Thursday, March 10, 2005

Global media giants claim Canada wants to rule the web


Global media giants claim Canada wants to rule the web

Wed Mar 9, 3:08 AM ET
http://story.news.yahoo.com/news?tmpl=story&ncid=1212&e=10&u=/afp/20050309/tc_afp/canadausmediainternet&sid=96001018

TORONTO (AFP) - The Washington Post, backed by 50 global media
giants, challenged a landmark Internet libel claim lodged in Canadian
courts, which critics fear could squelch freedom of expression in
cyberspace.

The appeal seeks to overturn a previous ruling that Canada has
jurisdiction to hear a nine million-dollar (6.5 million US dollar)
damages claim lodged against the US-based paper by a former United
Nations [snipped] official now living in Ontario.

Media firms, including Cable News Network, The New York Times, the
London Times newspaper and Japan's Yomiuri Shimbun, argue that if the
case proceeds, it could force them to block access to their websites
in some nations.

Such a move would undermine the very rationale of the World Wide Web,
and be a detriment to global freedom of expression, the firms said.

It also raises the spectre of limitless liability for newspapers with
websites, read by millions of readers around the world.

[snipped]

His case largely rides on the fact that the articles can still be
read online in Canada, and suggests a precedent that material posted
on a website should be considered as published in the nation where it
is read.

Tuesday's case in the Ontario Court of Appeals challenges a previous
ruling by a lower court that the paper should have considered the
allegations would impact the official's life, wherever he
subsequently chose to live.

The Post argues the case has no connection with Ontario, despite the
fact that the official now lives in the province. Bangoura was living
in Kenya when the alleged libels ocurred.

[snipped]

Lawyers for the Post argue that Canadian courts did not have
jurisdiction as Bangoura did not even move to Canada until after the
stories were published, and did not take up residence in Ontario
until 2000.

They proposed Washington as the proper venue for such a claim.
Incidentally US libel laws are more favourable to media organisations
owing to freedom of speech provisions enshrined in the US
Constitution.

But Bangoura's lawyers responded that since the damage to his
reputation was most pronounced, and ongoing, in Ontario, where he now
lives, he should be entitled to redress in the province's courts.

[snipped]

The Canadian case is one of a sheaf of new questions surrounding
libel issues on the Internet.

[snipped]

Critics of such rulings argue that they could lead to people who
believe they have been libeled by an Internet publication shopping
around the world for a country where they may receive a sympathetic
hearing.

Wednesday, March 09, 2005

APTN Plans to increase Aboriginal Language Programming.


Date: Wed, 09 Mar 2005 18:44:38 -0500
Subject: FW: APTN Media Release 08032005
From: Norman Cohn
To: Zacharias Kunuk ,
Madeline Adams ,
John Houston , Paul Quassa ,
, , ,
, ,
"Murphy, Reuben" ,
"Keenainak, Rosemary" ,
"Campbell, Alex" , Jim Bell ,
Nunavut Film , ,
, , ,
, ,
, ,
David Craig ,
Dave Forget ,
David Poole ,
Sandra Macdonald ,
Lucius Barre , Katarina Soukup ,
Steph Rituit , Jim Bell ,
Patricia Bell ,
Odile Nelson , Sean Rombough ,
, ,
, "George(s) Lessard" ,
oana spinu

The enclosed APTN press release speaks for itself. They don't seem to
understand their language policy any better than I do.

Like APTN, Isuma is dedicated to promoting wider access and
acceptance of Aboriginal languages in Canada and around the world.
Unlike APTN, Isuma has no guaranteed annual income; as a private
sector independent production company Isuma is obligated to make
films wider audiences really want to watch, and are willing to pay
for.

Our film, Atanarjuat, had the widest audience and acceptance of any
Aboriginal film ever made and was commercially successful for
distributors and broadcasters in 20 countries. This film is entirely
in Inuktitut, with sub-titles, and has not been dubbed into any other
language version anywhere on earth.

APTN's strategy of making FEWER films, but dubbing these into MORE
languages, gets it backwards: it will build neither a 'wider
audience' nor a stronger aboriginal production industry. Twenty
language versions of the same film doesn't help one more filmmaker
get one more film financed; quite the opposite. And if Jean LaRose
dubbed Atanarjuat into English, French, Cree, Mic Mac and Slavey to
get a wider audience, he'd have to sell it to the Comedy Channel. As
Jose Kusugak, President of Inuit Tapirisat Kanatami was quoted
recently, dubbing Atanarjuat into English would sound like 'a bad
kung fu movie.' Is that how to build a future for Aboriginal
languages in the film industry?

----------
From: Producer Inquiries
Date: Tue, 8 Mar 2005 09:34:38 -0600
To: Producer Inquiries
Subject: APTN Media Release 08032005

Hello Everyone,

Please find the attached APTN Media Release: APTN Plans to increase
Aboriginal Language Programming.

If you wish to have your email address removed from APTN's media
release distribution list, please reply
to this email with the word "Remove" in the Subject: line, and we
will remove your name from the list.

Thank you!

For immediate release

APTN PLANS TO INCREASE ABORIGINAL LANGUAGE PROGRAMMING
TO FURTHER PROMOTE, ENHANCE AND PROTECT
ABORIGINAL LANGUAGES IN CANADA

March 7, 2005 - APTN (Aboriginal Peoples Television Network) plays a
significant role in helping to promote, enhance and protect the
Aboriginal languages of Canada. To that end, APTN is moving forward
with plans to increase the amount of Aboriginal language programming
aired on the network through versioning.

"In the last 2 years, the network has been slowly asking its
producers to propose programming concepts that also offer a version
in one of the Aboriginal languages in Canada. APTN's Strategic Plan,
adopted by its Board of Directors, clearly seeks to promote and
protect our languages," explains APTN CEO Jean LaRose. "In a
submission to the Aboriginal Languages Task Force, the network has
clearly shown that the retention of our languages is linked to
exposure and use of the language. Television, as a very powerful
media, is a key component in ensuring the long term strength of our
languages," says LaRose.

In the various Requests for Proposals (RFP'S) put out in the last
year, APTN has been asking for Aboriginal language versions of
various programs. In order to continue to live up to its mandate to
protect Aboriginal languages, APTN will now seek to obtain more
language versions as well as the English or French versions in which
the programs are produced. In the past, sub-titling of programs was
used to version shows into either English or French. This form or
versioning, while acceptable for the English and French languages,
does not promote or enhance Aboriginal languages.

"To date, APTN has not promoted the Aboriginal languages to the
extent that it should. The Aboriginal production sector is still in
its infancy in many regions and we had to give time to our producers
to build the capacity to provide us with programming of high quality.
Now that the capacity is improving, we will move to also obtain
versioning of the programs in Aboriginal languages," states LaRose.
"While we have some constraints in our conditions of licence in the
amount of language programming that we can air, Aboriginal language
versions of shows produced in English or French will allow us to show
repeats of our programming in the Aboriginal languages while
respecting the terms of our licence. Furthermore, in the next few
years, Secondary Audio Programming (SAP) will allow viewers to choose
the language in which they listen to a program. With versioning
already done and part of our programming inventory, APTN will be in a
position to allow the viewer to choose the language in which he or
she listens to the program. We are confident that this will respond
to comments and expectations from our viewers across the country,"
adds LaRose.

Over the course of the last 18 months, the Board and CEO of APTN have
been meeting with producers, viewers and other stakeholders across
the country to seek their comments about the network. While most
viewers strongly support the network, many asked for programming that
is reflective of their region and language. Currently, APTN has
produced programs in more than 15 Aboriginal languages; however, the
greatest part of the language programming on the network has been in
Inuktitut. The network wants to add other languages to respond to the
requests from its audience. The current undertakings by APTN under
the terms of its licence stipulate that 60% of the programming must
be in English, 25% in Aboriginal languages and 15% in French. The
network intends to live up to its conditions of licence. Furthermore,
as it moves to increase advertising revenues to pay the producers for
the versioning and new and innovative programming, the network must
continue to appeal to a wide audience by ensuring that a broad range
of its programming is also available in English and in French. It
will also seek to obtain some of the programming that is produced in
Aboriginal languages versioned in either English or French.

"We are confident that once the producers understand that the premise
behind this policy is to promote all Aboriginal languages and not
marginalize them, the approach will be well received. As a network,
our goal is to broadcast programs in as many Aboriginal languages as
possible while respecting the conditions of licence established by
the CRTC. At the same time, APTN must be financially viable and this
means that it must generate new revenues to meet the obligations that
face it as it moves to increase its programming requirements and
license fees to producers," concludes LaRose.

About APTN:
September 1, 2004 marked the five-year anniversary of the launch of
the first national Aboriginal television network in the world with
programming by, for and about Aboriginal Peoples to share with all
Canadians as well as viewers around the world. APTN is a mandatory
service available in over 10 million Canadian households and
commercial establishments with basic cable, direct-to-home (DTH) or
wireless service. APTN broadcasts programming with 60% offered in
English, 15% in French and 25% in Aboriginal languages

NDTV on Chennai's CR Station

Date: 8 Mar 2005 16:00:35 -0000
From: "sajan venniyoor" venniyoor@rediffmail.com
Subject: Re: [cr-india] NDTV on Chennai's CR
List-Archive: http://mail.sarai.net/pipermail/cr-india
List-Help: mailto:cr-india-request@sarai.net?subject=help
List-Subscribe: https://mail.sarai.net/mailman/listinfo/cr-india
mailto:cr-india-request@sarai.net?subject=subscribe

On Tue, 08 Mar 2005 Frederick Noronha(FN) wrote :
>NDTV is just reporting (March 8, 2045 hrs) about Chennai's "first
>community radio station from a private college". It is to have a
>50watt transmitter, and a reach of (just) 7.5 kms radius. English,
>Tamil and Hindi. But no film songs. Expected to go on the air
>shortly at 91.2 FM.

Thanks, Rico. I located the story on The Hindu's website. Here it is.

Sajan.
------

MOP FM to go on air on Saturday
www.hindu.com update, 8 March 2005

CHENNAI, MARCH 7. It's by the students and for the students in the
city. M.O.P. Vaishnav College, Nungambakkam, is launching a community
radio station on Saturday to reach out to students.

The `MOP FM' set at 91.2 MHz frequency will broadcast programmes for
an hour in the morning between 6.30 a.m. and 7.30 a.m. with a repeat
broadcast from 6 p.m. and 7 p.m.

Addressing mediapersons here on Monday, college secretary, P.
Haridas, said the programmes would focus on education, health and
environment among others. Produced in three languages, English, Tamil
and Hindi, the programmes will be in the form of interviews,
docu-dramas and skits.

The radio station has a full-fledged studio built at a cost of Rs.50
lakhs, he added.

The college was granted an operating license after a 2-year wait. The
community radio station will have a 50 watt FM transmitter and will
be launched by the University Grants commission Chairman, Arun
Nigavekar.
K. Nirmala Prasad, principal, said students would provide the
content. The programmes in April and May would concentrate on career
guidance. The `MOP FM' transmit signal would cover a radius of 7.5 to
15 km, reaching most parts of the city.

The college also plans to launch `Yuvashakthi', a fortnightly
newspaper on the same day.

To be released by S.P. Thyagarajan, Vice-Chancellor, Madras
University, about 10,000 copies of the newspaper would be circulated
among students in the age group of 15 and 25.

http://www.hindu.com/2005/03/08/stories/2005030812350600.htm

_______________________________________________
--
--

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Via / By / Excerpted / From / Tip from / Thanks to:

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cr-india@sarai.net
https://mail.sarai.net/mailman/listinfo/cr-india

© info
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Tuesday, March 08, 2005

Nominations sought for American Indian Journalism Institute


Date: Tue, 8 Mar 2005 08:47:08 -0700 (MST)
From: NAJA-Email Alerts
Organization: NAJA-Email Alerts
List: naja
List-Archive: http://www.naja.com/cgi-bin/mojo/mojo.cgi?f=archive&l=naja
List-Subscribe: http://www.naja.com/cgi-bin/mojo/mojo.cgi?f=s&l=naja
List-URL: http://www.naja.com/cgi-bin/mojo/mojo.cgi?l=naja
Subject: Nominations sought for American Indian Journalism Institute

Dear NAJA Supporter,
Please take a moment to consider this terrific opportunity for students.

Nominations sought for American Indian Journalism Institute, June 5-24, 2005

Nominations and applications are being accepted for the fifth annual
American Indian Journalism Institute, June 5-24, 2005, a concentrated
three-week academic program at The University of South Dakota. The
nomination deadline is March 31.

An informative 11-minute video and other information are available
online at
http://www.freedomforum.org/templates/document.asp?documentID=17963

To nominate a student, write an e-mail or letter explaining why the
person should be accepted into the institute and how the student can
be contacted. Please include the nominee's mailing address and e-mail
address. Self-nominations also are welcome.

Send nominations to Jack Marsh, executive director, Al Neuharth Media
Center, 555 Dakota St., Vermillion, SD 57069 or via e-mail to
jmarsh@freedomforum.org. Telephone 605/677-6315.

AIJI is a college course sanctioned by the university and funded by
the Freedom Forum's Al Neuharth Media Center. It trains about 25
Native students each year in the fundamentals of print journalism and
is the largest program of its kind in the country. AIJI students
attend classes and lectures and receive hands-on experience in
reporting, writing and photojournalism. The Al Neuharth Media Center,
a newly refurbished state-of-the-art facility where AIJI is held,
also is home to the Native American Journalists Association.

Tuition, fees, room, board, books and supplies are free. Those who
successfully complete the program earn four hours of college credit
that can be transferred to another college. They also receive a $500
stipend/scholarship when they re-enroll as full-time college students
in the fall.

About a dozen participants will go directly from AIJI to paid summer
internships at daily newspapers. AIJI graduates also are eligible to
apply to work for www.Reznetnews.org, the country's foremost online
newspaper produced by and for Native students.

AIJI is open exclusively to Native students interested in journalism
who have completed at least one year of college and who intend to
return to school in the fall.

Preference will be given to those applicants interested in journalism
careers and who show the greatest potential to become journalists.
Previous journalism coursework is not required. The program forbids
the use of alcohol, other intoxicants and illegal drugs at any time
from June 5 through June 24, 2005. Violators will be dismissed from
the institute.

Tuesday, February 08, 2005

E-mail is the new database & Free Gmail e-mail account offer

As a Gmail user, I have a number of free Gmail accounts to give away.

So this message is my attempt to give them away to folks who work in community based media or ICT... preferably (but not necessarily) in developing countries. One reason is that media folks often need to send larger files like photographs and audio files (especially when doing freelance work to support their non-commercial work).

With Gmail, you can send and receive messages up to 10 megabytes (MB) in size. However, the precise amount allowable will depend on the attachment.

When you add an attachment, the size of a file may increase because transport encodings are automatically added. (Transport encodings are the information that allows your message to be safely sent and read.)

This means that in some cases, attachments that are 6 to 10MB in size may push the total message size above 10MB. When this happens, Gmail displays a warning that your message exceeds the 10MB limit.

Gmail is a free, search-based webmail service that includes 1,000 megabytes (1 gigabyte) of storage. The backbone of Gmail is a powerful Google search engine that quickly finds any message an account owner has ever sent or received. That means there's no need to file messages in order to find them again.

When Gmail displays an email, it automatically shows all the replies to that email as well, so users can view a message in the context of a conversation. There are no pop-ups or untargeted banner ads in Gmail, which places relevant text ads and links to related web pages adjacent to email messages. (As they are text only, they do not greatly increase your page loading times like they do in Hotmail or Yahoomail)

Also.. you need a recent browser to use G-mail as it makes extensive use of Java scripts....
JavaScript and cookies must be enabled on all browsers
Supported Browsers:
- Microsoft IE 5.5+ (Windows )
- Netscape 7.1+ (Windows Mac Linux )
- Mozilla 1.4+ (Windows Mac Linux )
- Mozilla Firefox 0.8+ (Windows Mac Linux )
- Safari 1.2.1+ (Mac )

So if you would like a free Gmail account... send me a message telling me why you could use one to my Gmail account at:
mediamentorATgmailDOTcom


George]

E-mail is the new database

By Joia Shillingford
BBC News business reporter


[excerpt]

"If a friend is excited about a concert and that gives me an idea for a birthday gift, I will store the info on e-mail," says Georges Harik, the man in charge of search-engine Google's Gmail service.

Stuart Anderson, Microsoft's Hotmail business manager in the UK, keeps online shopping receipts in his mailbox in case he has to query anything later.

"People are keeping a lot more information in their e-mail accounts for retrieval at a later date," says Yahoo!

Web-based e-mail services like Hotmail, Yahoo!, Gmail and AOL Mail on the Web are becoming databases by default as a growing number of people use them, to store data and photos so they can retrieve them from anywhere.

Growing trend

The trend has become more pronounced as the services have dramatically increased their storage capacity in response to upstart Gmail offering a free service with 1,000 megabytes (Mb) of storage.

"E-mail is a way of interacting not just with others, but also with yourself, " says Mr Harik, who is director of Googlettes (new Google services). "You want to remember something, so you send it to your mailbox."

For all but the very organised, old e-mails will contain phone numbers that haven't been entered into a diary, names and addresses of contacts, meeting or customer information, useful statistics or competitor information and photos of products and people.

The market for web-based e-mail services is still growing. "In the US, it grew 3% between April and November 2004," said Andreas Gutjahr, marketing manager, UK & Germany, for Neilsen//NetRatings, a Nasdaq-listed internet research company.

He says the number of minutes users spend connected is also rising.

Money maker

But even where there is a small subscription fee, e-mail does not make much money in itself. The prize is in the number of users - and therefore advertisers - the providers can lure, not just to their online mailboxes but also to portals like MSN and search engines like Google and Yahoo!.

Gmail "will be very profitable for us," says Mr Harik.

But if web e-mail is being used for more than just sending and receiving messages, how will this affect the market shares of the different providers?

One possibility is that Hotmail's market dominance could be affected by rival services better equipped to search through thousands of e-mails.

Rival offerings

Both Yahoo! and Google have had internet search engines as part of their core business from the start. So they are well placed to offer efficient e-mail searching.

Gmail was designed with the idea of searching for unstructured, unfiled information in mind. Mr Harik says: "We've taken away about 70%-80% of the reason to file things."

However, he believes: "It might still be worth filing e-mails related to a specific project, where comprehensiveness (finding every single message on a topic) was important."

"We have a labelling system that enables you to label messages in more than one way. Also our conversation feature enables you to see all the messages in an e-mail conversation."

Google will also search users' e-mails for keywords so that it can place adverts in mailboxes relevant to users' interests. On the one hand, this may make adverts more useful. On the other - though users' identities won't be revealed to advertisers - it does raise privacy concerns.

Gmail is currently available by invitation only as it is still under development. But it recently increased the number of new users that existing customers can invite - from 10 to 50 - suggesting it is pushing Gmail out to more people.

Full text at

Story from BBC NEWS:
http://news.bbc.co.uk/go/pr/fr/-/2/hi/business/4167633.stm


So if you would like a free Gmail account... send me a message telling me why you could use one to my Gmail account at:
mediamentorATgmailDOTcom

Thursday, February 03, 2005

Yale "Global Flow of Information" Conference - Apr. 1-3, 2005

From: "Eddan Katz" eddank@aya.yale.edu
Date: Thu, 03 Feb 2005 13:00:12 -0000
Subject: Yale "Global Flow of Information" Conference - Apr. 1-3, 2005

The Information Society Project at Yale Law School is proud to announce that registration is now open for The Global Flow of Information Conference 2005, which will take place on April 1-3, 2005, at the Yale Law School.

http://islandia.law.yale.edu/isp/GlobalFlow/index.html
http://islandia.law.yale.edu/isp/GlobalFlow/registration.htm

Please register early, as seating is limited. This ground-breaking conference will bring together policymakers, lawyers, technologists, social activists, and academics to discuss globalization and the law in terms of information flow.

Patterns of information flow are one of the most important factors shaping globalization. Today, all sorts of entities -- individuals, groups, countries, and international organizations -- are trying to promote and control the flow across national borders of different kinds of information, including intellectual property, scientific research, political discourse, brand names, and cultural symbols. Ever-proliferating digitally networked environments subject information to yet new methods of distribution and manipulation. Control and influence of information flow will help define who holds power in the global information economy.

This conference will explore these patterns of information flow and their political, economic, social, and cultural consequences. We will explore four key questions:

* Can the flow of information across borders be controlled? If so, how?

* Whose interests will be affected by flows of information across borders?
Who will be empowered and who will lose influence and authority?

* What role can and should law play in securing freedoms, rights, and democratic accountability as individuals, groups, and nations struggle over control of information flows?

* What lessons can we learn about how to regulate information flow from past experience with other kinds of flow across borders, such as flows of goods, services, people, and capital?

We invite you to join leading experts in academia, industry, and the non-profit sector to debate the patterns, problems, and power of information flows in six different contexts:

(1) Governance
(2) Economics
(3) Culture
(4) Politics
(5) Science
(6) Warfare

For more information about the conference, with full descriptions of the panels above and a full speaker list, please visit
http://islandia.law.yale.edu/isp/GlobalFlow/index.html
.


Eddan Katz
Yale Law School
Executive Director
Information Society Project
http://islandia.law.yale.edu/isp/
"Eddan Katz"

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Via / By / Excerpted / From / Tip from / Thanks to:

"Eddan Katz" eddank@aya.yale.edu
http://groups.yahoo.com/group/chineseinternetresearch/

© info
http://members.tripod.com/~media002/disclaimer.htm
Due to the nature of email & the WWW, check ALL sources.
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Wednesday, January 26, 2005

Super Shamou, Inuk Hero!


supshamo
Originally uploaded by The MediaMentor.
Base of Operations : Canadian north

First Appearance :Super Shamou (Inuit Broadcasting Corporation, 1980s)

Powers/Abilities : Flight. Other powers unknown

History : Super Shamou is an Inuk (Eskimo) super hero. He protects the wilderness of Canada, looking out for unwary travellers who fall foul of the unforgiving conditions, and children in particular. As well as rescuing such individuals, he also makes sure to teach them some realities of life in the North.

Comments : Super Shamou is the world's first Inuk (Eskimo) super hero. He was created by Barney Pattunguyak and Peter Tapatai © Inuit Broadcasting Corporation. This comic was drawn by Nick Burns and the translations were done by Micah Lightstone.

If you are interested in finding out more about this character, you can order his comic book in English, French and Inuktitut by contacting:

Inuit Broadcasting Corporation, 251 Laurier Avenue West # 703, Ottawa, Ontario, Canada, K1P 5J6, or Calling1-800-267-8327.
http://www.inuitbroadcasting.ca/

SUPER SHAMOU


supshasm
Originally uploaded by The MediaMentor.

SUPER SHAMOU - Inuk super hero descends on Ottawa



Date: Wed, 26 Jan 2005 16:34:56 -0500

From: Galerie SAW Gallery
Date: Tue Jan 25, 2005 5:11:31 PM US/Eastern
Subject: INUK SUPERHERO DESCENDS ON OTTAWA

La version française suivra.

Galerie SAW Gallery Media Release

WORLD PREMIERE OF RESTORED SUPER SHAMOU


EXHIBITION: The Winter Life
ARTISTS: Joelle Ciona (Vancouver), Eryn Foster (Halifax), Barney
Pattunguyak (Baker Lake), Liss Platt (Hamilton) + Laura Splan (San
Francisco)
CURATORIAL THINK TANK: Darsha Hewitt, Stefan St-Laurent, Ryan Stec,
Ming Tiampo + Tam-Ca Vo-Van
DATES: February 3 - March 19, 2005
OPENING: Thursday, February 3 from 8PM to 1AM. World premiere of
Remix 2004 at 10PM followed by an audio performance by Pho. Free
admission and cash bar.
PERFORMANCE: Puck Paintings by Liss Platt, Saturday, February 5 from
12PM to 2PM, on the Rideau Canal at Patterson Creek. Presented in
collaboration with Winterlude. Free admission. Audience participation
is encouraged.

A common metaphor in many of the world's most celebrated novels,
winter has not been ignored by visual artists, who often relate their
own dark experiences through a cold, foggy lense. Indeed, it could be
said that there is no better circumstance than to put a subject in
the alienating landscape of winter, where everything that we know is
lightly covered by an enormous blanket of snow or ice. More
interestingly, we try to fool ourselves into believing that this
season is not that bad - cold weather, expensive heating, limited
access - by using coping devices that create physical and
psychological barriers. We half-believe that we can have a superhuman
control over the Earth's elements.

[snipped]

Barney Pattunguyak imagines the world's first Inuk superhero, Super
Shamou, who protects the Canadian wilderness and teaches children the
harsh realities of life in the Artic. Certainly a spoof of Superman -
that perfectly Caucasian male who seduces more than he saves - Super
Shamou looks and acts just like a regular Inuk Joe who happens to
fly. Although the flying scenes are a little unconvincing, due to
limited resources and to video's capabilities at the time, we are
more enraptured by the context than we are by Shamou's special
powers. In fact, he is a sort of antihero created by the autonomous
Inuit Broadcasting Corporation. Founded in 1981, the IBC was formed
in direct response to the proliferation of southern televisual images
being disseminated to the North, threatening a culture that was
already impacted by trade and religion. What a better way to counter
America's rapidly expanding Capitalist regime than to produce
Superman's cultural nemesis? Pattunguyak's tape will premiere in its
new, restored version during the exhibition.

[snipped]


REMIX 2004. CURATORS: Anne Clarke + Ryan Stec. ARTISTS: Tony
Asimakopoulos (Ottawa), Kerry Campbell (Ottawa), Lee Demarbre
(Ottawa), Adad Hannah (Montréal), Donna James (Ottawa), laura jeanne
lefave (Gatineau / Montréal), Jenny Lin (Montréal), Liss Platt
(Hamilton), Frank Shebageget (Ottawa), Dan Sokolowski (Ottawa) +
Susan Terrill (Ottawa / Los Angeles).




Galerie SAW Gallery, 67 Nicholas Street, Ottawa, Ontario, CANADA K1N 7B9
T: 613.236.6181 sawgallery@artengine.ca http://www.galeriesawgallery.com
Hours of operation: Tuesday to Saturday, 11AM to 6PM

For more information, to book interviews with the artists or to
receive a media kit, please contact Erin Kelly at 613.236.6181 or at
sawgallery@artengine.ca.

Galerie SAW Gallery acknowledges the support of its members, the
Canada Council for the Arts, the Ontario Arts Council, the City of
Ottawa and Canadian Heritage. Special thanks to the Winterlude
festival, co-presenter of THE WINTER LIFE, and sponsors Available
Light Screening Collective, Inuit Broadcasting Corporation, Oboro,
SAW Video, imagineNATIVE Film + Media Arts Festival, Bridgehead
Coffeehouse + Steam Whistle Brewing.


COMMUNIQUÉ DE PRESSE DE LA GALERIE SAW GALLERY

COUP D'‘IL SUR LA MODE, LE SPORT, L'ARCHITECTURE, LE LOISIR ET LA
SURVIE DURANT LA SAISON LA PLUS RUDE DE L'ANNÉE

EXPOSITION : La vie d'hiver
ARTISTES : Joelle Ciona (Vancouver), Eryn Foster (Halifax), Barney
Pattunguyak (Baker Lake), Liss Platt (Hamilton) + Laura Splan (San
Francisco)
COMITÉ D'EXPOSITION : Darsha Hewitt, Stefan St-Laurent, Ryan Stec,
Ming Tiampo + Tam-Ca Vo-Van
DATES : du 3 février au 19 mars 2005
VERNISSAGE : le jeudi 3 février, de 20 h à 1 h. Première
internationale de Remix 2004 à 22 h et une performance audio de Pho.
Entrée libre et bar payant.
PERFORMANCE : Puck Paintings de Liss Platt, le samedi 5 février, de
12 h à 14 h, sur le canal Rideau. Présentée en collaboration avec le
festival Bal de neige. Entrée libre. Les spectateurs sont invités à
participer à cette performance.

L'hiver est une métaphore répandue dans plusieurs romans importants à
travers le monde, et les artistes visuels ne l'ont pas négligée : ils
et elles témoignent souvent de leurs expériences difficiles sous une
perspective glacée et brumeuse. En effet, l'on pourrait affirmer
qu'il n'existe pas de meilleure situation que de placer un sujet dans
un paysage d'hiver aliénant, lorsque tous les éléments familiers sont
recouverts d'un énorme manteau de neige ou de glace. Il est
intéressant de constater à quel point nous essayons de nous leurrer
en croyant que cette saison n'est pas si mal - avec ses températures
froides, le coût élevé du chauffage, l'accès limité -, en ayant
recours à des mécanismes d'adaptation qui créent des barrières
physiques et psychologiques. Nous sommes presque convaincus d'exercer
un contrôle surhumain sur les éléments terrestres.

[snipped]

Barney Pattunguyak a créé Super Shamou, le premier superhéros inuk au
monde, qui protège les grands espaces canadiens et apprend aux
enfants les dures réalités de la vie arctique. Assurément une parodie
de Superman - ce mâle type de race blanche qui séduit bien plus qu'il
ne sauve - Super Shamou a l'apparence et le comportement d'un Inuk
tout à fait ordinaireÃ‚Š capable de voler. Même si les scènes de vol
sont peu convaincantes en raison des ressources limitées et des
possibilités de la vidéo à l'époque, c'est le contexte qui nous
charme, plus que les pouvoirs spéciaux de Shamou. En fait, ce genre
d'antihéros a été créé par une compagnie indépendante, la Inuit
Broadcasting Corporation. Fondée en 1981, la IBC a été mise sur pied
en réaction directe contre la prolifération d'images télévisuelles en
provenance du Sud et diffusées dans le Nord, une menace pour une
culture déjà atteinte par le commerce et la religion. Existe-t-il un
meilleur moyen de contrer l'expansion rapide du régime capitaliste
américain que de produire la némésis culturelle de Superman? Cette
exposition coïncide avec la première de la nouvelle version restaurée
de la bande de Pattunguyak, grâce au talent de l'équipe du festival
de film et vidéo imagiNative de Toronto.

[snipped]

- Stefan St-Laurent + Tam-Ca Vo-Van (traduction : Denis Lessard)

REMIX 2004. COMMISSAIRES : Anne Clarke + Ryan Stec. ARTISTES : Tony
Asimakopoulos (Ottawa), Kerry Campbell (Ottawa), Lee Demarbre
(Ottawa), Adad Hannah (Montréal), Donna James (Ottawa), laura jeanne
lefave (Gatineau / Montréal), Jenny Lin (Montréal), Liss Platt
(Hamilton) + Frank Shebageget (Ottawa), Dan Sokolowski (Ottawa) +
Susan Terrill (Ottawa / Los Angeles).



Galerie SAW Gallery 67, rue Nicholas, Ottawa (Ontario), CANADA K1N 7B9
T: 613.236.6181 sawgallery@artengine.ca http://www.galeriesawgallery.com
Heures d'ouverture: du jeudi au samedi, de 11 h à 18 h

Pour obtenir de plus amples renseignements, pour réserver des
interviews avec les artistes participants ou pour recevoir un dossier
de presse, veuillez contacter Stefan St-Laurent ou Tam-Ca Vo-Van au
(613) 236-6181 ou à sawgallery@artengine.ca.

La Galerie SAW Gallery remercie ses membres, le Conseil des Arts du
Canada, le Conseil des arts de l'Ontario, la Ville d'Ottawa et
Patrimoine canadien de leur appui. Merci également au festival Bal de
neige, co-présentateur de LA VIE D'HIVER, et aux commanditaires
Available Light Screening Collective, Inuit Broadcasting Corporation,
Oboro, SAW Video, imagineNATIVE Film + Media Arts Festival,
Bridgehead Coffeehouse + Steam Whistle Brewing.

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= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
Via / By / Excerpted / From / Tip from / Thanks to:

Melanie Legault

© info
http://members.tripod.com/~media002/disclaimer.htm
Due to the nature of email & the WWW, check ALL sources.
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
GEORGE LESSARD
Information & Media Specialist
Home E-mail mailto:media@web.net
MSN: MediaMentor (video cam & audio capable)
ICQ: 8501081
www.Skype.com P2PNetPhone: themediamentor
Home Pages / C.V. http://mediamentor.ca/
Blog: http://mediamentor.blogspot.com/
Online Activities: http://www.web.ca/~media/index.html
Images: http://members.tripod.com/media002/george-lessard-photographer.html
http://mediamentor.fotopages.com/
Member http://www.carcc.ca/ & http://www.caj.ca
"You must be the change you wish to see in the world."
(Gandhi)
"We cannot become what we need to be by remaining what we are."
(Max Depree)
"Try? There is not try. There is only do or not do."
(Yoda)



Yahoo! Groups Links

<*> To visit your group on the web, go to:
http://groups.yahoo.com/group/aboriginaljournalists/

<*> To unsubscribe from this group, send an email to:
aboriginaljournalists-unsubscribe@yahoogroups.com

<*> Your use of Yahoo! Groups is subject to:
http://docs.yahoo.com/info/terms/


CBC "Definitely Not The Opera" Contest

From: Magnus Thyvold <magnus@vcn.bc.ca>
Subject: CBC DNTO Contest

Hey All!
CBC's DNTO has a contest that might be of interest to Canadian DJ's hoping for a chance to ply their trade at the Mother Corp.
They have asked me to pass along the attached PSA which is pretty self explanatory. There's an audio version as well at http://www.ncra.ca/resources/temp/take_me_home_promo_cc1.MP3

Post the PSA at the station, play on air or whatever you think. Programmers will probably be interested.

********************
TAKE ME HOME : DNTO's brand new contest
 
EXPIRES FEB 8, 2005.
 
 
 
Whatís even more fun than listening to the radio? Being on the radio. And thatís just where you might end up if you enter Definitely Not The Operaís new contest. Itís called Take Me Home.
 
Last year, Nora Daisy Fannin won and got to co-host 4 freakin' hours of radio along with DNTO's regular host Sook-Yin Lee. She spent the time showing us around her hometown of Cobalt, Ontario.
 
Whoever wins the contest this year will get to take DNTO to their hometown too!
 
Whatís that I hear? Is it all of you asking How can I enter this Take Me Home Contest?  Well, perk up your ears and grab a pen to write all this down.
 
 Here ís what you have to do to win. Send DNTO a tape or cd of you talking about what your plan for your show is, so they can tell what you sound like on-air. Write a paragraph about where you want to take Sook-Yin and DNTO's listeners while you're on the show.  Send us a playlist of the tunes you'll spin and tell DNTO why you like'em!
 
The final step is to put all that stuff in an envelope and send it to us at this address: Definitely Not the Opera, Take Me Home Contest, P.O. Box 160, Winnipeg, Manitoba, R3C 2H1.
 
So get cracking buckaroos, the deadline for entries is Feb 8, 2005, and if you win DNTO and Sook-Yin Lee will be coming to your hometown.  If you need a bit more information head to our website http://cbc.ca/dnto then click on the link to Take Me Home.
 
********
 
--  

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= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
Via / By / Excerpted / From / Tip from / Thanks to:
Magnus Thyvold
Managing Editor,
!earshot magazine
http://www.earshot-online.com

© info
http://members.tripod.com/~media002/disclaimer.htm
Due to the nature of email & the WWW, check ALL sources.
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
GEORGE LESSARD
Information & Media Specialist
Home E-mail mailto:media@web.net
MSN: MediaMentor (video cam & audio capable)
ICQ: 8501081
www.Skype.com P2PNetPhone: themediamentor
Home Pages / C.V. http://mediamentor.ca/
Blog: http://mediamentor.blogspot.com/
Online Activities: http://www.web.ca/~media/index.html
Images: http://members.tripod.com/media002/george-lessard-photographer.html
             http://mediamentor.fotopages.com/
Member http://www.carcc.ca/  & http://www.caj.ca
"You must be the change you wish to see in the world."
(Gandhi)
"We cannot become what we need to be by remaining what we are."
(Max Depree)
"Try? There is not try. There is only do or not do."
(Yoda)

!Earshot Online

!earshot is published by Canada's National Campus and Community Radio Association
/ l'Association nationale des radios étudiantes et communautaires ( NCRA/ANREC ).

Airplay Basics
OK, so you got a CD. What now?


and top 200 |electronica |hip hop |loud |international |jazz

 
Charts Editor: Bryndis Ogmundson
Reviews Editor: Anne Sulikowski
Webmasters: Magnus Thyvold and Giedrius Virbalas
Publisher: Magnus Thyvold

Days of Radio Caroline

Days of Radio Caroline

"Radio Caroline" - a true short story by Clive Warner, can be found HERE . The year is 1974, and the characters include reclusive  Irish millionaire Ronan O'Rahilly, George Harrison and friends, Harold Wilson,  Johnny Jason, Andy Archer, John B Mair and the late Tony Allan. A tale of  madness and rock music set in the gale-thrashed English Channel.

[excerpt]
Recruitment
It must have been September 1974, or thereabouts. For the last year - since  the start - I'd been working for Capital Radio, London's first commercial radio  station. That had all changed with the introduction of a new 'national  agreement' that had resulted in most of the engineers being downgraded in  status, pay, and conditions. It was time to move on.
http://www.citiria.com/novelist/miamigo.jpg

I accepted a one-year contract in the Kingdom of Saudi Arabia. But the visa took forever to come through. Russ Tollerfield,  one of the engineers at Capital, knew I wanted 'out' and surprised me one day,  saying "Why don't you go to work for Radio Caroline until the Saudis sort out  your visa?"

I thought he was joking. He wasn't. Russ knew Ronan O'Rahilly, legendary  Irish Outlaw of the Aether, a good-looking rich batchelor who toured London in  his Range Rover; one of the 'in crowd' Ronan was always seen with the prettiest  debs and was a good friend of George Harrison and Ravi Shankar, the famous  Indian sitar player.

A few days later Russ said, "If you're interested, be at the Casserole  restaurant on King's Road, (Chelsea), at 6 o'clock."

http://www.citiria.com/novelist/caroline.html

Monday, January 24, 2005

Stanford Digital Vision Program Application Announcement

Date: Sat, 15 Jan 2005 00:33:26 -0000
From: "Stuart Gannes" <sgannes@stanford.edu>
Subject: Stanford Digital Vision Program Application Announcement
 
Announcement
The Reuters Digital Vision Fellowship Program at Stanford University is accepting applications for 2005-06 (September-June).
The deadline is Tuesday, March 15, 2005.
Fellowships will be awarded after Monday, May 16, 2005.

The Program

Digital Vision Fellows are social entrepreneurs dedicated to using information technology solutions. For the 2005-06 academic year, the program will focus on the following broad categories:
• Micro-finance, remittances, and alternative currencies.
• Low-cost Internet connectivity networks, devices, and interfaces.
• Rural telemedicine networks, equipment, and services.
• Social software, community-building, and learning tools.

DV Fellows draw on the resources of Stanford University and Silicon Valley to research the needs and requirements of their projects, identify the best technology choices, create proof-of-concept
prototypes, and develop sustainable business models. Some financial support is available for prototype development. DV Fellows have Visiting Scholar privileges at Stanford, including the ability to audit courses. Fellows also participate in a structured Digital Vision Program with weekly classes, seminars, and workshops. DV Fellows collaborate with faculty, students, and with each other. The
program also facilitates connections between DV Fellows and its technology partners including Reuters, Google, Advanced Micro Devices, and the Grameen Technology Foundation.

Fees and Scholarships
The Reuters Foundation will award twelve full time fellowships, covering all Stanford fees and expenses. Additionally living stipends are available for fellows accepted from developing world countries. For additional information click on the "Become a Fellow" link at http://rdvp.org. Successful candidates are mid-career technologists and professionals who wish to apply their skills to a humanitarian IT- based project in the developing world.

Stuart Gannes, Director
Reuters Digital Vision Program
Stanford University
 "Stuart Gannes" <sgannes@stanford.edu>
Become a Fellow
[excerpt]
Eligibility

You must have at least five years of full-time professional experience working with information and communications technologies in your organization.

You should have an in-depth knowledge of, and interest in, the latest information and communications technology applications and their implementation in the developing world.

There is no age limit.

The minimum educational qualification is a bachelor's degree.

Suitable Projects

Applicants have two main options:
You can develop your own project.
You can contact former DV Fellows if you want to continue work on their existing projects.

The Program aims to give fellows as much flexibility as possible in selecting a project; however, projects should adhere to the following basic guidelines:
Projects should address a real and identifiable need relating to an area of the developing world.
Projects should be scalable and sustainable.
Solutions should be driven by information and communication technologies (e.g. Internet, web, mobile, satellite).
Project proposals should detail a realistic 6-9 month project for one fellow to undertake.

--  
--

= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
Via / By / Excerpted / From / Tip from / Thanks to:
http://members.tripod.com/~media002/disclaimer.htm
Due to the nature of email & the WWW, check ALL sources.
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =

Canadian Institute for Training in Public Broadcasting

CBC/Radio-Canada's Canadian Institute for Training in Public Broadcasting offers training programs in broadcasting http://cbc.radio-canada.ca/training/programs at the international level that draw on the recognized expertise of Canada's national public broadcaster in the production and broadcasting of programming on radio, television and the web, in English as well as in French.

The Institute's training programs encompass key areas as follows:
http://cbc.radio-canada.ca/training/programs/management.htm
http://cbc.radio-canada.ca/training/programs/journalism.htm
http://cbc.radio-canada.ca/training/programs/technical.htm
http://cbc.radio-canada.ca/training/programs/new_media.htm
The Institute customizes its training programs to meet the specific needs of broadcasters and broadcasting-industry organizations in terms of professional development. Contact us http://cbc.radio-canada.ca/training/contact.htm for more information on the Institute or to submit a proposal or training request http://cbc.radio-canada.ca/training/submit.htm on behalf of your organization.

Sunday, January 23, 2005

Academics give lessons on blogs

 * Academics give lessons on blogs *
Lecturers are increasingly using blogging as a tool for teaching and learning.
Full story:

RELATED INTERNET LINKS:

[excerpst]

Until a few months ago, the attention paid to web logs, or blogs, focused mainly on politics and the media business.

However, many in academia followed the web-diary of Salam Pax, the famous Baghdad blogger during the build-up to the war in Iraq.

Now, the technology that has been an alternative source of news to many academics is being incorporated more fully into university life.

Blogs are giving departments, staff and students the freedom and informality of tone impossible in scholarly journals or even the student newspaper.

Blogging lecturers say the technology provides them with easy online web access to students and improves communication outside of the classroom. .

[...]

Academics can become too insular, constructing their own language and cliques which do nothing to promote the getting of knowledge
Esther Maccallum-Stewart, Sussex University

[...]

Warwick not only wants those within its four walls to be able to self-publish to the web.

John Dale, its head of IT services, says the university aims to provide new personal development opportunities for students and believes that blogs might be one means of helping to accomplish this.

"We believe that blogging may open new opportunities for students and staff," says Mr Dale. "It gives students an opportunity to work together on projects."
There are three such blogs in the Business School at Warwick alone and the university hopes that staff will also use blogs for collaborative projects.

Bore Me (New media viral art or advertising?)

The very best (and worst) viral e-mails that have amused, enlightened
or outraged the world...

example

http://www.boreme.com/bm/JAN05/a/vw-suicide-bomber/fr.htm

(P.S. The product is you.)
Includes...
http://www.boreme.com/bm/fr_collections.htm
Adverts, Animals, At work, Battle of the sexes, Celebrities,
Christmas, Consumer world, Crazy stunts, Education, Food & drink,
Football, Games, Japan, Jokes, Microsoft, Mishaps, Movies, On the
road, Optical tricks, Politicians, Press clips, Quotes, Science,
Signs & posters, Song & dance, Star Wars Kid, Super skills, US
elections 2004, War on terror

http://www.boreme.com/bm/fr_by_type.htm
Animation, Images, Interactive, Movies, Sound, Text



Friday, January 21, 2005

My personal world map


My personal world map
Originally uploaded by The MediaMentor.
This is a map of the countries I've either lived in or visited... The dark red countries are the ones I've lived in and the lighter red ones are those that I've just visited.

Thursday, January 20, 2005

Chinese 'to overtake US net use'

* Chinese 'to overtake US net use' *
Within three years more Chinese people will be using the net than
Americans, reveals a report.
Full story:
http://news.bbc.co.uk/go/em/-/2/hi/technology/4190937.stm