dallas City Government studios.&lt;font size="3" face="Arial, Helvetica, sans-serif"&gt;&lt;span style="font-size: 12px; white-space: pre;"&gt;&lt;br&gt; &lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Burning Rubber: a Public Access Show&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; TV show that features local hot rods and classic cars.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;TV show that features local hot rods and classic cars. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Senior Center Television in Iowa City&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; There are so many wonderful programs.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;There are so many wonderful programs. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Greater Durban Community Television&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; A tape from a pilot project in 2004.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;A tape from a pilot project in 2004.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Saint Paul Neighborhood Network&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; I don&amp;#39;t just sit around watching the news.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;I don&amp;#39;t just sit around watching the news.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Bush Radio at Cape Town&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Uno and Mingus drop by the studios of this community radio station.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Uno and Mingus drop by the studios of this community radio station. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt; &lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt;&lt;div class="lk name"&gt; &lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Student television from Grahamstown, South Africa&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;THE SHOOTING GALLERY - by students of the school of Journalism and Media Studies Rhodes University Grahamstown South Africa&lt;/div&gt; &lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;THE SHOOTING GALLERY - by students of the school of Journalism and Media Studies Rhodes University Grahamstown South Africa &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/arts.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;El Teatro Indigena de la Sierra Tarahumara&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; El  Teatro Indigena de la Sierra Tarahumara is a small puppet theatre  company located in the southernmost extension of the rocky mountains  inhabited by the Raramuri Indians. The company is comprised of...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div style="clear: both; text-align: left;"&gt; &lt;span style="font-family: arial,helvetica,sans-serif; font-size: 13px; white-space: pre-wrap;"&gt;El&lt;br&gt; Teatro Indigena de la Sierra Tarahumara is a small puppet theatre &lt;br&gt;company located in the southernmost extension of the rocky mountains &lt;br&gt; inhabited by the Raramuri Indians. &lt;/span&gt;&lt;/div&gt; &lt;div style="clear: both; text-align: left;"&gt; &lt;span style="font-family: arial,helvetica,sans-serif; font-size: small;"&gt;&lt;span style="font-size: 13px; white-space: pre-wrap;"&gt;&lt;br&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt; &lt;div style="clear: both; text-align: center;"&gt; &lt;span style="font-family: arial,helvetica,sans-serif; font-size: 13px; white-space: pre-wrap;"&gt;&lt;/span&gt;&lt;a href="http://2.bp.blogspot.com/_WCLTR16x47k/TFOugjUqFRI/AAAAAAAADSI/nvSJXJQBz5U/s1600/teatro_indigena_ive_lost_my_seed_2009_large.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://2.bp.blogspot.com/_WCLTR16x47k/TFOugjUqFRI/AAAAAAAADSI/nvSJXJQBz5U/s400/teatro_indigena_ive_lost_my_seed_2009_large.jpg" width="400" border="0" height="267"&gt;&lt;/a&gt;&lt;/div&gt;  &lt;div style="clear: both; text-align: center;"&gt; &lt;span style="font-family: arial,helvetica,sans-serif; font-size: 13px; white-space: pre-wrap;"&gt;The company is comprised of young indigenous men and women who did not finish school and are transitioning into adulthood.&lt;/span&gt;&lt;/div&gt;  &lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/TFOusiUTgBI/AAAAAAAADSQ/sx_Llj5sUWE/s1600/teatro_indigena_blessingtheseeds_2009_large.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://3.bp.blogspot.com/_WCLTR16x47k/TFOusiUTgBI/AAAAAAAADSQ/sx_Llj5sUWE/s400/teatro_indigena_blessingtheseeds_2009_large.jpg" width="400" border="0" height="267"&gt;&lt;/a&gt; &lt;div style="clear: both; text-align: center;"&gt;  &lt;/div&gt; &lt;div style="clear: both; text-align: center;"&gt; &lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/TFOu6h5fMQI/AAAAAAAADSY/oZA7042HIA0/s1600/teatro_indigena_musicians_2009_large.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://3.bp.blogspot.com/_WCLTR16x47k/TFOu6h5fMQI/AAAAAAAADSY/oZA7042HIA0/s400/teatro_indigena_musicians_2009_large.jpg" width="267" border="0" height="400"&gt;&lt;/a&gt;&lt;/div&gt;  &lt;div style="clear: both; text-align: left;"&gt; &lt;span style="font-family: arial,helvetica,sans-serif; font-size: 13px; white-space: pre-wrap;"&gt;&lt;br&gt; El Teatro travels from community to community, giving one week &lt;br&gt;workshops in different regions of the mountains, providing an &lt;br&gt; opportunity for young people from surrounding areas to gather and &lt;br&gt;participate in the event.&lt;/span&gt;&lt;/div&gt; &lt;div style="clear: both; text-align: center;"&gt; &lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/TFOvQXmw2WI/AAAAAAAADSg/QY49L82DgJY/s1600/teatro_indigena_story_begins_2008_large.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://3.bp.blogspot.com/_WCLTR16x47k/TFOvQXmw2WI/AAAAAAAADSg/QY49L82DgJY/s400/teatro_indigena_story_begins_2008_large.jpg" width="267" border="0" height="400"&gt;&lt;/a&gt;&lt;/div&gt;  &lt;div style="clear: both; text-align: center;"&gt;  &lt;/div&gt; &lt;div style="clear: both; text-align: center;"&gt; &lt;a href="http://4.bp.blogspot.com/_WCLTR16x47k/TFOvZRSJZrI/AAAAAAAADSo/7T9MX5HzmwA/s1600/teatro_indigena_rehearsal_2009_large.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://4.bp.blogspot.com/_WCLTR16x47k/TFOvZRSJZrI/AAAAAAAADSo/7T9MX5HzmwA/s400/teatro_indigena_rehearsal_2009_large.jpg" width="400" border="0" height="267"&gt;&lt;/a&gt;&lt;/div&gt;  El Teatro is organized by Teresa Camou Guerrero and core members of the  current company; together they decide which local issues to address in  their work, which often involves the incorporation of local legends and  the creation of new songs written and performed by the company. The  scripts are collectively written. El Teatro has utilized cantastoria in  their performances since their founding. In 2003 the Center of Support  for Indigenous Missions invited el Teatro to make a show during their  national conference in Mexico City, on the theme of the importance of  native corn in our communities. "La Historia Del Sunuco" deals with the  contamination of native corn in the Northern indigenous regions of  Mexico by the introduction of genetically modified seed. El Teatro  Indígena de la Sierra Tarahumara, have performed this cantastoria in  Mexico City, Chihuahua, Tijuana and all around the Sierra Tarahumara for  many years. The word Sunuco comes from the Raramuri language that means  native corn.  This group will be part of the exhibition at the Packer Gallery in  Chicago of &amp;quot;Cranks and Banners&amp;quot;.  &lt;a href="http://www.kickstarter.com/projects/cranks/banners-and-cranks-first-ever-festival-and-exhibit/posts"&gt;http://www.kickstarter.com/projects/cranks/banners-and-cranks-first-ever-festival-and-exhibit/posts&lt;/a&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Midland TV Tour&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Access station in Michigan provides community resource.&lt;/div&gt; &lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Access station in Michigan provides community resource. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Deepa Fernandez Calls for Media Justice&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Speaking at the Media Reform Conference in Memphis, Tennessee.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Speaking at the Media Reform Conference in Memphis, Tennessee.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Video to combat violence against women.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; This  video is an excerpt from the video magazine made by our CVU - Apna  Malak Maa as a reaction to series of rapes of Dalit students by six  teachers at a teacher training school near Ahmedabad, Gujara...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: 12px;"&gt;This  video is an excerpt from the video magazine made by our CVU - Apna  Malak Maa as a reaction to series of rapes of Dalit students by six  teachers at a teacher training school near Ahmedabad, Gujarat. &lt;br&gt;&lt;br&gt;Sharda,  the producer is a 20 year old spunky Dalit girl from Siyani village.  Sharda found two local cases of violence against women in her  neighboring villages; the interviews show how female victims still  struggle to receive support from their communities and the authorities. &lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Taring Padi Collective for Cultural Activism&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; A  community of cultural activists based in Yogyakarta, Indonesia, made  political art way before it was fashionable to do so in indonesia. Known  as Taring Padi, the group is self-described as an &amp;quot;indep...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;a href="http://4.bp.blogspot.com/_WCLTR16x47k/S10OVDvApJI/AAAAAAAAC5U/HZAuyk6Yd20/s1600-h/files.jpeg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center; width: 400px;" src="http://4.bp.blogspot.com/_WCLTR16x47k/S10OVDvApJI/AAAAAAAAC5U/HZAuyk6Yd20/s400/files.jpeg" border="0"&gt;&lt;/a&gt; A community of cultural activists based in Yogyakarta, Indonesia, made  political art way before it was fashionable to do so in indonesia.  Known as Taring Padi, the group is self-described as an &amp;quot;independent  non-profit cultural community based on the concept of people&amp;#39;s culture.&amp;quot;  They arose in 1998 in the midst of major social uprising and political  reformation when the corrupt Indonesian dictator President Surharto was  forced out of office by a popular people&amp;#39;s movement.  The men and women of Taring Padi have survived slanderous accusations,  government repression, and fundamentalist violence in order to stand up  against capitalist and imperialist oppression. In an effort to educate  and inspire fellow Indonesians and the world, they use the power of art  as a cultural tool. Their art communicates directly to their local  community, but their message speaks to us all, tackling issues of human  rights, corruption, global warming, women&amp;#39;s liberation, land use and  food security. Though their artistic tactics are varied, including  music, performance, writing, and visual art, their most recognizable  works are woodcut posters pasted up around their home-city of Jogjakarta  as counterpropaganda. Twenty-eight of these iconic and powerful posters  are currently held in the International Archive of Social History in  the Netherlands.  Taring Padi are widely known in their own community, but are also the  subject of academic research and documentary films, as well as the focus  of international journalistic attention. In February 2008, Time  Magazine ran &amp;quot;War Paint,&amp;quot; a feature by Jason Tedjasukmana that addresses  Taring Padi&amp;#39;s international reception. In the article, Tedjasukmana  points out that though Taring Padi&amp;#39;s work is not intended as a means of  financial gain through the gallery system and art market, the group &amp;quot;now  finds itself enjoying a modicum of celebrity.&amp;quot; Their works have been  exhibited internationally in Asia, Europe, and Australia. This event is  in conjunction with an exhibition of Taring Padi work at the Rock Paper  Scissors Collective which will run from September 30th to October 24,  with artwork from over the last 10 years consisting of over 40 woodcut  prints on paper and fabric, ranging in size from large banners to small  postcards and patches.  This funds raised for Taring Padi go directly to support collective  projects. All funds raised will go to help bring members of Taring Padi  to Mexico to be part of the First Global Festival of Dignified Rage  organized by the Zapatista-EZLN in Mexico City and Chiapas as well as  collaborate with Mexican artists and activists including ASARO (Assembly  of Revolutionary Artists of Oaxaca). Art by Taring Padi collective.  When Taring Padi first formed in December 1998, the collective could  have been mistaken for the cultural wing of the defunct Indonesian  Communist Party. At the time, Taring Padi went by the title Institute of  People-Oriented Culture, and released a cultural manifesto that  outlined a platform it dubbed `The Five Cultural Evils&amp;#39;: a rap on  anti-imperialism, anti-capitalism, anti-militarism, anti-feudalism and  anti-elitism. Taring Padi was planned along the lines of a mock  politburo and numerous other bureaus that tackled matters of pedagogy,  dissemination, agitation, propaganda, ethical conduct, and housekeeping.  They even appointed a Taring Padi `President&amp;#39;, who was divested of any  real power, and thus performed as a plesetan or parody of the  long-standing Indonesian President Suharto who by popular demand had  finally relinquished grip of his thirty-two year military reign in May  1998.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Bill Moyers Discusses Low Power Radio&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Hannah Sassaman and Rick Karr on PBS&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Hannah Sassaman and Rick Karr on PBS &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/arts.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Participatory Communication in Nigeria&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; by  Alfonso Gumucio Dagron. Photos from a Theater Project in Nigeria to  encourage innoculation against polio. Most rural and urban communities  in the Third World do not have a voice. The globalisation ...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/RwBMjik2t6I/AAAAAAAAA2c/1qyvS5ZZ9Us/s1600-h/SmallerNigeria-Popular+Theatre+01.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center;" src="http://3.bp.blogspot.com/_WCLTR16x47k/RwBMjik2t6I/AAAAAAAAA2c/1qyvS5ZZ9Us/s400/SmallerNigeria-Popular+Theatre+01.jpg" border="0"&gt;&lt;/a&gt;by  Alfonso Gumucio Dagron. Photos from a Theater Project in Nigeria to  encourage innoculation against polio.  Most rural and urban communities in the Third World do not have a voice.  The globalisation of communications during the last decades has imposed  over the world not only biased information but also a daily culture  that very often is in conflict with local traditions. The communities  that have resisted to changes that may annihilate their moral and  ethical values have based their strength in their own culture. But many  were not strong enough to resist, so they have disappeared as cultures.   They only remain as people, added to the margins of the globalised  economy. &lt;a href="http://1.bp.blogspot.com/_WCLTR16x47k/RwBNgCk2t8I/AAAAAAAAA2s/ZWkOHAgRvco/s1600-h/SmallerNigeria-Popular+Theatre+04.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center;" src="http://1.bp.blogspot.com/_WCLTR16x47k/RwBNgCk2t8I/AAAAAAAAA2s/ZWkOHAgRvco/s400/SmallerNigeria-Popular+Theatre+04.jpg" border="0"&gt;&lt;/a&gt;  Communication has a very important role to play in defending and  promoting cultural identity. In my work I have always kept in mind that  communication is tool for participation and organization.  Only  organized communities, that use communication to strengthen their  traditions and to preserve a live memory of their past, can face the  challenge of resisting to a uniform and globalised world. &lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/RwBNrik2t9I/AAAAAAAAA20/Mn7VED6haVY/s1600-h/+Smallernigeriantheater2.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center;" src="http://3.bp.blogspot.com/_WCLTR16x47k/RwBNrik2t9I/AAAAAAAAA20/Mn7VED6haVY/s400/+Smallernigeriantheater2.jpg" border="0"&gt;&lt;/a&gt;I  have supported communities to build their own communication systems in  several countries, using all possible communication tools, from  community radio to popular theatre. I have used film to support the  organizational activities of workers in Nicaragua and peasants in  Bolivia, rural theatre to promote immunization in Nigeria,  audiocassettes to help networking among rural communities in México.  Each concrete situation has brought me to develop different  communication responses, strategies and tools.&lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/RwBNMik2t7I/AAAAAAAAA2k/8HdhBX4YixE/s1600-h/smallerNigeria-Popular+Theatre+03.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center;" src="http://3.bp.blogspot.com/_WCLTR16x47k/RwBNMik2t7I/AAAAAAAAA2k/8HdhBX4YixE/s400/smallerNigeria-Popular+Theatre+03.jpg" border="0"&gt;&lt;/a&gt;From  a report on theater for health initiatives:The advantages of popular  theatre in Nigeria is that it can be built on existing ritual  manifestations, taking advantage of local culture to communicate new  messages of benefit for the community. Gumucio (2001) reported that the  important and immediate impact of the popular activities resulted from  marrying the dramatic performance with service delivery. For cultural  reasons, many women in Nigeria did not immunize their children. However,  after Jimmy Solanke&amp;#39;s performance of The Postman Calls, nurses had to  deal with hundreds of women and their children of all ages lining up to  get their immunization shots or drops. This had a double benefit: on one  hand it created greater awareness among the people in the villages; on  the other hand it ensured that the health staff from the local  government would go out to the villages on a regular basis, which they  were often reluctant to do. &lt;a href="http://1.bp.blogspot.com/_WCLTR16x47k/RwBbtCk2uCI/AAAAAAAAA3c/a5pw7TCSL2Y/s1600-h/immunization.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center;" src="http://1.bp.blogspot.com/_WCLTR16x47k/RwBbtCk2uCI/AAAAAAAAA3c/a5pw7TCSL2Y/s400/immunization.jpg" border="0"&gt;&lt;/a&gt;********************************************************** This is Alfonso&amp;#39;s contribution to a &amp;quot;chat&amp;quot; about folk culture and development from &lt;a href="http://forums.comminit.com/viewtopic.php?p=189811&amp;amp;style=2"&gt;The Communication Initiative&lt;/a&gt;: In my understanding, folk media is closer to communication than mass  media. And there is a simple reason for that: mass media deals with  one-way information, whereas community media and folk media deal with  two-way communication.  We shouldn't even be specifying that  communication is a two-way process, but many still don't get it. From  the Greek and the Latin origins of the word itself, "communication"  means sharing and participation, the same as dialogue. Communication  that doesn't involve dialogue and participation is just information.   Why do we have two words, "information" and "communication" if people  keep using them randomly, as if they were the same?  Maybe some do not  really like the word "folk" because it relates to "folklore", which, as  we all know is a devaluated and frozen-in-time form of cultural  expression. However, the word "folk" means "people", and we need to  rescue it from any distortion in its use. In Spanish we use "popular  theatre" or "popular communication" to refer to it, however in English  "popular" has become a synonym of popularity, in a frivolous sense. &lt;a href="http://4.bp.blogspot.com/_WCLTR16x47k/RwBZzyk2uBI/AAAAAAAAA3U/M7G7_-mCtFU/s1600-h/detailNigeria-Popular+Theatre+03.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center;" src="http://4.bp.blogspot.com/_WCLTR16x47k/RwBZzyk2uBI/AAAAAAAAA3U/M7G7_-mCtFU/s400/detailNigeria-Popular+Theatre+03.jpg" border="0"&gt;&lt;/a&gt;Folk  communication (as I prefer to call it, rather than "folk media") has  been around for many years as a tool for development.  Brazilian Luiz  Beltrao wrote several books about it in the early 1960s and explained in  detail its relevance to development. It doesn't include just popular or  street theatre, it also relates to other forms of local cultural  expressions, including songs, drums, poetry, puppets, dance, and a  wealth of other creative expressions. Durgadas arguments are more than  convincing about it, so I won't repeat.   I've personally supported community theatre in programmes in Nigeria,  Haiti and Papua New Guinea, in isolated localities in those countries  where mass media had no reach or impact at all.  It they had reach,  their impact was null because it didn't speak the language and the local  culture.    This is precisely why folk communication is so relevant in development,  because it interacts with local culture, in the language and themes that  are important to the communities. While mass media "campaigns" are  aiming larger "publics" with very general messages, folk and community  based communication is addressing issues in specific ways and is doing  it through local engagement and participation.  And we know already that  only participation in development leads to ownership of the programmes.   You don't get communities to have ownership by bombarding them with  mass media messages. Information does not contribute to sustainability,  communication does.   One important issue rose in my own experience with folk media and  community theatre: the question of continuity. Communication, as a  process, has to be sustainable and sustained. If we want sustainable  social change and development, then we also need sustainable  communication.  In Nigeria we had trained one local theatre group in  each Local Government (46 by the time I left) so they could go around  the 300 communities within the geographical area covered by the Local  Government. I was so enthusiastic about it that I wrote a book: "Popular  Theatre" (1995).   The above is to say that folk media has to be a permanent exercise, not  just once in a while.  It has no impact if performances and activities  are conducted once a week, or once a month. It has to be a regular  communication activity, built into education, culture and social  development.  Impact of folk media can only be noticeable if experiences  are multiplied by hundreds. &lt;a href="http://2.bp.blogspot.com/_WCLTR16x47k/RwBZCSk2uAI/AAAAAAAAA3M/qJ5LW0yPrsw/s1600-h/womenNigeria-Popular+Theatre+01.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center;" src="http://2.bp.blogspot.com/_WCLTR16x47k/RwBZCSk2uAI/AAAAAAAAA3M/qJ5LW0yPrsw/s400/womenNigeria-Popular+Theatre+01.jpg" border="0"&gt;&lt;/a&gt;Message  to development agencies: spend less in your own visibility through mass  media and think about development that can be sustainable through  participatory communication, including folk media. --Alfonso  Gumucio-Dagron&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Greek youth take over Television Station&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; This  picture taken from Greek state NET televisoin shows a group of  protesters holding banners at a brief occupation of a studio during a  news bulletin, Tuesday, Dec. 16 2008. Some 10 youths took part...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;a href="http://2.bp.blogspot.com/_WCLTR16x47k/SUqG_ZXweqI/AAAAAAAACEw/q5LAtmx0VJ4/s1600-h/greektvtakeoverbanner.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center; width: 400px;" src="http://2.bp.blogspot.com/_WCLTR16x47k/SUqG_ZXweqI/AAAAAAAACEw/q5LAtmx0VJ4/s400/greektvtakeoverbanner.jpg" border="0"&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt;This  picture taken from Greek state NET televisoin shows a group of  protesters holding banners at a brief occupation of a studio during a  news bulletin, Tuesday, Dec. 16 2008. Some 10 youths took part in the  protest, interrupting footage of Prime Minister Costas Karamanlis. The  main banner reads: &amp;quot;Stop watching, get out onto the streets.&amp;quot; Earlier  Tuesday, masked youths attacked the Greek riot police headquarters in  Athens and other protesters clashed with police in a northern city, in a  revival of violence sparked by a teenager&amp;#39;s fatal shooting on Dec. 6.  (AP Photo/Nikos Paphitis)&lt;/span&gt;  ATHENS, Greece – Greek protesters pushed their way into television and  radio studios Tuesday, forcing broadcasters to put out anti-government  messages in a change of tactics after days of violent street protests. A  group of about 10 youths got into the studio of NET state television  and turned off a broadcast of a speech by Prime Minister Costas  Karamanlis, station officials said. The protesters forced studio cameras  to instead show them holding up banners that read: &amp;quot;Stop watching, get  out onto the streets,&amp;quot; and &amp;quot;Free everyone who has been arrested.&amp;quot; No one  was hurt, and no arrests were reported.  NET chairman Christos Panagopoulos said the protesters appeared to know  how to operate cameras and studio controls. &amp;quot;This goes beyond any  limit,&amp;quot; he said. In the northern city of Thessaloniki, protesters made  their way into three local radio stations, agreeing to leave only when a  protest message was read out on the air. Violence also broke out again  after a two-day lull as masked youths attacked riot police headquarters  in Athens and protesters clashed with police in Thessaloniki. Police  said 30 youths threw petrol bombs and stones at the riot police  building, damaging seven cars and a police bus parked outside.  In Thessaloniki, riot police fired tear gas to disperse 300 youths  throwing fruit and stones outside the city&amp;#39;s main court complex. The  disturbance followed a court decision that found eight police officers  guilty of abusing a student following riots two years ago. Overnight,  arsonists attacked three Athens banks with petrol bombs, causing  extensive damage. The fatal police shooting of 15-year-old Alexandros  Grigoropoulos on Dec. 6 set off violence that led to more than 300  arrested and left hundreds of stores smashed and looted. Retailers say  the damage will cost them euro1.5 billion ($2 billion) in lost income. Protesters have called for riot officers to be pulled off the streets  and for police to be disarmed. But the protests tapped into wider  discontent with Karamanlis&amp;#39; conservative government and there have been  widespread calls for the government to revise its economic, social and  education policies.  Higher education in Greece has come to a standstill. Lessons have  stopped at more than 100 secondary schools that are under occupation by  students, according to the Education Ministry. Scores of university  buildings across Greece are also occupied. Greece&amp;#39;s opposition Socialists, who are calling for early elections,  accused Karamanlis of mishandling the crisis which they said had  worsened the effects of the international economic downturn.  &amp;quot;Greeks are losing their patience. Their salary is running out before  the end of the month as they endure a major economic crisis, and at the  same time can see the state collapsing,&amp;quot; Socialist spokesman Giorgos  Papaconstantinou said. &amp;quot;People want answers to their problems, not speeches.&amp;quot;  Karamanlis  insisted his government has acted &amp;quot;calmly and responsibly&amp;quot; in dealing  with riots, avoiding the loss of life. But for the first time since the  violence erupted, he acknowledged the public&amp;#39;s sense of frustration. &amp;quot;Of  course there are broader issues,&amp;quot; he said. &amp;quot;People experience a lack or  merit, corruption in their daily lives, and a sense of social  injustice.&amp;quot; In Athens main Syntagma Square, Mayor Nikitas Kaklamanis relaunched  holiday celebrations after the city&amp;#39;s Christmas tree was torched by  rioters last week. A small group of protesters chanted slogans during  tree-lighting ceremony, as hundreds of revelers looked on. The  protesters, mostly students from various drama schools, handed out  fliers that read: &amp;quot;Lavish storefront and Christmas Trees will not hide  the reality.&amp;quot;&lt;a href="http://4.bp.blogspot.com/_WCLTR16x47k/SUqA2bnSQII/AAAAAAAACEo/h4hnLQT53T0/s1600-h/tvsmashed.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center; width: 360px;" src="http://4.bp.blogspot.com/_WCLTR16x47k/SUqA2bnSQII/AAAAAAAACEo/h4hnLQT53T0/s400/tvsmashed.jpg" border="0"&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt;In  a symbolic protest against how the tv stations are covering the events  and in general against the television, activists gathered and smashed  television sets in downtown Athens. The national and international media  that appeared were moved away.&lt;/span&gt;  The following was published on Greek Indymedia: OPEN CALL TO JOIN THE POPULAR ASSEMBLY ORGANISED BY THE LIBERATED TOWN  HALL OF AGIOS DIMITRIOS IN ATHENS.   On the 6th of December 2008, a police man pulled a gun and shot dead a  15 year old child. Peoples' rage is growing despite the attempts of both  the media and the government to mislead public opinion.  It should be evident to all by now that this uprising is not merely an  honorary response to the death of Alexandros. Ever since, there has been  much talk about theft, burning and looting. For media and politicians,  violence is understood only in terms of what disturbs the public order.  For us, however:   Violence is working non stop for 40 years and wonder whether you will  ever retire.   Violence is the stock market, stolen pensions and shares.  Violence is to be obliged to take on a mortgage which you end up  repaying double  Violence is the managerial right of an employer to dismiss you of your  duties any time he or she likes.  Violence is unemployment, precarity, 700 Euros salary.  Violence is "accidents" in the work place, because bosses reduce their  costs against the security of their employees.  Violence is being on prozak and vitamins in order to cope with overtime.   Violence is to be an immigrant, to live in fear that you are likely to  be deported any time and experience a constant insecurity.  Violence is to be a housewife, a wage labourer and a mother at the same  time.  Violence is to be sexually harassed at work and being told: "Smile, we  are not asking you for much are we".  The uprising of school children, students, unemployed the workers on  temporary contracts and the immigrants broke through the violence of  normality. This uprising must not stop! Syndicalists, political parties,  priests, journalists and businessmen are determined to maintain the  type of violence in which we refer to above.  It is not just them; we are also responsible for the indefinite  continuation of the situation descried above. This uprising has opened a  space for communication where we can finally express ourselves freely.  We therefore decided to occupy the town hall of Agios Dimitrios and the  call for a popular assembly, open to everyone  An open space for dialogue and communication, to break through the  silence, to take over our lives!   Occupation of Agios Dimitrios town hall- Athens, Greece&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Quebec National Assembly Endorses Community Television&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; MOTION  UNANIME ÇA Y EST, C&amp;#39;EST FAIT! Ça y est, c&amp;#39;est fait! à 15 h 27 min., la  motion sans préavis suivante a été adoptée à l&amp;#39;unanimité (avec  consentement de tous les groupes parlementaires) : « Que l&amp;#39;...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div style="clear: both; text-align: center;"&gt; MOTION UNANIME ÇA Y EST, C&amp;#39;EST FAIT!&lt;a href="http://4.bp.blogspot.com/_WCLTR16x47k/S8-uglJQuHI/AAAAAAAADI8/KZvv0qK2VpU/s1600/mtl-natass-cp-1221.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://4.bp.blogspot.com/_WCLTR16x47k/S8-uglJQuHI/AAAAAAAADI8/KZvv0qK2VpU/s320/mtl-natass-cp-1221.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt;  Ça y est, c&amp;#39;est fait! à 15 h 27 min., la motion sans préavis suivante a  été adoptée à l&amp;#39;unanimité (avec consentement de tous les groupes  parlementaires) : « Que l&amp;#39;Assemblée nationale reconnaît le rôle fondamental que joue    les télévisions communautaires autonomes dans l&amp;#39;implication des    différentes collectivités au niveau de la programmation    télévisuelle. Elle invite le Conseil de la radiodiffusion et des    télécommunications canadiennes à trouver une solution qui    permettrait de rééquilibrer le financement de la programmation    d&amp;#39;accès communautaire afin de garantir l&amp;#39;expression citoyenne. » Motion unanime adoptée le 20 avril 2010, par les représentants de tous  les groupes parlementaires Bonne fin de journée! Gérald Francine Beaulieu, directrice Fédération des TVC autonomes du Qc Web:  &lt;a href="http://www.fedetvc.qc.ca"&gt;www.fedetvc.qc.ca&lt;/a&gt;  Translation: &amp;quot;The Quebec National Assembly passed an all-party unanimous vote in  support the &amp;quot;fundamental role that independent community television  plays for communities and for television.  The Assembly invites the CRTC  to find a solution that would rebalance financing for community TV in  favour of access by the community and citizen expression.&amp;quot;  Unanimous vote of support for autonomous community television at the  legislative assembly of Quebec. ALL POLITICAL PARTYS IN FAVOR! April 20, 2010&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/red-pushpin.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Niger Radio Station Head Taken to Prison&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Moussa  Kaka Taken to Niamey Prison Without Explanation Reporters sans  Frontières (Paris) PRESS RELEASE Reporters Without Borders today  condemned the transfer of radio station head Moussa Kaka to Niame...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt; Moussa Kaka Taken to Niamey Prison Without Explanation    Reporters sans Frontières (Paris)   PRESS RELEASE &lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/RwFDZSk2uEI/AAAAAAAAA3s/_X5gSe4GmFo/s1600-h/niger_map220.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center;" src="http://3.bp.blogspot.com/_WCLTR16x47k/RwFDZSk2uEI/AAAAAAAAA3s/_X5gSe4GmFo/s400/niger_map220.jpg" border="0"&gt;&lt;/a&gt;Reporters  Without Borders today condemned the transfer of radio station head  Moussa Kaka to Niamey prison after a prolonged period in custody without  being taken before the prosecutor or being given any explanation, as  demanded under law.  Kaka, of privately-owned Radio Saraouniya, and  correspondent in Niger for Radio France Internationale (RFI) and  Reporters Without Borders, was moved to prison on 24 September, four  days after his arrest.&lt;a href="http://1.bp.blogspot.com/_WCLTR16x47k/RwFDFyk2uDI/AAAAAAAAA3k/DN-_hBDtPU8/s1600-h/arton5781.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center;" src="http://1.bp.blogspot.com/_WCLTR16x47k/RwFDFyk2uDI/AAAAAAAAA3k/DN-_hBDtPU8/s400/arton5781.jpg" border="0"&gt;&lt;/a&gt;&amp;quot;It  is astonishingly lax to arrest one of the country&amp;#39;s most prominent  journalists without producing any serious proof and flouting the law. In  such a serious case, it is beyond belief that the Nigerian authorities  should show such contempt. It gives legitimate reason to question the  credibility of the procedure which led to Moussa Kama being sent to  prison,&amp;quot; the worldwide press freedom organisation said.  The journalist  was held in custody for a four-day period which expired at 6pm on 24  September without ever being formally charged.  The only indication of what the journalist is accused of came from the  prosecutor general of the Niamey appeal court, Adama Harouna, who said  on 21 September that he faced proceedings for &amp;quot;violating state  security&amp;quot;, because of his alleged links with the Tuareg rebellion of the  Niger Movement for Justice (MNJ). His lawyer, Mr Coulibaly said that he  should be taken before the prosecutor&amp;#39;s office during 25 September.  In a statement released yesterday, RFI voiced its &amp;quot;very serious concern  about the fate of our correspondent&amp;quot;. &amp;quot;In the absence of precise facts  setting out the details of the accusations against our correspondent,  RFI questions the exact reasons which led the authorities in Niger to  arrest and then imprison a journalist, well known for his  professionalism and independence,&amp;quot; it said.  Reporters Without Borders defends imprisoned journalists and press  freedom throughout the world. It has nine national sections (Austria,  Belgium, Canada, France, Germany, Italy, Spain, Sweden and Switzerland).  It has representatives in Bangkok, London, New York, Tokyo and  Washington. And it has more than 120 correspondents worldwide.  RELEASE!! Niger journalists free - for now  Niamey - Police in Niger have released two journalists held for  allegedly defaming the country&amp;#39;s finance minister but they still face  prosecution, a press association said on Friday.  &amp;quot;They have been freed but the prosecutor has notified them that legal  procedures will follow their normal course,&amp;quot; Boubacar Diallo of the  Association of Independent Press Editors told AFP.  Soumana Maiga, founder of the biweekly L&amp;#39;Enqueteur, was detained  Wednesday, while Ibrahim Souley, the publication&amp;#39;s director, was briefly  detained last Thursday before being held again for questioning five  days later.  L&amp;#39;Enqueteur published a series of articles last month that included  allegations that Finance Minister Ali Lamine Zeine had been involved in  embezzlement and favouritism in ministry appointments.  Two other journalists are also being held in Niger.  Moussa Kaka, Radio France Internationale&amp;#39;s correspondent in the country,  has been detained since September 26, while Ibrahim Manzo Diallo,  director of the biweekly Air-Info, has been held since October 9.  They face charges over alleged links to a Tuareg rebel group active in  the country&amp;#39;s north.  Prosecutors at Agadez, in the north of the country, questioned Manzo  Diallo for the first time on Friday, grilling him for three hours in the  presence of his lawyer Moussa Coulibaly, who also represents Kaka. 25  September 2007&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/red-pushpin.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;AMARC&amp;#39;s Response to Chilean Earthquake&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; (Image  from indymedia chile which is providing very good coverage) AMARC  expresa su solidaridad con los damnificados del terremoto en Chile *  Montréal, 1 de marzo de 2010. AMARC, la Asociación Mundial...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;span style="font-family: Helvetica;"&gt;&lt;/span&gt; &lt;span style="font-family: Helvetica;"&gt;&lt;/span&gt; &lt;span style="font-family: Helvetica;"&gt;&lt;/span&gt; &lt;span style="font-family: Helvetica;"&gt;&lt;div style="clear: both; text-align: center;"&gt; &lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/S4yTUOXw79I/AAAAAAAADAU/LVuHnlZQqO8/s1600-h/1.jpg2ubr6k.jpgmid.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://3.bp.blogspot.com/_WCLTR16x47k/S4yTUOXw79I/AAAAAAAADAU/LVuHnlZQqO8/s320/1.jpg2ubr6k.jpgmid.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt;  &lt;div&gt; (&lt;i&gt;Image from indymedia chile which is providing very good coverage)&lt;/i&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family: Helvetica;"&gt;AMARC expresa su solidaridad con los damnificados del terremoto en Chile * Montréal, 1 de marzo de 2010. AMARC, la Asociación Mundial de Radios Comunitarias, expresa su solidaridad con el pueblo chileno y sus condolencias a quienes han perdido familiares y amigos en el terremoto del 27 de febrero de 2010. Steve Buckley, Presidente de AMARC, dijo: &amp;quot;Estamos impactados al escuchar noticias de otro terremoto devastador en las Américas. Estamos alertas para ayudar a como dé lugar.&amp;quot;  La oficina regional de AMARC América Latina y el caribe (AMARC-LAC) coordina la respuesta internacional de AMARC, trabajando con el representante de país y los miembros de AMARC en Chile. Chile tiene una extensa red de radios comunitarias en todo el país, muchas de las cuales son miembros de AMARC. La mayoría de las radios siguen transmitiendo noticias y consejos.  Maria Pia Matta de Radio Tierra, Santiago, y Vice Presidente of AMARC para la region de América Latina y el caribe, informó que la destrucción es mayor en Sur del País. La situación mas grave es en Concepción, también en Isla Juan Fernandez, pero sobre todo en la región del Maule. Radio Tierra está en ondas en Santiago y transmitiendo puestas al día en FM y en el Internet.   Natacha Gomez Barahona de La Radioneta y Representante nacional de AMARC, informó que las radios comunitarias en Valparaíso y sus alrededores no han sido afectadas gravemente pero la inestabilidad del suministro de electricidad limita Country Representative, reported that community radios in Valparaiso and the surrounding regiosus capaciudades de entregar noticias y comunicaciones.  La principal prioridad para AMARC-ALC y del sector de las radios comunitarias en Chile, es de evaluar la situación de las radios y de sus empleados en las regions más afectadas - Maule y Biobio. Ha sido difícil obtener información apropiada debido al colapso de la infraestructira eléctrica yde comunicaciones. Algunas de las comunidades más afectadas también están en áreas aisladas y de difícil acceso. AMARC esta preparada para movilizar solidaridad práctica y asistencia donde sea más necesaria.  -30-  Para mayores informaciones:  Punto Focal Internacional Ernesto Lamas, Coordinador Regional AMARC-América Latina y el caribe Email: &lt;a href="mailto:elamas@rcc.com.ar"&gt;elamas@rcc.com.ar&lt;/a&gt; &lt;a href="mailto:elamas@rcc.com.ar"&gt;elamas@rcc.com.ar&lt;/a&gt;&amp;gt; Tel: +54 1148673806 / +54 1148657554  Punto focal de País Representante nacional de AMARC - Chile Natacha Gomez Barahona, Director La Radioneta 88.9fm Valparaiso Email: &lt;a href="mailto:info@laradioneta.cl"&gt;info@laradioneta.cl&lt;/a&gt; &lt;a href="mailto:info@laradioneta.cl"&gt;info@laradioneta.cl&lt;/a&gt;&amp;gt; Tel: +56 93440988 &lt;a href="http://www.laradioneta.cl/"&gt;http://www.laradioneta.cl&lt;/a&gt; &amp;lt;&lt;a href="http://www.laradioneta.cl/"&gt;http://www.laradioneta.cl/&lt;/a&gt;&amp;gt;  Otros contactos Maria Pia Matta, Vice presidente de AMARC Radio Tierra, Santiago de Chile Email: &lt;a href="mailto:mattacerna@gmail.com"&gt;mattacerna@gmail.com&lt;/a&gt; &lt;a href="mailto:mattacerna@gmail.com"&gt;mattacerna@gmail.com&lt;/a&gt;&amp;gt; &lt;a href="http://www.radiotierra.cl/"&gt;http://www.radiotierra.cl/&lt;/a&gt;  Marcelo Solervicens, Secretario General AMARC Internacional Email: &lt;a href="mailto:secgen@si.amarc.org"&gt;secgen@si.amarc.org&lt;/a&gt; &lt;a href="mailto:secgen@si.amarc.org"&gt;secgen@si.amarc.org&lt;/a&gt;&amp;gt; &lt;a href="http://www.amarc.org/"&gt;http://www.amarc.org&lt;/a&gt;  L'AMARC exprime sa solidarité envers les victimes du tremblement de terre au Chili  Montréal, le 1 mars, 2010. L'association mondiale des radiodiffuseurs communautaires (AMARC) exprime sa solidarité avec le peuple chilien de même que ses condoléances envers toutes et tous ceux qui ont perdu des parents et des amis lors du remblement de terre du 27 février 2010. Steve Buckley le président de l'AMARC a dit : « nous sommes en état de choc devant les nouvelles sur un autre tremblement de terre desvastateur dans les Amériques. Nous sommes prêts pour venir en aide au besoin ».  Le bureau régional de l'Amérique latine et les Caraïbes (AMARC-ALC) est en train de coordonner la réponse internationale de l'AMARC, tout en travaillant avec le représentant national et les membres de l'AMARC au Chili. Le Chili a un réseau élargi de radios communautaires partout dans le pays, la plupart d'entre elles sont des membres de l'AMARC. La majorité des radios sont en train de diffuser des nouvelles et des avis.   Maria Pia Matta de Radio Tierra à Santiago, et Vice-présidente de l'AMARC pour l'Amérique latine et les Caraïbes, a informée que la destruction la plus important se trouve dans le Sud du pays. La situation la plus serieuse est à Conception, également dans l'île Juan Fernandez, mais surtout dans la région du Maule. Radio Tierra est en ondes à Santiago et diffuse des mise à jour en FM et sur l'Internet.   Natacha Gomez Barahona de La Radioneta et représentante nationale de l'AMARC, a reporté que les radios communautaires à Valparaiso fonctionnent, mais qu'elles souffrent d'un accès defaillant à l'électricité ce qui rend difficile la diffusuoin de nouvelles et les communications.  La priorité de l'AMARC-ALC et du secteur des radios communautaires est de faire tout d'abord une évaluation de la situation des radios et de leurs employés dans les régions les plus affectées - Maule et Biobio. Il a été très difficile jusqu'à maintenant obtenir des informations appropriées, suite à l'effondrement de l'infrastructure de communication et de l'électricité. De surcroit les communautés les plus affectées se trouvent dans des zones isolées et d'accès difficile. L'AMARC est prête à venir en aide au besoin.   -30-  Pour de plus amples informations:  Point focal international Ernesto Lamas, Coordonnateur régional AMARC-Amérique latine et les Caraïbes Email: &lt;a href="mailto:elamas@rcc.com.ar"&gt;elamas@rcc.com.ar&lt;/a&gt; &lt;a href="mailto:elamas@rcc.com.ar"&gt;elamas@rcc.com.ar&lt;/a&gt;&amp;gt; Tel: +54 1148673806 / +54 1148657554  Point focal au pays Représentante nationale de L'AMARC au Chili Natacha Gomez Barahona, Director La Radioneta 88.9fm Valparaiso Email: &lt;a href="mailto:info@laradioneta.cl"&gt;info@laradioneta.cl&lt;/a&gt; &lt;a href="mailto:info@laradioneta.cl"&gt;info@laradioneta.cl&lt;/a&gt;&amp;gt; Tel: +56 93440988 &lt;a href="http://www.laradioneta.cl/"&gt;http://www.laradioneta.cl&lt;/a&gt; &amp;lt;&lt;a href="http://www.laradioneta.cl/"&gt;http://www.laradioneta.cl/&lt;/a&gt;&amp;gt;  Autres contacts Maria Pia Matta, Vice-présidente de l'AMARC Radio Tierra, Santiago de Chile Email: &lt;a href="mailto:mattacerna@gmail.com"&gt;mattacerna@gmail.com&lt;/a&gt; &lt;a href="mailto:mattacerna@gmail.com"&gt;mattacerna@gmail.com&lt;/a&gt;&amp;gt; &lt;a href="http://www.radiotierra.cl/"&gt;http://www.radiotierra.cl/&lt;/a&gt;  Marcelo Solervicens, Secrétaire général AMARC International Email: &lt;a href="mailto:secgen@si.amarc.org"&gt;secgen@si.amarc.org&lt;/a&gt; &lt;a href="mailto:secgen@si.amarc.org"&gt;secgen@si.amarc.org&lt;/a&gt;&amp;gt; &lt;a href="http://www.amarc.org/"&gt;http://www.amarc.org&lt;/a&gt;  _______________________________________________ Amarc-info mailing list &lt;a href="mailto:Amarc-info@lists.amarc.org"&gt;Amarc-info@lists.amarc.org&lt;/a&gt; &lt;a href="http://lists.amarc.org/mailman/listinfo/amarc-info"&gt;http://lists.amarc.org/mailman/listinfo/amarc-info&lt;/a&gt;&lt;/span&gt; &lt;div&gt; &lt;span style="font-family: Helvetica;"&gt; &lt;/span&gt;&lt;/div&gt; &lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Luis Ramiro Beltran: Participacio Ciudadana&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; PARTICIPACIÓN  CIUDADANA Y ACCESO A LA INFORMACIÓN Luis Ramiro Beltrán S. SEMINARIO  SOBRE MEDIOS, POLÍTICA Y CREACIÓN DE CIUDADANÍA La práctica de la  comunicación democrática se inició precursoramente ...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;a href="http://4.bp.blogspot.com/_WCLTR16x47k/SAJxZm7ZlrI/AAAAAAAABLo/G_VAGjl0bTM/s1600-h/beltran.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center;" src="http://4.bp.blogspot.com/_WCLTR16x47k/SAJxZm7ZlrI/AAAAAAAABLo/G_VAGjl0bTM/s400/beltran.jpg" border="0"&gt;&lt;/a&gt; PARTICIPACIÓN CIUDADANA Y ACCESO A LA INFORMACIÓN Luis Ramiro Beltrán S. SEMINARIO SOBRE MEDIOS, POLÍTICA Y CREACIÓN DE CIUDADANÍA La práctica de la comunicación democrática se inició precursoramente en  América Latina hace sesenta años y lo hizo valiéndose primordialmente de  la radio, el medio de mayor accesibilidad al pueblo raso. Comenzó  simultáneamente en el último tercio de la década de 1940 en dos de los  países andinos. En Bolivia trabajadores mineros sindicalizados aportaron  cuotas de sus míseros salarios para establecer pequeñas emisoras  autogestionarias y ampliamente participativas mediante la estrategia del  "micrófono abierto" a todos los ciudadanos. Para fines de las década de  1950 habían llegado a conformar una red de 33 estaciones, varias de las  cuales sufrirían después represión gubernamental. En Colombia, un  sacerdote católico fundó en el villorrio rural de Sutatenza una modesta  emisora que, sin embargo, basada en la estrategia de "escuela  radiofónica" iría a dar origen a Acción Cultural Popular (ACPO), una red  nacional de ocho potentes emisoras apuntaladas por dos institutos de  capacitación de líderes campesinos, un centro de producción de  materiales de enseñanza y un periódico rural. ACPO inspiró, además, la  creación de la dinámica y hoy vigente aun Asociación Latinoamericana de  Educación Radiofónica (ALER). Más tarde, México, Guatemala, Nicaragua y República Dominicana, así como  Perú y Ecuador – con sus "cabinas radiofónicas" – sobresalieron entre  los países que también apelaron a la radio para hacer comunicación  popular y educativa comprometida con el cambio social. México y El  Salvador se distinguieron en hacer lo mismo por televisión, Bolivia  forjó un "cine junto al pueblo" y surgió en Uruguay la estrategia de  "casete foro rural" a la par que en Perú se construía en la Villa El  Salvador, populosa barriada de Lima, una singular experiencia  comunitaria de comunicación por múltiples medios y nacía en Brasil, en  desafío a las dictaduras militares, la prensa "nanica". Por último, en  los quince años recientes, desde México hasta Chile y Argentina, se ha  desarrollado vigorosamente con millares de emisoras el movimiento de las  radios comunitarias que es a menudo reprimido con dureza por organismos  gubernamentales. Y a lo largo de muchos años Radio Nederland ha  brindado eficaz apoyo a esa insurgencia democratizante de la  comunicación.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Mavic Cabrera Balleza on Community Media&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; WOMEN  IN COMMUNITY RADIO: OPPORTUNITIES AND CHALLENGES (summary from a panel  presented in Geneva 2003 as part of WSIS) Community media is an attempt  to counter power. It is devoid of profit orientatio...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;WOMEN IN COMMUNITY RADIO: &lt;br&gt;OPPORTUNITIES AND CHALLENGES&lt;br&gt;(summary from a panel presented in Geneva 2003 as part of WSIS)&lt;br&gt; Community  media is an attempt to counter power. It is devoid of profit  orientation and wants only to provide the means for cultural expression.  It supplies news and information at the community level. The viewing of  media as a powerful media of social change lies at the heart of  discussions on media. Feminist activists are drawn closer to community  media: if media structures ensure a fair representation of media, it can  make a dramatic difference in the way women are viewed and therefore  have a powerful role to change women's status. Since it is not driven by  profit, it is not driven by the same objectives of others in the for  profit area. What is considered important in this medium is to share key  information relevant to their community. It also provides opportunity  to women without formal education to voice their opinions. It therefore  provides balance to for profit media. &lt;br&gt;We have many examples of the  uses of community radio. Europe used pirated radio for women [radio  Donna in Rome is an example]. These were early experiments of radio.  Abortion for example was raised by women radio pirates. They all found  legitimate space on community radio.    Amidst exuberance of women's  access to it, we need to examine some things to ensure community radio  functions properly. &lt;br&gt;How are women defined, depreciated and excluded  within community radios? In the Philippines we have the Tamboli project  supported by UNESCO and Danida, but we have experiences in a radio  station in sourthern Philippines where elected officials are actually  doing programming in the community radio with a few women. Same in  Thailand. Those who have government connections have access to community  media. There is also gender stereotyping among the broadcasters. Women  are assigned issues of family, but economy and politics are by male  broadcasters. Women are not given opportunity to experiment with the  technology and skills. There are numerous examples of programs with  sexist and racist and classist radio programming. We take action at  &amp;lt;a href=&amp;quot;&lt;a href="http://www.isiswomen.org/"&gt;http://www.isiswomen.org/&lt;/a&gt;&amp;quot;&amp;gt;ISIS&amp;lt;/a&amp;gt; to address the  issues addressed above. We do training with women community radio  broadcasters.  &lt;br&gt;(Mavic Cabrera Balleza worked with ISIS during the  Geneva WSIS in 2003.  She is now Senior Program Associate at the &amp;lt;a  href=&amp;quot;&lt;a href="http://www.iwtc.org/"&gt;http://www.iwtc.org/&lt;/a&gt;&amp;quot;&amp;gt;International Women&amp;#39;s Tribune  Centre&amp;lt;/a&amp;gt; in NYC.)&lt;br&gt;&amp;lt;a  href=&amp;quot;&lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/RovXpOSFTJI/AAAAAAAAAf8/pDgCN4coajs/s1600-h/nepal_radio400px.jpg"&gt;http://3.bp.blogspot.com/_WCLTR16x47k/RovXpOSFTJI/AAAAAAAAAf8/pDgCN4coajs/s1600-h/nepal_radio400px.jpg&lt;/a&gt;&amp;quot;&amp;gt;&amp;lt;img  alt=&amp;quot;&amp;quot; border=&amp;quot;0&amp;quot; id=&amp;quot;BLOGGER_PHOTO_ID_5083393707626286226&amp;quot;  src=&amp;quot;&lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/RovXpOSFTJI/AAAAAAAAAf8/pDgCN4coajs/s400/nepal_radio400px.jpg"&gt;http://3.bp.blogspot.com/_WCLTR16x47k/RovXpOSFTJI/AAAAAAAAAf8/pDgCN4coajs/s400/nepal_radio400px.jpg&lt;/a&gt;&amp;quot;  style=&amp;quot;cursor: hand; cursor: pointer; display: block; margin: 0px auto  10px; text-align: center;&amp;quot; /&amp;gt;&amp;lt;/a&amp;gt;Community Radio in Nepal&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Report from Our Media Meeting in Ghana&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; We,  academics, activists, artists and practitioners from 42 countries in  six continents of the world, gathered at the OURMedia 7 conference in  Accra, Ghana, from 11 to15 August 2008. We shared our wor...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;a href="http://4.bp.blogspot.com/_WCLTR16x47k/SLg1f-S6oeI/AAAAAAAABWc/bLrTmecG7uI/s1600-h/image_preview.jpeg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center;" src="http://4.bp.blogspot.com/_WCLTR16x47k/SLg1f-S6oeI/AAAAAAAABWc/bLrTmecG7uI/s400/image_preview.jpeg" border="0"&gt;&lt;/a&gt; We, &lt;a href="http://ourmedianetwork.org/?q=node/120"&gt;academics, activists, artists and practitioners&lt;/a&gt; from 42 countries in six continents of the world, gathered at the &lt;span style="font-weight: bold;"&gt;OURMedia 7 conference in Accra, Ghana&lt;/span&gt;,  from 11 to15 August 2008.  We shared our work and pursued our ongoing  dialogue on the achievements and challenges of our communities around  the theme of &lt;span style="font-weight: bold;"&gt;&amp;quot;Identity, Inclusion and Innovation - Alternative Communication in a Globalized World.&amp;quot;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt; OURMedia is an open, decentralized and non-hierarchical network created  with the goal of bridging gaps and facilitating dialogue and  collaboration among people like ourselves and the communities whose  voices and experiences we seek to project.  OURMedia 7 was the first  time the network met in Africa since it was founded in 2001, the  previous six conferences having been held in Washington, D.C.., USA;  Barcelona, Spain; Barranquilla, Colombia; Porto Alegre, Brazil;  Bangalore, India; and Sydney, Australia. Together at OURMedia 7, we constructed a conference that strove to be in  itself a mirror of alternative communication, not only reflecting  through its content but also living out through its process the values  of identity, inclusion and innovation. OURMedia 7 highlighted the three sub-themes of Identity, Inclusion and  Innovation as key dimensions of alternative communication in, for and  towards an alternative world. The three sub-themes may be regarded as  different faces of marginalization in a world where expression is  becoming increasingly uniform, majorities are being excluded, and even  exploited, and certain kinds of knowledge and experience are presented  as having more value than others. At the same time, the assertion of  identity, inclusion and innovation are the very sources of strength to  overcome homogenization, exclusion and relegation.&lt;a href="http://1.bp.blogspot.com/_WCLTR16x47k/SLi71WcBmwI/AAAAAAAABWs/qkbP0JBjndk/s1600-h/radioadainterviews.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center;" src="http://1.bp.blogspot.com/_WCLTR16x47k/SLi71WcBmwI/AAAAAAAABWs/qkbP0JBjndk/s400/radioadainterviews.jpg" border="0"&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt;Interviewing for Radio Ada. Photo by Alfonso Gumucio Dagron&lt;/span&gt; From the moment OURMedia 7 began and especially its opening invocation -  a profound mix of poetry, oratory, song, drum and poignant bamboo flute  (the atenteben) - we came to better understand and appreciate a world  view overlooked or deliberately cast aside in a globalized world.  A  world view interconnected across time, rich in symbolism of image,  rhythm and cadence, movement and flow, speech and silence.  We were  renewed and deepened by what we found.  We realized even more how  impoverished the globalized world being constructed by a few – with its  packaged assumptions, assembly-line media and sound bites - has become. We discussed vivid accounts of solid academic research, conscientious  practice, or both, on alternative communication initiatives.  These  initiatives spanned the various parts of the world that we came from,  from China to Australia to Turkey to Spain to Argentina to Guyana, to  name only a few, and, of course, Africa.  They covered a tremendous  diversity, ranging from traditional media to new information and  communication technologies: for example, indigenous symbols, street art,  community theatre, community radio, film, and current new online media  such as YouTube.    The accounts were often in the context of the different ways communities  are violated – by endemic poverty, by the neglect of the state, by the  outright or insidious take-over of corporate interests, by the  indifference or sensationalism of the mainstream media, by armed  conflict brought about by a combination of these and other factors.  In  every case, more powerful were the stories of how alternative  communication, by enabling people to take control of the primary act of  communication, defy even seemingly insurmountable obstacles to preserve  and enrich what matters most to them as communities.   In every case,  what mattered was not the technology but the extent to which people, and  especially those traditionally excluded, had equitable access to create  through communication.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Telestreet: Italy&amp;#39;s Low Power Television&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; The Italian Radio Jacking Movement is commented on by Bifo of Radio Alice.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;The Italian Radio Jacking Movement is commented on by Bifo of Radio Alice. &lt;/div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Durban Sings is an oral history project&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; DURBAN  SINGS an open platform for contributions and re-mixes from other  listeners, and a trajectory of joining hemispheres via audio  correspondence between listeners: building on a listening bridge be...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/SwbIJ5SfcbI/AAAAAAAACoU/Sn9nPsAtCKY/s1600/durban20sings20call20for20participation20poster20final20style2012.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center; width: 352px;" src="http://3.bp.blogspot.com/_WCLTR16x47k/SwbIJ5SfcbI/AAAAAAAACoU/Sn9nPsAtCKY/s400/durban20sings20call20for20participation20poster20final20style2012.jpg" border="0"&gt;&lt;/a&gt;&lt;a href="http://durbansings.wordpress.com/about/"&gt;DURBAN SINGS&lt;/a&gt;   an open platform for contributions and re-mixes from other listeners,  and a trajectory of joining hemispheres via audio correspondence between  listeners: building on a listening bridge between 'grass-roots'  organisation of community, artists and activist groups of the Southern  and Northern hemispheres.  "Its oral history aspect is about reclaiming the re-membering of our  condition. (us = Azanians) and sharing this with global audience: the  attempt in advancing an African theory of history."                    (Motho)  Throughout history it has been the inaction of those who could have  acted, the indifference of those who should have known better, the  silence of the voice of justice when it mattered most, that has made it  possible for evil to triumph Haile Selassie (His Imperial Majesty, 1892)  We tend to privilege experience itself, as if black life is lived  experience outside of representation. . . . Instead, it is only through  the way in which we represent and imagine ourselves that we come to know  how we are constituted and who we are." Stuart Hall. ("What Is This  'Black'" 30) &lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/SwbJm86L2gI/AAAAAAAACok/Ev8kLqbDRKc/s1600/registration_desk_x4836.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center; width: 400px;" src="http://3.bp.blogspot.com/_WCLTR16x47k/SwbJm86L2gI/AAAAAAAACok/Ev8kLqbDRKc/s400/registration_desk_x4836.jpg" border="0"&gt;&lt;/a&gt; In the telling and retelling of their stories/ They create communities  of memory/ History, despite it's wrenching pain, Cannot be unlived, and  if faced /With courage, need not be lived again. (Maya Angelou)&lt;a href="http://2.bp.blogspot.com/_WCLTR16x47k/SwbJio5jrLI/AAAAAAAACoc/HKEVWQnZXZY/s1600/marriannridge_poets_x4814.jpg"&gt;&lt;img alt="" style="display: block; margin: 0px auto 10px; text-align: center; width: 400px;" src="http://2.bp.blogspot.com/_WCLTR16x47k/SwbJio5jrLI/AAAAAAAACoc/HKEVWQnZXZY/s400/marriannridge_poets_x4814.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Youth in Cameroon learn video reporting&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Broadcasting  organization Yde Cameroon first participate in the ICDB in 2007. Alex  Korna, President of the Youth TV Association at Yde Cameroon, recently  wrote: We organised workshops for secondary sc...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;img&gt;Broadcasting  organization Yde Cameroon first participate in the ICDB in 2007. Alex  Korna, President of the Youth TV Association at Yde Cameroon, recently  wrote: We organised workshops for secondary school students, working with the  news clubs to teach video reporting.  At the end the students produced  two video reports. I hope our national television will show the youth  video reports in their live program which is called Tam Tam Weekend.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/homegardenbusiness.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;The Sanctuary for Independent Media: Jeremy Scahill&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; The importance of independent media.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;The importance of independent media.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Lauren Glenn Davidian Explains Public Access&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Iraqi  visitors to Channel 17, Burlington, VT learn about PEG. VermontCouncil —  April 26, 2010 — Each year the Vermont Council on World Affairs hosts  well over 100 international visitors coming to the ...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Iraqi visitors to Channel 17, Burlington, VT learn about PEG. &lt;div&gt;&lt;font size="3" face="Arial, Helvetica, sans-serif"&gt;&lt;span style="font-size: 12px;"&gt;&lt;b&gt;&lt;br&gt; &lt;/b&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-family: Arial,Helvetica,sans-serif; font-size: 12px;"&gt;&lt;strong style="margin: 0px; padding: 0px; border-width: 0px; outline-width: 0px; font-size: 12px; background-color: transparent;"&gt;&lt;a style="margin: 0px; padding: 0px; border-width: 0px; outline-width: 0px; font-size: 12px; background-color: transparent; color: rgb(0, 51, 204); text-decoration: underline;" href="http://www.youtube.com/user/VermontCouncil"&gt;VermontCouncil&lt;/a&gt;&lt;/strong&gt; &lt;span style="margin: 0px; padding: 0px; border-width: 0px; outline-width: 0px; font-size: 12px; background-color: transparent;"&gt;—&lt;/span&gt; &lt;span style="margin: 0px; padding: 0px; border-width: 0px; outline-width: 0px; font-size: 12px; background-color: transparent; color: rgb(153, 153, 153);"&gt;April 26, 2010&lt;/span&gt; — &lt;span style="margin: 0px; padding: 0px; border-width: 0px; outline-width: 0px; font-size: 12px; background-color: transparent;"&gt;Each  year the Vermont Council on World Affairs hosts well over 100  international visitors coming to the area under the auspices of the  International Visitor Leadership Program (IVLP). The IVLP is the U.S.  Department of State&amp;#39;s premier professional exchange program bringing  emerging and upcoming leaders across all sectors to experience the  United States firsthand while completing carefully designed programs  that reflect their professional interests and U.S. foreign policy goals.&lt;br&gt;&lt;br&gt;   In this short video, Lauren Davitian speaks with the delegation about  the history of the Center for Media and Democracy and its various  functions. More information on the IVLP:&lt;br&gt;&lt;a href="http://exchanges.state.gov/ivlp/ivlp.html" style="margin: 0px; padding: 0px; border-width: 0px; outline-width: 0px; font-size: 12px; background-color: transparent; color: rgb(0, 51, 204); text-decoration: none;" title="http://exchanges.state.gov/ivlp/ivlp.html" rel="nofollow" dir="ltr"&gt;http://exchanges.state.gov/ivlp/ivlp....&lt;/a&gt;&lt;br&gt; &lt;br&gt;This  IVLP group was in Vermont from march 28-31, 2010 for a program called,  &amp;quot;Grassroots Civic Engagement.&amp;quot; These delegates were visiting from Iraq  where they members of numerous NGOs and officials in various  municipalities, respectively.&lt;br&gt;&lt;br&gt;Our second day of programming in  Vermont was spent at the Center for Media and democracy. While there  they were given a tour of the facilities, which was followed by a  meeting with Lauren-Glenn Davitian.After the meeting the delegates were  interviewed on channel 17 by Nick Carter.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/rangerstation.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Video Workshop with Kitikmeot Youth in the Arctic Circle&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; During this intensive workshop, youth did photography and film.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;During this intensive workshop, youth did photography and film. &lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/arts.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt; &lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Aboriginal dances from Lockhart River&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;A  traditional story is enacted by a large dance group from Lockhart  River, in the north of Cape York. It depicts the abduction of a young  boy from a group of sleeping children by a spirit man. His mot...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;  &lt;div dir="ltr"&gt; A traditional story is enacted by a large dance group from Lockhart River, in the north of Cape York.  It depicts the abduction of a young boy from a group of sleeping  children by a spirit man. His mother discovers her child missing, people  cry and a group of warriors is dispatched to retrieve the boy. The boy  is rescued and his abductor is speared to death. This was performed at  the 2009 Laura Aboriginal Dance Festival, Cape York, in Far North  Queensland, Australia (&lt;a href="http://www.laurafestival.tv"&gt;www.laurafestival.tv&lt;/a&gt;).&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/red-pushpin.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Voices from Lockhart River&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Indigenous  people from Lockhart River in Cape York, Australia, speak out about  their worries with the &amp;#39;&amp;#39;Wild Rivers&amp;#39;&amp;#39; legislation by the Queensland  government being foisted on them without their conse...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Indigenous  people from Lockhart River in Cape York, Australia, speak out about  their worries with the &amp;#39;&amp;#39;Wild Rivers&amp;#39;&amp;#39; legislation by the Queensland  government being foisted on them without their consent.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;KCRW saves vinyl in a server&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; working with Reclaim Media.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;working with Reclaim Media. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Jonathan Lawson on Media Justice and Media Literacy&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; This video is part of the sixth episode of the media literacy series called &amp;quot;Critical Focus.&amp;quot;&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt; This video is part of the sixth episode of the media literacy series called &amp;quot;Critical Focus.&amp;quot;&lt;/div&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt; &lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Being &amp;quot;Illeagle:&amp;quot; Jeremy Lansman&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Lorenzo  Milam&amp;#39;s tribute to a Community Radio Pioneer: Jeremy Lansman is  hard-wired a little differently than the rest of us. When we were  building KRAB in Seattle, Lansman, Gary Margason and I were li...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;b&gt;Lorenzo Milam&lt;/b&gt;&amp;#39;s tribute to a Community Radio Pioneer: &lt;b&gt;Jeremy Lansman &lt;/b&gt;is  hard-wired a little differently than the rest of us. When we were  building KRAB in Seattle, Lansman, Gary Margason and I were living in a  houseboat on Lake Union. Jeremy had an old Hallicrafters Short Wave  receiver, and told me we could listen to some of the repeater stations  of Radio Moscow from the eastern part of Russia. However, to do so, he  said, we had to match the ground conditions of the transmitting antenna.  He did this by the simple expedient of placing the Hallicrafter&amp;#39;s  antenna in the freezer compartment of our refrigerator, and running a  wire to the receiver. Since this did not jibe with anything I had ever learned in college  physics, I had my doubts --- not only about receiving Radio Moscow but  as to whether this guy could actually do the engineering to get our  radio station on the air, as he claimed.  Well, we did get Radio Moscow that night, and --- within six months ---  KRAB was on the air.  The radio station&amp;#39;s transmitter was an antique, Collins Serial Number  Two. God knows how Lansman got it to work, but I do recall there was  some problem with the output. All our equipment shared cramped space  with the studio in an old doughnut shop on Roosevelt Hill. The rules  were that the output of the transmitter had to stay within a certain  value to not run into problems with the FCC, but --- given the ancient  condition of the equipment and the vague connections to the antenna ---  we were forever straying this way and that over the dial. Lansman solved  this problem in typical Lansman fashion: he hung a rope in the  transmitter room connected in some way to the gee-gaws on the tower. He  mounted a sign next to the rope, instructing us to pull on it if the  values went below 9.5 or above 10.25 for, the sign said, in typical  Jeremy English, any excess power is &amp;quot;I-L-L-E-A-G-L-E.&amp;quot;  God knows how pulling on what appeared to be a chapel&amp;#39;s bell-rope could  adjust the input to a four-bay antenna mounted on a telephone pole  outside the studio, but, once again, it worked. Lansman also told us to  kick the transmitter if it wouldn&amp;#39;t crank up properly when we pushed the  big red button marked &amp;quot;ON.&amp;quot;  I actually met Jeremy as a result of an ad I had placed in Broadcasting  Magazine for an engineer, stating that I wanted one &amp;quot;who was willing to  suffer nobly for a cause.&amp;quot; To my surprise, I got thirty responses, but  Jeremy was the only one to appear on our doorstep. Since he looked to be  about sixteen at the time, I had my doubts, but he claimed to have just  built an FM station in Hawaii, so I took him on provisionally.  &amp;quot;How old are you?&amp;quot; I demanded. &amp;quot;Uhn, I&amp;#39;m not sure,&amp;quot; he said. And he  wasn&amp;#39;t kidding. For one who could figure out the exact service area of a  broadcast station in millivolts per meter, and could actually make our  pre-colonial FM transmitter work, he was disturbingly vague about whole  numbers and was totally baffled by his number of years on earth. Thus I  have many doubts that the party you are giving for him tonight has any  legitimacy at all.  §     §     § Jeremy and I were often galled by some of the silly rules of the Federal  Communications Commission, not the least the requirement that, once a  week, we read on the air a notification of the Emergency Broadcast  System. He cooked up a tape which we played for several years in which  the EBS announcement was accompanied by Russian marching band and, in a  voice disturbingly similar to someone fresh off the boat from Moscow, he  read the script in heavily accented voice, &amp;quot;If Emergency occurs, you  are to tune to...&amp;quot; etc.  Lansman, also like me, could be appallingly obstreperous. In those days,  instead of firing those with whom I had any philosophical difference, I  just shipped them off to build a KRAB clone in another city. A lady by  the name of Lloyde Livingstone had been bugging me to get one started in  Portland, Oregon, so I got a construction permit --- fairly easy in  those days --- and sent Jeremy down there to put KBOO on the air. He set  up yet another ancient transmitter up in the garage of a friendly  engineer who lived on a hill in the middle of town.  One day, we got a complaint from one of the KBOO volunteers that the  station sounded a bit foggy and could Jeremy come back down and make it  work better. Lansman found that his Jerry-built transmitter --- and I  find that phrase to be quite succinct --- had, during a small seismic  disturbance, fallen flat on its face and was burbling exotic music in  the dirt of Harold Singleton&amp;#39;s musty garage.  After one of our weekly differences of opinion on the programming of  KRAB which caused Lansman to get my attention by breaking out most of  the windows in my houseboat, I banished him to St Louis to build KDNA. I  had some doubts as to his ability to get anything done without me  hectoring him, but he got the station up and running in no time at all.  It was, however, less the BBC for the Middle West (which was my ideal)  and more like the voice of Catalan Spain from the 1930s. I was concerned  that his Anarcho-Syndicalist gang there in the dying Gaslight Square  area of the city could make a go of it, but, to my surprise, it  survived, and heartily so. In fact, its noisy programming irritated the  city fathers so much that they invited Richard Nixon&amp;#39;s COINTELPRO  operatives to come to town to see what they could do to put it out of  business (we found all this out later from documents obtained from the  FBI under the Freedom of Information Act).  Not only did KDNA survive the ministrations of COINTELPRO, it succeeded  in inspiring a bevy of similar stations in such unlikely places as  Atlanta, Dallas, Cincinnati, Miami, Indianapolis, Pittsburgh and  Madison, Wisconsin. How Lansman did it was simple: he adopted,  whole-cloth, my system of banishing dissidents to other cities with a  fake letter of financial assistance and an invitation to get back in  touch with him if they had any problems. Since for most of them their  problem at KDNA was Lansman, there was little chance of their calling on  him for anything whatsoever.  At one point I dragooned Lansman into co-sponsoring a Petition for  Rulemaking to be filed with the FCC. I was concerned by the number of  fundamentalist religious groups that were staking claims on the  frequencies on the low end of the FM band, the so-called &amp;quot;educational&amp;quot;  channels. Lansman, more tolerant than I, was not interested in that as  much as he was concerned that schools and colleges were not observing  the duopoly rules, often getting two or three broadcast stations in the  same market. That was his part of the now-infamous Petition #RM-2493.  Needless to say, the rhetoric on my portion of the document garnered far  more attention than his more thoughtful one and over the years, a  mountain of petitions arrived at the FCC, begging them not to put  religious radio off the air as was rumored. I am told that some  30,000,000 letters came to the Commission before they stopped counting,  and the Post stated recently that they were still arriving --- much to  the dismay of those who work the FCC&amp;#39;s mail room.  Such was our success that I created a mythical &amp;quot;Pastor A. W. Allworthy&amp;quot;  to write a biography of the two petitioners who had created &amp;quot;The Lansman  - Milam Petition.&amp;quot; Allworthy in his book The Petition Against God  unkindly described Milam as &amp;quot;fat, almost porcine,&amp;quot; given to eating great  noisy meals and spawning an enormous number of progeny.  Lansman was treated far more kindly by the author. Due to an industrial  accident, presumably with an out-of-control transmitter, he only had one  arm &amp;quot;which, when he got excited, would ratchet up and down like a  paper-cutter.&amp;quot; Allworthy also stated that Lansman had shaved all his  hair and tattooed a large eye-ball on the upper portion of his head. He  was thus able to observe the sun the moon and the stars anytime he went  out for a walk without tripping over curbs, dogs or drunks.  After all these years, I can think of no better symbol of Lansman&amp;#39;s  ability to envision the world more clearly in so many directions at once  than this great all-seeing eye perched atop his cranium. This must be  the reason, I am sure, that he sees further, more colorfully, if not  more sanely --- than the rest of us mortals. &lt;i&gt;Jeremy started KYES in Ancorage, among numerous other transmitting  entities. Lorenzo wrote Sex and Broadcasting and started radio stations  in many places.&lt;/i&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Media Burn&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Tom  Weinberg and crew have posted hundreds of video clips from a variety of  early video collectives, including classic TVTV, the Videofreex and  Image Union. &lt;a href="http://www.mediaburn.org"&gt;www.mediaburn.org&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Tom  Weinberg and crew have posted hundreds of video clips from a variety of  early video collectives, including classic TVTV, the Videofreex and  Image Union.  &lt;a href="http://www.mediaburn.org"&gt;www.mediaburn.org&lt;/a&gt; &lt;div&gt;&lt;br&gt; &lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;The OVNI Festival in Barcelona&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/homegardenbusiness.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Entrevista con Ivan Sanjines&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Director  de Centro de Formacion y Realizacion Cinematogråfica (CEFREC) Bolivia.  habla de la importancia de medios indígenas, especialmente de la  cinematografía indígena, en el movimiento para estados ...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;Director de Centro de Formacion y Realizacion Cinematogråfica (CEFREC) Bolivia.&lt;br&gt;&lt;/div&gt;habla  de la importancia de medios indígenas, especialmente de la  cinematografía indígena, en el movimiento para estados plurinacionales.  Sr. Sanjinés visitó el departamento de Comunicaciones de la CONAIE, para  la reunión de preparaciones para el X Festival de Cine y Vídeo de los  pueblos indigenas en Quito-Ecuador entre Septiembre 26 al 11 de Octubre  de 2010.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/movies.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Marcelina  Cardenas (CEFREC- Bolivia)&amp;lt;object width=&amp;quot;480&amp;quot;  height=&amp;quot;385&amp;quot;&amp;gt;&amp;lt;param name=&amp;quot;movie&amp;quot;  value=&amp;quot;&lt;a href="http://www.youtube.com/v/N4PHInFLmE0&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;"&gt;http://www.youtube.com/v/N4PHInFLmE0&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;&lt;/a&gt;&amp;quot;&amp;gt;&amp;lt;/param&amp;gt;&amp;lt;param  name=&amp;quot;allowFullScreen&amp;quot; value=&amp;quot;true&amp;quot;&amp;gt;&amp;lt;/param&amp;gt;&amp;lt;param  name=&amp;quot;allowscriptaccess&amp;quot; value=&amp;quot;alw&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;For the People, By the People&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Our brothers at CEFREC support our indigenous brothers as social communicators.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Our brothers at CEFREC support our indigenous brothers as social communicators.&lt;/div&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt; &lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Radio Santa Catarina&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Rádio  Termal FM, 98.3, da cidade de Santo Amaro da Imperatriz, Santa  Catarina, Brasil. Página na internet &lt;a href="http://www.termalfm.com.br"&gt;www.termalfm.com.br&lt;/a&gt;, com programas  on-line.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Rádio  Termal FM, 98.3, da cidade de Santo Amaro da Imperatriz, Santa Catarina,  Brasil. Página na internet &lt;a href="http://www.termalfm.com.br"&gt;www.termalfm.com.br&lt;/a&gt;, com programas on-line.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/arts.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Acao Comunitårtia&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;TV Favela&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;The Vila Cafezal community is proud of their community television&lt;/div&gt; &lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;The Vila Cafezal community is proud of their community television &lt;div&gt;&lt;br&gt; &lt;/div&gt;&lt;div&gt;&lt;br&gt; &lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;World Social Forum Belem 2009&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; orld Social Forum 2009 Highlights Belem&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;orld Social Forum 2009 Highlights Belem&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Koori Radio, Australia&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Sydney&amp;#39;s  only Aboriginal and Torres Strait Islander full-time community radio  station and brings you a great mix of local, International and assorted  Indigenous music from around the world and across ...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;span style="font-family: Tahoma,Verdana,Arial; font-size: 12px; color: rgb(73, 86, 113);"&gt;&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span&gt;Sydney&amp;#39;s  only Aboriginal and Torres Strait Islander full-time community radio  station and brings you a great mix of local, International and assorted  Indigenous music from around the world and across Australia.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;We  play a wide variety and a renowned selection of Indigenous music,  through a great format and expanding play list. Koori Radio also brings  you live coverage of all the big events as and when they land in  Australia providing listeners with a blend of fresh new music and  emerging trend in music as the times change.&lt;/span&gt;&lt;/p&gt;&lt;div&gt;&lt;span style="font-size: 10pt;"&gt;Koori  Radio&amp;#39;s 50kW transmitter reaches beyond the Blue Mountains in the west,  the Central Coast in the north, and Wollongong in the south, providing  us with an amazing coverage of the Sydney community.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: 10pt;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: 10pt;"&gt;Live  programs are broadcast daily on air from 7am until midnight from the  Koori Radio studio. At midnight you can stay tuned to Koori Radio&amp;#39;s  overnight service, from 12midnight - 7am for a non-stop mix of more  deadly Black music.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: 10pt;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: 10pt;"&gt;93.7FM  Koori Radio 2LND, like other community broadcasters, must abide by a  number of legislative requirements and guidelines in programming content  and station operations as required under the Broadcasting Services Act.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: 10pt;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: 10pt;"&gt;We also observe the community radio codes of practice. For a copy of the codes, download here &lt;/span&gt;&lt;a href="http://www.gadigal.org.au/Images/code_flyer.pdf" style="color: rgb(73, 86, 113);"&gt;&lt;span style="font-size: 10pt;"&gt;(Code of Practice)&lt;/span&gt;&lt;/a&gt; &lt;span style="font-size: 10pt;"&gt;or call the office during business hours on (02) 9384 4000 to request a copy.&lt;/span&gt;&lt;/div&gt; &lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/arts.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Nepali Dalit Musicians&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;tedsamuel  — November 12, 2007 — The concept of caste has existed in South Asia  for millennia. Though this socio-religious hierarchy had originated as a  method of &amp;quot;division of labor&amp;quot;, it has, in the mo...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;tedsamuel  — November 12, 2007 — The concept of caste has existed in South Asia  for millennia. Though this socio-religious hierarchy had originated as a  method of &amp;quot;division of labor&amp;quot;, it has, in the modern age, served as a  means of subjugation and disempowerment -- especially for the lowest  strata in the caste system, the Dalit.&lt;br&gt;&lt;br&gt;Dalit means downtrodden,  oppressed, and exploited. Though much of society rejects and ignores  them - deeming them as &amp;quot;untouchable&amp;quot; - Dalits have fostered a rich  culture and history. &lt;br&gt;&lt;br&gt;In  the western world many picture Dalits as incredibly poor, helpless, and  disenfranchised people. While there is some undeniable accuracy in this  portrayal, it is incomplete. It is important to celebrate the heritage,  culture, and accomplishments of the Nepali Dalit as they persist  against all odds.&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Port Hood Community Television&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; January 30, 2009 — This is Port Hood. This video was submitted to the Lieutenant Governor&amp;#39;s Community Spirit Awards 2009.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;January 30, 2009 — This is Port Hood.   This video was submitted to the Lieutenant Governor&amp;#39;s Community Spirit Awards 2009.&lt;/div&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/arts.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt; &lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Mabou Mines Ceilidh 2010&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;&lt;br&gt; &lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt; &lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt; &lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Kilmichael 2009 Cork Community Television&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Cork  is the largest county in Ireland and it played a pivotal role in  Ireland&amp;#39;s War of IndependenceThis is a call out for memories handed down  by families and friends of events during the War for Inde...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Cork is the largest county in Ireland and it played a pivotal role in Ireland&amp;#39;s War of IndependenceThis  is a call out for memories handed down by families and friends of  events during the War for Independence in Cork for a documentary. This film is being made by Go Productions, who contribute regularly to  Dublin Community Television and Cork Community Television.  Cork is the largest county in Ireland and it played a pivotal role in  Ireland&amp;#39;s War of Independence between 1918 and 1921 by hosting most of  the violence and turbulent action witnessed in the war. Growing up I  often heard my grandparents speak of this time, the constant curfews and  the fear of the tans knocking on the door. However, these stories have  not been stored, and there is a risk, as the generation that has lived  through these times are dying and their children, in whose memories the  stories still live are ageing, that the accounts of the experiences will  disappear.   The documentary aims at re-discovering these almost lost stories through  interviews of the local people as well as established scholars on the  topic. In Living Memory aims to look at the war broadly from the  inhabitants point of view whilst providing accurate historical facts  established by reliable resources. The importance of the documentary  lies in potentially increasing social understanding of a difficult topic  that hasnt been much dealt with in the broadcasting media. Looking at  Spain as an example on working on the traumatic memories of their civil  war, we think that now that Ireland is a stable country it would be a  good time to analyze these events as a part of the national healing  process and openly discuss the memories that have been kept silent for  so long  These aims are reached by providing information in an entertaining  formula that would re-create the mood and the atmosphere of the  difficult years.   The programme will be built around the personal accounts with a running  commentary through which discusses the Irish conflict in a wider context  within the British Empire and the collapse of the colonial era. The aim  is to create a tension between the wider global context and the  personal experience that would provide a gripping viewing experience.   Some of the techniques used would include some re- enactment, interview  sessions with both historical experts and local people from Cork. The  programme will include some animated scenes that are created based on  the interviewees accounts. The documentary will be produced partly in  Irish to increase the amount of Irish in local television. Cork provides  an idea location for the documentary as there is still plenty of  physical evidence of the war to provide additional visual material.  The target audience for In Living Memory is an adult national  demographic of adults who are interested in Irish history. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;The Launch of Dublin Community Television&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Communications Minister Eamon Ryan T.D. at 1pm on Wednesday, July 16th, 2008.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Communications Minister Eamon Ryan T.D. at 1pm on Wednesday, July 16th, 2008.&lt;/div&gt;&lt;/td&gt; &lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/homegardenbusiness.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Shirley Lindley Speaks about the Community Reporters Project&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; A  Sheffield based program to work with the Burmese immigrant community.  ;The Community Reporters Project is working with People&amp;#39;s Voice Media in  Manchester to equip the Burmese communities in Sheffiel...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;A  Sheffield based program to work with the Burmese immigrant community.  ;The Community Reporters Project is working with People&amp;#39;s Voice Media in  Manchester to equip the Burmese communities in Sheffield with community  reporting skills. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Copenhagen City of Cyclists&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Video  by the City Council, aimed at promoting Copenhagen&amp;#39;s fantastic, unique  bicycle culture where 500,000 people choose the bicycle for transport  each day. 36% of the population.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Video  by the City Council, aimed at promoting Copenhagen&amp;#39;s fantastic, unique  bicycle culture where 500,000 people choose the bicycle for transport  each day. 36% of the population. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Violence against independent media in Sri Lanka&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Mr. Udaya Gammanpila discusses the future prospects.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Mr. Udaya Gammanpila discusses the future prospects.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/homegardenbusiness.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Grafitti Workshop at the Art School in  Luang Prabang, Laos&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; &lt;a href="http://b-lp.syntone.org/graff.htmA"&gt;http://b-lp.syntone.org/graff.htmA&lt;/a&gt; grafitti workshop as part of a media lab residency by Nathalie Magnan.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;a href="http://b-lp.syntone.org/graff.htm"&gt;http://b-lp.syntone.org/graff.htm&lt;/a&gt;&lt;div&gt; A grafitti workshop as part of a media lab residency by Nathalie Magnan.&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Laurie Cirivello of Grand Rapids Community Media Center&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Tells how Dirk Koenig saw cable access as a &amp;quot;means to an end&amp;quot;-- democracy.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Tells how Dirk Koenig saw cable access as a &amp;quot;means to an end&amp;quot;-- democracy.&lt;/div&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt; &lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;WRFU at the Indymedia Center in Champagne, IL&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; The Amplified Librarians radio show program done at WRFU in the Independent Media Center, Urbana, IL.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt; The Amplified Librarians radio show program done at WRFU in the Independent Media Center, Urbana, IL.&lt;/div&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Community Visions in Pocatello, Idaho&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Vision 12 has their 30th anniversary.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Vision 12 has their 30th anniversary. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Hearing about Olelo Community Television&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Ruth Hsu testifies for PEG--from 2008&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Ruth Hsu testifies for PEG--from 2008&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/arts.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Laptopsrus VJs in the Ring&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Shulea Cheang organized this multi media performance event.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Shulea Cheang organized this multi media performance event. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;The Amazing Prelinger Library&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Rick and Megan Prelinger have a unique free library of hard-to find pamplets, magazines and books.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;Rick and Megan Prelinger have a unique free library of hard-to find pamplets, magazines and books.&lt;/div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Transmission Meeting at Forte Prenestino&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; 2007 Media activists from many countries met to plan a non-corporate platform for video.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;2007 Media activists from many countries met to plan a non-corporate platform for video. &lt;/div&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Transmission Asia Pacific&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Meeting  of video activists and free software developers using online video  distribution for social justice and media democracy.Organized by Engage  Media and Ruangrupa TX-AP on the edge of Gede Pangran...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Meeting  of video activists and free software developers using online video  distribution for social justice and media democracy.Organized by Engage  Media and Ruangrupa TX-AP on the edge of Gede Pangrango National Park  120 km from Jakarta  PS NO SOUND The message says: This video contains  an audio track that has not been authorized by all copyright holders.  The audio has been disabled. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Press Freedom Day in Malaysia&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Protests in Ulan Batur, July 2008&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Violent  Protests in MongoliaRaw Video: Violent Protests in MongoliaThe  Associated PressProtesters clashed with Mongolian police on Tuesday in  the capital Ulan Bator, as election results indicated the ...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Violent  Protests in MongoliaRaw Video: Violent Protests in MongoliaThe  Associated PressProtesters clashed with Mongolian police on Tuesday in  the capital Ulan Bator, as  election results indicated the ruling party was on course to win the  majority it needed to pass a disputed law on sharing the country&amp;#39;s  natural wealth. (July 1)This video contains ONLY natural sound. No  script is available.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Tetsuo Kogawa Builds a Transmitter&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; how  to make your own FM radio transmitter for audio devices broadcasting,  like MP3 players,podcasts, cd players etc... the range of broadcasting  varies in accord to the size of the antena and also the...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;how to make your own FM radio transmitter for audio devices broadcasting, like MP3 players,podcasts, cd players etc... the range of broadcasting varies in accord to the size of the antena and  also the power supply. this simple circuit requires a 9volts battery or  a DC converter of 9 to 12 Volts. To avoid noise in the transmission, It  can be helpful to properly place the circuit in a metal box with ground  wire or if you preffer to replace the 9volts battery, I suggest you to  use a noiseless converter. The circuit itself is very simple, no  experience on soldering and electronics are required. just follow the  instructions on the manual, you can do it yourself. GOOD LUCk you all! ; )&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Osaka Cultural Workers Installation at REMO&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; at  the REMO art centre in Osaka Japan.  file:///Users/deedeehalleck/Desktop/puppets.jpgA site-specific work both  shot at then screened as an installation at the REMO art centre in  Osaka Japan. Two scre...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;at the REMO art centre in Osaka Japan. &lt;div&gt;file:///Users/deedeehalleck/Desktop/puppets.jpgA  site-specific work both shot at then screened as an installation at the  REMO art centre in Osaka Japan. Two screens show the same loop of the  artist relaxing on a sofa while the gallery staff serves coffee. A  person on a ladder whose face remains hidden and a woman lying on the  floor beside a knocked-over chair creates quiet suspense among this  mundane scene. As the viewer watches this work from within the same  setting, there is a ceaseless oscillation between reality and the  virtual.&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Radyo Açik in Istanbul is a Cooperative&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Omar Madra is the co-founder and current director of this popular and progressive radio station.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Omar Madra is the co-founder and current director of this popular and progressive radio station. &lt;div style="clear: both; text-align: center;"&gt;  &lt;a href="http://4.bp.blogspot.com/_WCLTR16x47k/TBWAx0LBsYI/AAAAAAAADPI/IgDHP-PohRY/s1600/Screen+shot+2010-06-13+at+9.03.05+PM.png" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://4.bp.blogspot.com/_WCLTR16x47k/TBWAx0LBsYI/AAAAAAAADPI/IgDHP-PohRY/s640/Screen+shot+2010-06-13+at+9.03.05+PM.png" width="640" border="0" height="330"&gt;&lt;/a&gt;&lt;/div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/pink-pushpin.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Amenazas a Radio Victoria en El Salvador&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Assassinations  in the Cabañas region have targeted environmentalists and labor  leaders. Radio Victoria is a local FM community radio station that  transmits from the town of Victoria in the northern hi...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Assassinations  in the Cabañas region have targeted environmentalists and labor  leaders. Radio Victoria is a local FM community radio station that  transmits from the town of Victoria in the northern hills of El  Salvador. The  Radio is run primarily by youth who live in the nearby communities.  Radio Victoria was started in 1993 to provide residents in this poor,  rural area with their own means of communication. Many of the  communities in this area are isolated and have no access to telephone  services, mail or newspaper delivery. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Subcommandante Marcos on Neo Liberalism and the Media&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Recorded as a message to the Free the Media Conference organized in NYC.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Recorded as a message to the Free the Media Conference organized in NYC. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt; &lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt; &lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Abre Tus Ojos: Teen TV&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Abre  Tus Ojos is a weekly series on Nicaragua television, made by teenagers  and for teenagers. In the past the series has addressed such issues as  child labor and exploitation, teen health, AIDS and y...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;span style="font-family: monospace; font-size: 12px; line-height: 15px; white-space: pre-wrap;"&gt;Abre Tus Ojos is a weekly series on Nicaragua television, made by teenagers and for teenagers.  In the past the series has addressed such issues as child labor and exploitation, teen health, AIDS and youth violence.&lt;/span&gt;&lt;/div&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Northern Visions in Belfast&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Marilyn  Hyndman from Northern Visions in Belfast, Northern Ireland sent links  to their archive which is now on line. &lt;a href="http://www.northernvisions.org"&gt;www.northernvisions.org&lt;/a&gt; Our  Generation Archive launched... Documenting the reminisc...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Marilyn Hyndman from Northern Visions in Belfast, Northern Ireland sent links to their archive which is now on line. &lt;a href="http://www.northernvisions.org/"&gt;www.northernvisions.org&lt;/a&gt;  &lt;span style="font-weight: bold;"&gt;Our Generation Archive launched.&lt;/span&gt;.. Documenting  the reminiscences, experiences, insight and appraisal of those who  sought to build positive structures, resources and services amid,  because of and in some circumstances despite the violence and the  Troubles. Local people, historians, artists and celebrities take you on a  conversational walk in the city to places, which have a special meaning  for them as they consider the nature of place and allow us to explore  new ways of seeing Belfast.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Fingal Television&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Community television in rural Ireland.&lt;/div&gt; &lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Community television in rural Ireland.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Claremorris Community Radio&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; This is a station promo made for the Craol Training Féile hosted by Claremorris on the 25th and 26th April 2009.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;This is a station promo made for the Craol Training Féile hosted by Claremorris on the 25th and 26th April 2009.&lt;/div&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt; &lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Dublin Rap Community&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;A  small group of Dublin-based rappers come together every week to  collaborate in a small Ballyfermot studio that is completely funded by  music lovers. Irish rap at a grassroots level.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;  A small group of Dublin-based rappers come together every week to  collaborate in a small Ballyfermot studio that is completely funded by  music lovers. Irish rap at a grassroots level.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Radio in Manakamana, Nepal&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Micz Flor&amp;#39;s tour of Nepalese Radio Stations stops at Manakamana to survey their FM station.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;Micz Flor&amp;#39;s tour of Nepalese Radio Stations stops at Manakamana to survey their FM station.&lt;/div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Napal&amp;#39;s Radio Network: Starting at Communication Corner&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Micz  Flor taped a tour of Nepalese radio stations. This is beginning  section, discussing how the stations share programming produced in  Kathmandu by journalists and reporters.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Micz  Flor taped a tour of Nepalese radio stations. This is beginning  section, discussing how the stations share programming produced in  Kathmandu by journalists and reporters.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Heading to Manakamana- radio tour&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Starting out in Kathmandu and heading east.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Starting out in Kathmandu and heading east. &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/red-pushpin.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;UNESCO Condemns Murder of Journalist&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Director-General  condemns killing of Turkish journalist Cevdet Kiliçlar in 1 June attack  on flotilla sailing to Gaza The Director-General of UNESCO, Irina  Bokova, today condemned the killing of Turkis...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;span style="font-family: arial,sans-serif; border-collapse: collapse;"&gt;&lt;h3&gt;&lt;b&gt;Director-General condemns killing of Turkish journalist Cevdet Kiliçlar in 1 June attack on flotilla sailing to Gaza&lt;br&gt; &lt;br&gt;&lt;br&gt;&lt;/b&gt;&lt;/h3&gt;&lt;h4&gt;&lt;b&gt;The  Director-General of UNESCO, Irina Bokova, today condemned the killing  of Turkish journalist Cevdet Kiliçlar, in the Israeli military  interception of the flotilla headed for Gaza on 1 June. The  Director-General called for light to be shed on the events that led to  the journalist's death and called on all the authorities concerned to  respect the rights of media covering the situation in Gaza.&lt;/b&gt;&lt;/h4&gt;"I  condemn the killing of Cevdet Kiliçlar," said Ms Bokova. "I trust that  an inquiry that meets international requirements will shed light on the  events that led to Cevdet Kiliçlar's death and to the injuring of  Indonesian cameraman Sura Fachrizaz." &lt;br&gt;&lt;br&gt;"I wish Sura Fachrizaz a  speedy recovery," the Director-General added. "I also wish to remind all  the authorities concerned of their responsibility to enable journalists  to carry out their professional duties. They are obligated to do so  under the terms of the Universal Declaration of Human Rights, which  provides for freedom of expression, and other international agreements  concerning the status of journalists in conflict zones." &lt;br&gt;&lt;br&gt;"Full  freedom of expression and freedom to access information are essential if  peace, democracy, and rule of law are to be given a chance in Gaza," Ms  Bokova concluded.   Cevdet Kiliçlar was shot in the head during the  Israeli military interception of the flotilla that was heading to Gaza  on 1 June. Sura Fachrizaz sustained serious gun shot wounds during the  same attack. &lt;br&gt;&lt;br&gt;&lt;i&gt;UNESCO is the only United Nations agency with a  mandate to defend freedom of expression and press freedom. Article 1 of  its Constitution requires the Organization to "further universal respect  for justice, for the rule of law and for the human rights and  fundamental freedoms which are affirmed for the peoples of the world,  without distinction of race, sex, language or religion, by the Charter  of the United Nations." To realize this the Organization is requested to  "collaborate in the work of advancing the mutual knowledge and  understanding of peoples, through all means of mass communication and to  that end recommend such international agreements as may be necessary to  promote the free flow of ideas by word and image…"   &lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Community Radio in Ghana needs donations&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; I  will be returning to Ghana on July 10th to help community radio station  RITE 90.1 FM in Somanya to further develop agricultural- related  programs, and generally improve the station&amp;#39;s traininghttp://...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;span style="font-family: Helvetica;"&gt;&lt;span style="font-family: arial;"&gt;I will be returning to Ghana on July 10th to help community radio &lt;br&gt; station RITE 90.1 FM in Somanya to further develop agricultural- &lt;br&gt;related programs, and generally improve the station&amp;#39;s training&lt;/span&gt;&lt;/span&gt;&lt;div&gt;&lt;span style="font-family: Helvetica;"&gt;&lt;span style="font-family: arial;"&gt;&lt;/span&gt;&lt;a href="http://www.ritefmonline.com/"&gt;http://www.ritefmonline.com&lt;/a&gt;&lt;/span&gt;&lt;div style="clear: both; text-align: center;"&gt;  &lt;a href="http://2.bp.blogspot.com/_WCLTR16x47k/TBkLnGzKhqI/AAAAAAAADPQ/QAtWA0si7fw/s1600/Screen+shot+2010-06-16+at+1.35.16+PM.png" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://2.bp.blogspot.com/_WCLTR16x47k/TBkLnGzKhqI/AAAAAAAADPQ/QAtWA0si7fw/s640/Screen+shot+2010-06-16+at+1.35.16+PM.png" width="640" border="0" height="478"&gt;&lt;/a&gt;&lt;/div&gt; &lt;div dir="ltr"&gt;The radio helps farmers sell their crops.Austin Airwaves is a non-profit 501c3 educational media &lt;br&gt;group providing non-commercial, non-governmental radio &lt;br&gt;services to local communities , especially in the developing world &lt;br&gt; and in post-disaster areas.  Past AA assignments have &lt;br&gt;included the first-ever radio survey in Panama, LPFMs in &lt;br&gt;the Houston AstroDome and the lower 9th Ward of NOLA, &lt;br&gt;post-Katrina, radio theater in Mozambique,  helping farmers &lt;br&gt; in northern Ghana get more for their crops using radio as a &lt;br&gt;market reporting tool, and most recently, returning Radio Zetwal &lt;br&gt;to the air in devastated Haiti.  Austin Airwaves is a member of &lt;br&gt;AMARC, the World Association of Community Radio Broadcasters, &lt;br&gt; the NFCB, the GRC, and the Committee to Protect Journalists. &lt;br&gt;&lt;br&gt;, &lt;br&gt;programming, reporting and production capacities. &lt;br&gt;VISIT:  &lt;a href="http://www.ritefmonline.com"&gt;http://www.ritefmonline.com&lt;/a&gt; &lt;br&gt;&lt;br&gt;Austin  Airwaves is looking for the following items to be donated.                                                                                                                                                                       Sorry, no cash donations!  All items must be FedEx&amp;#39;d (NO US mail)                                                                                                                                                                  to arrive in Austin, TX  no later than July  9th. Your  donation may                                                                                                                                                                   be tax-deductible. &lt;br&gt;&lt;br&gt;Portable audio recorders. These can be audio cassette and/or &lt;br&gt;digital recorders.  Recorders must have all components and be &lt;br&gt;fully functional. &lt;br&gt;&lt;br&gt;Laptops:  Two fully working PC laptops. (Sorry no Macs.) &lt;br&gt; Laptops should be loaded with Audacity and/or other audio software &lt;br&gt;editing programs. Laptops must be fully functional with all components &lt;br&gt;included.  Absolutely no &amp;#39;boat anchors.&amp;#39; &lt;br&gt;&lt;br&gt;Items must be FedEx&amp;#39;d to: &lt;br&gt; Austin Airwaves, Inc. &lt;br&gt;620 Fairfield Lane (loading dock) &lt;br&gt;Austin, Texas US  78751 &lt;br&gt;(512) 796-4332 &lt;br&gt;&lt;br&gt;Thank you!&lt;br&gt;jim ellinger &lt;br&gt; &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/red-pushpin.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;UNESCO condemns the murder of journalist Patient Chebeya Bankome in the Democratic Republic of Congo &lt;/div&gt;&lt;/div&gt;&lt;/div&gt; &lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Patient  Chebeya Bankome © JEDThe Director-General of UNESCO, Irina Bokova,  today condemned the killing of freelance TV journalist Patient Chebeya  Bankome in the city of Beni in the east of the Democra...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: x-small;"&gt;&lt;h2 style="margin: 0px 0px 15px; padding-bottom: 5px; font-size: 18px;"&gt; &lt;br&gt;&lt;/h2&gt;&lt;div style="width: 378px; padding-right: 10px; float: left;"&gt;&lt;div style="float: right; padding: 0px; margin: 0px 0px 5px 10px; font-size: 9px; color: rgb(102, 102, 102);"&gt;&lt;span&gt;&lt;img alt="Director-General condemns the murder of journalist Patient Chebeya Bankome in the Democratic Republic of Congo" src="http://portal.unesco.org/ci/en/files/29786/12707288803news_080410_bankome_160.jpg/news_080410_bankome_160.jpg" border="0"&gt;&lt;br&gt; &lt;/span&gt;&lt;span&gt;Patient Chebeya Bankome&lt;br&gt;&lt;/span&gt;&lt;span&gt;© JED&lt;span style="color: rgb(77, 69, 52); font-size: 11px; font-weight: bold; line-height: 16px;"&gt;The  Director-General of UNESCO, Irina Bokova, today condemned the killing  of freelance TV journalist Patient Chebeya Bankome in the city of Beni  in the east of the Democratic Republic of Congo on 5 April.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-size: 11px; line-height: 16px; font-weight: normal; padding-top: 10px; padding-bottom: 10px;"&gt;&lt;span&gt;The  Director-General of UNESCO, Irina Bokova, today condemned the killing  of freelance TV journalist Patient Chebeya Bankome in the city of Beni  in the east of the Democratic Republic of Congo on 5 April. &lt;br&gt;&lt;br&gt;"I  condemn the murder of Patient Chebeya Bankome," the Director-General of  UNESCO declared. "Attacks on journalists and media workers are  unacceptable attacks on each and every member of society. Freedom of  expression is a basic human right. Its corollary, press freedom, is  essential for informed debate and decision making by citizens and  political leaders alike. I trust that efforts to bring the culprits to  justice will bear fruit and prevent further violence against the media,"  Ms Bokova concluded. &lt;br&gt;&lt;br&gt;Patient Chebeya Bankome, known as  Montigomo, was shot dead by three men in military uniform at his home in  Beni. The 35-year-old reporter and freelance cameraman worked for  several television broadcasters in North Kivu province. &lt;br&gt;&lt;br&gt;He is  the sixth journalist to be killed in the east of the DRC since 2005,  according to the Congolese non-governmental organization&lt;i&gt;Journaliste en Danger&lt;/i&gt;,  which named the other five as Pascal Kabungulu, Serge Maheshe, Patrick  Kikuku, Didace Namujimbo and Bruno Koko Chirambiza. Their deaths  remained unpunished, according to the Kinshasa-based press freedom  organization. &lt;br&gt;&lt;br&gt;&lt;div style="background-color: rgb(224, 224, 224); padding: 10px; margin-top: 10px;"&gt;UNESCO  is the only United Nations agency with a mandate to defend freedom of  expression and press freedom. Article 1 of its Constitution requires the  Organization to "further universal respect for justice, for the rule of  law and for the human rights and fundamental freedoms which are  affirmed for the peoples of the world, without distinction of race, sex,  language or religion, by the Charter of the United Nations." To realize  this the Organization is requested to "collaborate in the work of  advancing the mutual knowledge and understanding of peoples, through all  means of mass communication and to that end recommend such  international agreements as may be necessary to promote the free flow of  ideas by word and image…"&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;La Bisagra de la Historia: by Ventveovideo 1/2&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Documental experimental sobre las jornadas del 19 y 20 de diciembre 2001&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Documental experimental sobre las jornadas del 19 y 20 de diciembre 2001&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt; &lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/electronics.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt; &lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;La Bisagra de la Historia 2/2&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt;Documental experimental sobre las jornadas del 19 y 20 de diciembre 2001Venteveovideo: 2/2&lt;/div&gt; &lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Documental experimental sobre las jornadas del 19 y 20 de diciembre 2001Venteveovideo: 2/2&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;FCC Hearings in Richmond, Virginia&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; FCC  Commissioner Michael Copps organized hearings on media ownership,  starting in 2003. This one was held in Richmond, Virginia, February 27,  2003. Local Filmmaker, Curator, James Parrish held his mon...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;FCC Commissioner Michael Copps organized hearings on media ownership, starting in 2003. This  one was held in Richmond, Virginia, February 27, 2003. Local Filmmaker,  Curator, James Parrish held his monthly Flicker meeting as a warm-up  for the FCC hearing, with a video about media consolidation and  presentations by many media activists who had come to Richmond for the  occasion.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/hiker.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Journalist Amy Goodman Detained at the Canadian Border &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Canadian immigration watches for &amp;quot;terrorists&amp;quot; who might disrupt Olympic Games.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Canadian immigration watches for &amp;quot;terrorists&amp;quot; who might disrupt Olympic Games.  &lt;/div&gt; &lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt;&lt;td class="text"&gt; &lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Kids Radio Project on Independent Station&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Free Voice project in Mozambique initiates youth radio.&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Free Voice project in Mozambique initiates youth radio.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Rural Youth Voices Project&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; This  movie gives a brief overview on the Rural Youth&amp;#39;s Voices Project, a  Community Based Youth Radio Station and Music Production Studio in  Magwi, South Sudan. This project was implemented by Xchange ...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;&lt;div dir="ltr"&gt;This  movie gives a brief overview on the Rural Youth&amp;#39;s Voices Project, a  Community Based Youth Radio Station and Music Production Studio in  Magwi, South Sudan. This project was implemented by Xchange Perspectives  in cooperation with the German Development Service, DED.&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="icon"&gt;&lt;img src="http://maps.gstatic.com/intl/en_us/mapfiles/ms/micons/blue-dot.png" style="width: 32px; height: 32px; -moz-user-select: none; border: 0px none; padding: 0px; margin: 0px;"&gt;&lt;/td&gt; &lt;td class="text"&gt;&lt;div class="lk name"&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei" align="left"&gt;Community Radio Breakthrough in Bangladesh&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="onelineo"&gt;&lt;div dir="ltr" class="onelinei noprint" align="left"&gt; Voices  for the voiceless-14 Community Radio Stations are going to On Air first  time in Bangladesh Posted by: bnnrc on 06/02/2010 09:59 PM (Read:  46)Bangladesh NGOs Network for Radio and Communication ...&lt;/div&gt;&lt;/div&gt;&lt;div dir="ltr" class="noscreen" align="left"&gt;Voices for the voiceless-14 Community Radio Stations are going to On Air first time in Bangladesh &lt;div style="clear: both; text-align: center;"&gt;   &lt;a href="http://3.bp.blogspot.com/_WCLTR16x47k/TBocmploHWI/AAAAAAAADPY/mtzN_ykwBhE/s1600/sap2.jpg" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://3.bp.blogspot.com/_WCLTR16x47k/TBocmploHWI/AAAAAAAADPY/mtzN_ykwBhE/s320/sap2.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt; &lt;span style="font-family: Times; font-size: medium;"&gt;&lt;div style="background-color: rgb(255, 255, 255); font-family: arial,helvetica,sans-serif; font-size: 10pt;"&gt;&lt;span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 12px;"&gt;&lt;table style="border-bottom: 0px solid rgb(0, 0, 0); font-family: Verdana,Arial,Helvetica,sans-serif; font-size: 12px;" width="100%"&gt; &lt;tbody&gt;&lt;tr&gt;&lt;td&gt;Posted by: bnnrc on 06/02/2010 09:59 PM (Read: 46)&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;div align="left"&gt;Bangladesh  NGOs Network for Radio and Communication (BNNRC), since its inception,  has been advocating with the government and with other organizations for  the promotion of Community Radio to address critical social issues at  community level, such as poverty and social exclusion, empowerment of  marginalized rural groups and catalyze democratic process in decision  making and ongoing development effort
